Foster + Partners completes Le Dôme winery in an exceptional territory, Saint-Émilion

07/12/2021. [Saint-Émilion - Bordeaux] France
metalocus, JOSÉ JUAN BARBA

In few places on the planet the landscapes and the land are cared for with as much care as in the lands of Bordeaux. Not many know that this landscape is largely possible today, after the passage of phylloxera, thanks to the transfer of the wineries to the territory of La Rioja at the end of the 19th century.

There they weathered the storm and when the insect also arrived in Spain, and the wineries returned to France, they also took the vines that served to regenerate the resurgence of one of the most exceptional territories in wine production.

Foster + Partners completed the new winery for a young label, Le Dôme, in Saint-Émilion, nestled in the rolling hills of Bordeaux, a facility blending with the UNESCO World Heritage Cultural Landscape of the region.

Le Dôme Winery in Saint-Émilion by Foster + Partners. Photograph by Nigel Young / Foster + Partners

Le Dôme Winery in Saint-Émilion by Foster + Partners. Photograph by Nigel Young / Foster + Partners

Le Dôme Winery in Saint-Émilion by Foster + Partners. Image by Celia Shiels / Foster + Partners

Le Dôme Winery in Saint-Émilion by Foster + Partners. Image by Gregory Gibbon / Foster + Partners

Site plan. Le Dôme Winery in Saint-Émilion by Foster + Partners.

Ground floor plan. Le Dôme Winery in Saint-Émilion by Foster + Partners.

First floor plan. Le Dôme Winery in Saint-Émilion by Foster + Partners.

Roof plan. Le Dôme Winery in Saint-Émilion by Foster + Partners.

West and North elevations. Le Dôme Winery in Saint-Émilion by Foster + Partners.

Sections. Le Dôme Winery in Saint-Émilion by Foster + Partners.

Norman Foster's relationship with this land goes back a long way, it is not the first of his interventions. The new winery is situated in a small valley to the west of the small medieval village of Saint Émilion, in the direction of the town Libourne and north of the Dordogne river.

The project proposed by the architect based between London and Madrid has been careful with its scale. The choice of material for its recycled tile roof seems to want to dialogue in textures with this typical calcareous soil, in which the vines almost seem to cover the volume of the winery.

The building has a neat and compact geometric shape, which emerges from the ground with a concrete cylinder at its base (partially buried to take advantage of the thermal mass of the soil and minimize energy consumption), continues with a space built with timber structure for the top floor (a tasting space) and the roof , paying attention to the oculus of the central space occupied by the vats, around which and on different bands are located the quiet oak barrels resting with their precious broth.

Around the cylinder, different pedestrian and vehicle access ramps accentuate the centrality of the main volume and reduce the impact of this installation on this precious UNESCO's territory.

Le Dôme Winery in Saint-Émilion by Foster + Partners. Photograph by Nigel Young / Foster + Partners.

Project description by Foster + Partners

Le Dôme Winery in Bordeaux welcomes its first visitors

Nestled in the rolling hills of Bordeaux, the new Le Dôme winery in Saint-Émilion has welcomed its first visitors. Designed and engineered by the practice, the low-lying building blends seamlessly with the UNESCO World Heritage Cultural Landscape of the region with a state-of-the-art facility for the internationally renowned wine, Le Dôme. The form of the building is rooted in a desire to create a structure that simultaneously looks both inwards and outwards, providing an efficient space for wine production, while engaging in dialogue with the surrounding landscape.

“When Jonathan Maltus first approached us, he expressed a desire to create a distinctive new winery, set against the unique backdrop of St Emilion. He wanted the building to be a celebration of the beautiful site, focussing on the views of the vineyard and making the landscape the primary protagonist in the design. The idea was to blend the building with its surroundings while creating a welcoming space for visitors and wine enthusiasts.”

Norman Foster, Founder and Executive Chairman, Foster + Partners.

“When I first met Norman Foster in Madrid we spoke for over an hour and a half about what we required out of the project. Norman’s energy and personal interest shone when he, there and then, sketched the basic design of the building that has manifested itself so brilliantly in real life. What we see now, and it gives us so much pride, comes directly off the page that he drew in his notebook in front of me”.

Jonathan Maltus, owner of Le Dome.

Visitors approach the winery along a tree-lined avenue, at the end of which is a circular-plan building. A combination of two ramps – one external to emphasise the relationship with the site and the other internal, allowing the visitor to walk through the different stages of the wine process – gives the new building its spatial definition. Both ramps lead up to a gallery on the upper level which forms the social heart of the building with tasting tables, an elegant wine bar and entertainment spaces – all wrapped by 360-degree views of the adjoining vineyards.

The architectural and industrial design teams at Foster + Partners worked closely from the outset to create an interior design solution that is an integral part of the architecture. A curved wine bar looking out onto the vineyards alongside circular tables forms the tasting area to the left. A circular atrium allows people to look down onto the wine production and storage spaces below, providing a holistic and unique experience for visitors. To the right of the entrance, discrete office pods help create space for focussed work within a busy environment. The timber screens wrap around the desk spaces to allow for acoustic and visual privacy while preserving sightlines to the outside and blending in with the architecture, with the lines in the ceiling reflected in the timber screens.

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Architects

Foster + Partners.

Design team

Norman Foster. Nigel Dancey, Roger Ridsdill Smith, Pablo Urango Lillo, Taba Rasti, Jaime Valle, Miguel García Jiménez, Cesidio García del Río, Rupert Inman, Jeng Neo. Foster + Partners Industrial Design.- Mike Holland, Stefan Bench.

Collaborators

Collaborating Architect.- A3A Architects.
Structural Engineer.- EUTECA.
Mechanical Engineers.- Secath.
Cost Consultant.- Empty & Bau.
Acoustics.- Arup.
Joinery.- Ebaniscana.
Structural Timber.- Simonin.

Client

SCE Chateau Teyssier.

Area

Site Area.- 3.00 Hectares.
GFA.- 1,600m².
Net Internal Area.- 1,200m².
Typical Floor Area.- 500m².

Dates

Appointment.- 2017.
Construction Start.- 2019.
Completion date.- 2021.

Dimensions

Number of Floors.- 2 Storeys + 1 Basement.
Building Dimensions Height.- 10m.
Width.- 50m.
Capacity.- 50 people.
Parking Facilities.- 9 Cars.

Location/Venue

Saint-Émilion, Bordeaux, France.

Photography

Nigel Young.

NORMAN FOSTER

Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of a high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

METALOCUS > 05.2017

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Foster + Partners completes Le Dôme winery in an exceptional territory, Saint-Émilion

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