The Mexican practice, VMA study, has been in charge of designing this building, a Center for the National Property Heritage, located in the Coyoacan neighborhood of Mexico City.

The project, designed by VMA, is composed of several small buildings. Thanks to its fragmentation, the chromatic games created by the façades and their transparencies, it manages to give identity to the whole, integratingself in the natural surroundings of the plot.
 

Description of the project by VMA

The old colonial neighborhood of Coyoacan comprises some of the more notable cultural institutions of Mexico and the new national Center for Patrimonial Heritage is added to the list. The center´s main concept spins around the need to turn a private complex into a public space; thus, the programmatic idea of breaking the parts in order to organize them in smaller low-rise buildings that could eventually display certain design personality and preserve the existent trees and vegetation, made sense. Therefore the center will be displayed in four different buildings: the museum and workshops, the preservation and office building, the auditorium, and the café / library structure.

Once we secured the existent trees and plants, we proceeded to establish the project zoning and arrangement. Within the concept of dispersion, we decided to hinge and organize buildings around the open spaces. Therefore, we aimed that visitors would navigate through a number of interlocked gardens, plazas, paths, patios, etc. that will eventually unfold and reveal a number of architectural elements and gestures. From the overall aesthetic composition, some buildings have been thought as solid and massive creating a deliberate contrast to others that are conceived as translucent or transparent. Decisions made in this sense respond mostly to dealing with finding the right balance between energy savings, aesthetics and human activity. 

According to the architects, although some compositions are directly or indirectly referenced to some architectural ideas from Emilio Ambaz and Francisco Machado, from a design standpoint, the assumed influences come from University City, that spectacular array of pioneering modern architecture in the late 40’s and early 50’s. Among the principles that may be found in relationship to CU are a severe axial composition, that is often manipulated by the use of ramps, canopies or pergolas; the traditional use of black volcanic rock indigenous from this zone of the valley to build walls and contentions, and finally the use of simple volumes that acknowledge the relevance of classical elements of architecture such as the colonnade or the promenade. In counterpoint, the project’s central and stronger idea is best described by the design of the museum’s overhanging gallery. By imagining this volume as an art piece itself, we laid out it in a way it becomes the central exhibit of the complex. It can be particularly enjoyed from the café’s patio.

The gallery’s dichroic-skin will break the spectrum of color depending on light temperature and intensity (outdoor and indoor) creating a organic and ever changing, kaleidoscopic effect, that incidentally references the chromatic stridence of Mexican folk Art. The authors have yet added another layer to the glass, a large-scale graphic pattern resembling a diffusing lattice that gives the impression of tattooing the building. The overlaid system distorts the relationship between the exterior and the interior, and also the connections between light and space, pushing the visitor towards the experience of a psychotropic trip.

Read more
Read less

More information

Label
Architects
Text
Víctor Márquez + Ángeles Miranda
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Design Director
Text
Víctor Márquez
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project Leader
Text
Ángeles Miranda
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Developer of the design
Text
Victor Márquez Arquitectos S.L.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Structural engineering.- Ubando.
Electric engineering.- Mepu S.A.
Illumination.- VMA SC.
Construction of the project.- Sedena.
Electrical ejecution.- Sedena.
Director of construction.- M. Ing. Carlos de la Fuente.
Landscape.- Jaume Schmidt, Víctor Márquez, Ángeles Miranda.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client
Text
Instituto Nacional de Administración y Avaluos de Bienes Nacionales
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Venue
Text
Salvador Novo 9, Coyoacan en Ciudad de México
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
5,705 m²
+ + copy Created with Sketch.
- + copy Created with Sketch.
Víctor Márquez Architects. Author, designer, architect, urban planner and historian interested in taking the systems theory into broad areas of technology and society, sustainable mobility, airports, public space, cultural, artistic and social initiatives. 

He holds a Doctor of Philosophy in Science & Technology Studies, a Master of Arts in History of Technology from Cornell University and a Master of Architecture from the University of Pennsylvania. Under the Fulbright Scholarship he has produced research that has led him to give more than fifty lectures and papers in five continents. 

He has been a Ted Talk lecturer, an advisor of Discovery Channel, member of six international societies of science and technology. Under his own design studio VMA he has designed and planned twelve projects for airports included de ultramodern TB in Monterrey. Currently he designs the first metropolitan park in Mexico City in more than 40 years.
Read more
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...