The real estate crisis in Spain left several works unfinished and abandoned throughout our country. In many cases these works have been retaken, providing solutions that have resulted in great projects.
This situation has been portrayed by the Spanish Pavilion at the Biennale this year that, under the title Unfinished, has exposed some of these projects. Of course there are many more and the House in Torre Pinar, by Magén Arquitectos, is one of them.
 

Description of the project by Magén Arquitectos

PREEXISTENCES: AN ABANDONED HOUSE AT THE BEGINNING OF THE SPANISH REAL ESTATE BUBBLE.

The project originally responds to the decision to assume as a starting point an existing building, a yet to complet house abandoned in the plot at the beginning of the economic crisis. The site, located in a residential area of ​​the seventies, west of Zaragoza, was subsequently acquired by a young Spanish-Belgian couple -the developers, with the idea to reuse the already built within a new approach. The initial construction, with a U-shaped plan diagonally cut at the ends, had two floors and basement on one side and one single plan in the other and had been interrupted after the execution of the structure and part of the walls. Despite a conditioning so significant, both the whole gardened plot as the dimensions of the plot and south orientation were favorable factors for the new proposal.

ADD INTERMEDIATE SPACES: FRAMES, FILTERS

Given the schematic character of the already exisiting volume, the main objective of the project was, in addition to the resolve effectively the new programme, built some interstices, adding porches, pergolas, terraces and patios, in order to refine the relationship between interior and exterior spaces. Thus, the initial volume is partially surrounded by these new pieces, which also disfigure its initial character, to give a more appropiate scale, according to its domestic use. The proposal recognizes the accidental condition of pre-existence and process: it is presented as the final result of these factors.

The project focuses on both the definition and development of its limits, between inside and outside, and for that three types of formal operations are defined, depending on their position and spatial depth: the window-frame, squared and leveled to the outside; the outgoing porches-like bulges of the facades on the ground floor to the south; and the lattice-curtain, vertical profiles, which filter light and views, and can also support pergolas, porches and terraces. These mechanisms articulate relation with the outside: the square windows frame the views from inside, porches allow an intense and extensive visual contact with the garden, the lattice filter the light, and define patios and thresholds, which form intermediate spaces around the house.

A FOLDED COVER UNFOLDING AROUND THE PATIO

The most significant new structural elements are horizontal planes, both the pergola surrounding the north and east facades-covering parking and access to the hall-, as the porch and terrace built on the south facade. In addition to providing new exterior covered spaces for domestic outdoor activities, these pieces form the southern boundary of the central courtyard. Original U-shaped courtyard is partially closed and becomes more complex, to set the movement of the outer shell around the courtyard. The house thus becomes understood as a cover that folds on itself without being closed, embracing an open space.

From the outside, this operation provides a unique reading of the house -that encompasses both preexistences and new dettached pieces-, to which also contributes the definition of the cover. A sheet made of zinc that folds into a series of triangular planes and unfolds in continuity around the patio, adapting to the different interior heights. The broken geometry and abstract materiality reinforce the view of the facades in continuity, as a plane to be folding and refolding, forming a multiform and changing volume, depending on the position of the observer. 

PROGRAM AND ORGANIZATION

The interior layout is organized from the existing structure, placing serving spaces on the north facade, and a more open distribution in the rest of the house. The central lobby, a space in continuity with the south courtyard and north porch through floor-to-ceiling transparent windows, connects the two sides of the U-shaped plan. The main bedroom, with dressing room and bathroom, is located on the east side, while a guest bedroom and the living room, an open space that also holds kitchen and dining room, is on the west side. The firm commitment of the owners by the idea of ​​cooking as an activity of relationship, open to the rest of the space, allowed to design the central island along with the dining table like a longitudinal piece of furniture, which characterizes this space.

On the same side, it is the staircase that connects the ground floor with the basement floor -in which a library on the east side and service rooms on the north side are located- and with the first floor, which has two bedrooms, bathroom, storage and terrace on the south side. The exterior landscaping is almost a whole garden, except the platform of the housing, at elevation +0.50 cm., the access road to the parking, and a small porch to outdoor dinings. It will be completed with the construction of a longitudinal pool on the west side of the plot.

COMFORT AND ENERGY

Natural and built elements around the house help to improve indoor climatic conditions as passive mechanisms for conditioning. Porches are dimensioned to allow the entrance of solar radiation in winter and prevent it in summer. low emissive glasses are used in windows; Their number, position and opening systems favor cross ventilation. Insulation is reinforced in exterior walls and roofs. The facilities, with underfloor heating and aerothermal system, are also defined to ensure comfort  and optimize energy losses and their economic impact.

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Architects
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Magén Arquitectos. Jaime Magén, Francisco Javier Magén
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Collaborators
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María Tejel, José Luis Sánchez Velázquez, Rafael González, Carlos Polo
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Venue
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Garrapinillos, Zaragoza.
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Dates
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Project.- 2013. Completed.- 2015
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Plazo de ejecución
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9 month
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Budget
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€225,927.70 (PEM)
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Surface
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Built 440.10 m². Plot 1530.10 m²
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Constructor
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Construcciones Moya Valero
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Photography
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Magén Arquitectos is an architecture and urban planning studio based in Zaragoza, founded in 2002, by Jaime Magén (Zaragoza, 1974) and Francisco Javier Magén (Zaragoza, 1980), both architects from the University of Navarra (ETSAUN) and Master in Theory and History of Architecture (ETSAUN), and Francisco Javier Magén, an architect from ETSAUN and Master's Degree in Architecture from the University of Zaragoza. The studio addresses the design and development of projects, from a reflective position committed to the materialization of architecture, addressing disciplinary issues at multiple scales, from the place and public space to the construction detail and environmental strategies, using contemporary methodologies and tools. to explore in each case new ways of integrating a guiding idea of ​​the programmatic and functional conditions of the building in the context and the built landscape.

Our first construction project -68 VPO homes in Zaragoza- won the Bauwelt Prize (Munich, 2007) for the best international debut in collective housing. Since then, the studio's works have received over 80 national and international awards. Among others, in the FAD, Aplus, Enor, CSCAE, Hispalyt, NAN,… Awards in Spain and the Detail Preis, AIT, Brick Awards, Barbara Cappochin, Giancarlo Ius Gold Medal, MEA of Mediterranean Sustainable Architecture, Architizer,… in Germany, Austria, Italy, Greece and the USA, respectively. Six works have been Selected, Awarded or Finalist in the Spanish Architecture Biennials 2011, 2013, 2015, 2021 and 2023. The studio's career has been recognized with the Design Vanguard Award from Architectural Record to the 10 emerging Architecture studios worldwide and the International 40under40 Award from the European Center for Architecture, Art Design and Urban Studies and Chicago Atheneum. The projects have been published in more than 200 articles in books and specialized magazines
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