MPavilion 2017, OMA’s first realized structure in Australia, was officially opened yesterday in Melbourne’s Queen Victoria Gardens by MPavilion founder, Naomi Milgrom AO; Lord Mayor of Melbourne, Robert Doyle AC; and Rem Koolhaas and David Gianotten of OMA. Commissioned by the Naomi Milgrom Foundation, MPavilion 2017 is the fourth annual architect-designed summer pavilion for Melbourne. Together with hundreds of creative collaborators—both Australian and international—MPavilion presents a free, four-month program of events from October 3, 2017 to February 4, 2018.
As part of MPavilion’s inaugural events, Rem Koolhaas and David Gianotten will discuss the intentions and provocations in the design of the pavilion with Naomi Milgrom AO in the first MTalks this season on Wednesday October 4 at 1pm.
As part of MPavilion’s inaugural events, Rem Koolhaas and David Gianotten will discuss the intentions and provocations in the design of the pavilion with Naomi Milgrom AO in the first MTalks this season on Wednesday October 4 at 1pm.
Lord Mayor of Melbourne, Robert Doyle AC, speaking at the opening event, said, “MPavilion 2017 will blend traditions and architecture of the past with innovative design elements of the present. For thousands of years, people have attended amphitheatres to escape reality and lose themselves in entertainment, while the audio and visual elements of MPavilion 2017 will be particularly engaging. As the MPavilion project has evolved over the past four years, it is constantly finding new ways to involve our local designers as well as the broader community.”
More information on project, here.
Description of project by OMA
MPavilion 2017 is a public venue with an intimate scale. Located in the Queen Victoria Gardens in the center of Melbourne’s Southbank Arts Precinct, the pavilion intends to draw the community in and act as a cultural laboratory. OMA has designed a temporary structure that, along with providing space for performances, entertainment and events, can also perform itself. The pavilion’s ground surface is shaped by two tribunes, one fixed, the other movable, which together determine the setup of the performance space. The larger static tribune is excavated from the surrounding landscape and embedded in 12 different species of Australian flora, giving a sense of the local setting. The smaller tribune can rotate, allowing it to shift functions from seating to stage and blur the distinction between actor and audience.
The main infrastructure of the pavilion, such as lighting and curtains, is placed in the overarching canopy, a 2-meterhigh mechanical grid structure made of aluminum cladded steel. The mechanics in the canopy can be activated per the type of event taking place; an open-air venue for performances, entertainment and sports. Existing of both static and dynamic elements, the pavilion allows for many configurations and can generate unexpected programming, echoing the ideals of the typology of the amphitheater. With the city as a backdrop, the MPavilion provokes discussion on Melbourne, its development, and its surroundings.
