MAKING DOHA 1950–2030, at the National Museum of Qatar by AMO

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Rem Koolhaas, Samir Bantal, OMA/AMO Fatma Al Sehlawi, Atlas Bookstore
Design Team
Valentin Bansac, Samir Bantal, Yotam Ben-Hur, Sebastian Bernardy, Rem Koolhaas, Annie Schneider, Aleksandr Zinovev
Research Team
Marsya Abdulghani, Nasser Al-Amadi, Fatma Al-Sehlawi, Fatima Al-Hajri, Majid Al-Remaihi, Alanood Al-Thani, Rawda Al-Thani, Ahmed Alony, Markus Elblaus
Curtain advisor
Inside Outside
Abdulaziz Ali Al-Mawlawi, Abdulla Ahmed Al-Najjar, Amina Ahmadi, Ali Al-Khater, Bob Allies, Charlotte Kruk, Daniel Elsea, Hafid Rakem, Hisham Qaddumi, Ibrahim Mohammed Jaidah, Issa Mohammed Al-Mohannadi, Jacques Herzog, Jean Nouvel, John Lockerbie, Manon Janssens, Michael Bekker, Najla Al-Obeidan, Nasser Ali Al-Mawlawi, Patrik Schumacher, Philippe Charpiot, Rasha Al-Sulaiti, Saad Ibrahim Al-Muhnadi, Sheikh Abdulrahman bin Khalifa Al-Thani, Simon Gathercole, Tim Makower & Rosanna Law, Woody Yao
Al Rayyan Television, Ali Al-Khater, Ali Darwishi Archive, Allies And Morrison, Arab Engineering Bureau, Ashghal – Public Works Authority, Atelier Jean Nouvel, Barwa Real Estate Company, British Film Institute, British Pathé Gulf Times Newspaper, Herzog & de Meuron, Hisham Qaddumi, John Lacorbie Archive, Katara Cultural Village, Makower Architects, Mathaf: Arab Museum of Modern Art, Ministry of Municipality and Environment, Msheireb Properties, Office of his Highness Sheikh Jassim bin Hamad Al-Thani, Museum of Islamic Art, National Museum of Qatar, OMA Archive, Qatar Foundation, Qatar Post, Qatar Rail, Qatar Television, Qatari Diar, Sheikh Hassan bin Mohammed Al-Thani, Sheikh Saud bin Mohammed Al-Thani Collection, Supreme Committee for Delivery and Legacy, Zaha Hadid Architects
Film & Editing
Laura Cugusi (London) Ahmed Alony and Fatima Al-Hajri (Atlas Bookstore, Doha)


Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

Samir Bantal

Samir Bantal is the director of AMO, the think- tank founded by Rem Koolhaas in 1998, which enables OMA to apply its architectural thinking beyond architecture, to the fields of design, technology, media and art.

Samir Bantal rejoined OMA in 2015 after working at the office between 2003 and 2007 on a number of projects ranging from product design, research, architecture and master planning. Samir was involved in the Image of Europe, an exhibition on the history and meaning of the European Union, rebranding the European flag. He worked on a new proposal for the Shanghai Expo of 2010, a master plan for Riga Port City and several exhibitions for the Venice Biennale. He was project architect of the Ras Al Khaimah master plan (2006) and Jebel Al Jais Resort (2006). Samir also contributed to a number of publications by AMO, such as Project Japan (2011) and Al Manakh I (2007).

Before joining OMA, Samir worked for Toyo Ito, and was associate professor at Delft Univeristy of Technology in the fields of architecture and urbanism. Between 2008-2012 he was editor of the Annual Architecture Yearbook of the Netherlands.

Currently, Samir is responsible for the new retail concept for the luxury car brand Genesis in Seoul, Korea. Also with AMO, Samir is currently working on 3 exhibitions. In Qatar, AMO explores the role of modern architecture in the development of the city of Doha, opening March 2019. Together with the Harvard School of Design, Samir leads Countryside, a comprehensive research project that investigates the interaction between the city and the countryside, which will culminate in an exhibition in the Guggenheim in New York early 2020. Lastly, ‘Figures of Speech’ will show at the MCA Chicago in June 2019. The design of the exhibition, a retrospective on the work of renown designer Virgil Abloh, is a collaboration between Samir and Virgil Abloh.

Fatma Al Sehlawi

Fatma Al Sehlawi is an architect and urbanist based in Doha, Qatar. She is the founder of Atlas Bookstore, an archiving research practice with a focus on architecture and urbanism across the Middle East & North Africa. In the summer of 2017, Fatma co-curated ‘Mudun: Urban Cultures in Transit’ at the Vitra Design Museum. She holds a Master of Architecture from the Bartlett, UCL.

Think tank of the Office for Metropolitan Architecture (OMA). AMO

AMO is the think tank of the Office for Metropolitan Architecture (OMA), co-founded by Rem Koolhaas in 1999. Applying architectural thinking to domains beyond building, AMO has worked with Prada, the European Union, Universal Studios, Amsterdam’s Schiphol airport, Condé Nast, Harvard University, and the Hermitage. It has produced exhibitions, including Expansion and Neglect (2005) and When Attitudes Become Form: Bern 1969/Venice 2013 (2013) at the Venice Biennale; The Gulf (2006), Cronocaos (2010), Public Works (2012), and Elements of Architecture (2014) at the Venice Architecture Biennale; and Serial Classics and Portable Classics (both 2015) at Fondazione Prada, Milan and Venice, respectively.

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a coloured "barcode" flag – combining the flags of all member states – that was used during the Austrian presidency of the EU.

AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced exhibitions at the Venice Architecture Biennale, including The Gulf (2006), Cronocaos (2010) and Public Works (2012) and for Fondazione Prada including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its principle publication Elements. Other notable projects are a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.



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