Foster + Partners completes Le Dôme winery in an exceptional territory, Saint-Émilion

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Design team
Norman Foster. Nigel Dancey, Roger Ridsdill Smith, Pablo Urango Lillo, Taba Rasti, Jaime Valle, Miguel García Jiménez, Cesidio García del Río, Rupert Inman, Jeng Neo. Foster + Partners Industrial Design.- Mike Holland, Stefan Bench.
Collaborating Architect.- A3A Architects.
Structural Engineer.- EUTECA.
Mechanical Engineers.- Secath.
Cost Consultant.- Empty & Bau.
Acoustics.- Arup.
Joinery.- Ebaniscana.
Structural Timber.- Simonin.
Site Area.- 3.00 Hectares.
GFA.- 1,600m².
Net Internal Area.- 1,200m².
Typical Floor Area.- 500m².
Appointment.- 2017.
Construction Start.- 2019.
Completion date.- 2021.
Number of Floors.- 2 Storeys + 1 Basement.
Building Dimensions Height.- 10m.
Width.- 50m.
Capacity.- 50 people.
Parking Facilities.- 9 Cars.
Saint-Émilion, Bordeaux, France.


Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.




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