The new Studio Museum, designed by Adjaye Associates in collaboration with local architect Cooper Robertson, opened to the public on Saturday, November 15. Built on its historic site in the heart of Harlem, on West 125th Street in New York City, the seven-story building encompasses 7,618 square meters (8,000 square feet).

The Studio Museum in Harlem, considered a leading institution for the art of artists of African descent both nationally and internationally, opened to the public on Saturday, November 15, with a series of events that continued through Sunday, November 16. The project replaces the commercial building adapted in 1982 and marks a new chapter for the museum, which now has a purpose-built space for the first time.

The new Studio Museum, designed by Adjaye Associates, offers state-of-the-art galleries, a spacious lobby, flexible program spaces, and a dedicated educational workshop. Exhibition space and the Artist-in-Residence program have doubled, and the interior and exterior public space has increased by sixty percent.

The project draws inspiration from Harlem's brownstones, churches, and bustling sidewalks. The masonry-framed windows of Harlem's apartment buildings are reflected in the facade's composition, featuring windows of varying sizes and proportions. The neighborhood's churches find their counterpart in a skylit interior gallery with expansive walls for large-format artwork and a central staircase offering viewing platforms from the landings. A set of glass doors, which can be opened in different configurations, invites visitors to descend a staircase that evokes the characteristic steps of Harlem's brownstones. The staircase can be used as seating for watching lectures, performances, and films on the building's ground floor, or simply for relaxing during informal gatherings.

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The new facilities also include a rooftop terrace with breathtaking views of the surrounding area, featuring a dynamic landscape designed by Harlem-based Studio Zewde. Conceived as a space for meeting, reflection, and interaction, the terrace features native vegetation and sculptural seating that frame spectacular panoramic views of Manhattan. On the museum's ground floor, a café managed by the local family-owned restaurant Settepani will further strengthen the museum's commitment to neighborhood organizations and businesses.

“Architecturally, the essence of the project was to bring this cultural triptych together, making, producing, and learning, in tandem with the plurality of being part of a Black neighborhood, part of New York City, and part of the international art scene.”

David Adjaye

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Interior view of the Studio Museum in Harlem's new building featuring the Grand Stair. Courtesy Studio Museum in Harlem. Photograph by Albert Vecerka/Esto.

Project description by Adjaye Associates

Designed to be in dialogue with its rich artistic and cultural environment, the new Studio Museum takes its inspiration from the soaring church sanctuaries, vibrant stages, bustling streets, and brownstone stoops of Harlem.

Externally, the building is in dialogue with Harlem and its rich artistic and cultural landscape; the surrounding masonry architecture is reflected in the museum’s porous sculptural façade of precast concrete and glass. Distinctly playing on familiar local architectural tropes, the design uses frames, apertures and doorways as a visual language, presenting a collage of stacked volumes of differing sizes–both double and single height. The facade reveals the activity inside the building to celebrate the relationship to the street and the community.

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Interior View of the Studio Museum in Harlem's New Building. Courtesy Studio Museum in Harlem. Photograph by Dror Baldinger.

At ground level, a double-height window dissolves the barrier between the busy urban street life and the internal world of the cultural institution. The interior is characterized by places for gathering, socializing and connecting. Inside, a large, stepped area, or “reverse stoop” at the front leads down to the museum, creating a generous, flexible public space – a feature born out of a desire for the museum to be as open and accessible from the street as possible. The scale of the reverse stoop is in reverence to the soaring cathedral-like interiors of local churches, whilst simultaneously playing the role of Harlem’s lively brownstone stoops.

The gallery spaces are carefully crafted to respond to contemporary artists’ needs for exhibiting a mix of two- and three-dimensional works, often of different scales and media. The galleries are additionally connected to the educational spaces, enabling an organic intertwining of creativity, production and learning.

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Exterior View of the Studio Museum in Harlem's New Building. Courtesy Studio Museum in Harlem. Photograph by Dror Baldinger.

Set over five stories, the building provides 82,000 sq ft internally, representing an increase in exhibition space of more than 50% and an almost 60% increase in public areas. The building is designed to function as an exhibition gallery, an archive, a workplace for artists in residence and a living room for the community and its visitors.

A roof terrace offers striking views of Harlem and the city beyond, with landscape design firm Studio Zewde to carry out the design of the roof terrace.

More information

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Architects
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Project team
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Adjaye Associates.- Pascale Sablan, Camaal Benoit, Russell Crader, Christina Yang. Cooper Robertson.- Scott Newman, Jonathan Pietro, Alfia White.

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Collaborators
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Executive architect.- Cooper Robertson.
Landscape designer.- Studio Zewde.
Façade.- Thornton Tomasetti.
Structural (Design).- Guy Nordenson & Associates.
Structural (EOR).- Simpson Gumpertz & Heger.
Civil Engineer.- Langan.
Façade Maintenance.- Entek.
MEP/FP, Security.- WSP.
Security/IT.- WSP.
AV.- Harvey Marshall Berling Associates.
Wayfinding and Donor Signage.- Two-Twelve.
Vertical Transportation.- VDA.
Lighting.- Fisher Marantz Stone.
Sustainability.- Socotec.
Theater.- Fisher Dachs Associates.
Acoustic.- Longman Lindsey.
Studio Zewde.- Sara Zewde, Rae Ishee, Naomi Fassil.
Diversity Inclusion & Compliance.- McKissack & McKissack.

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Client / Owner’s Representative
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The Studio Museum in Harlem / Zubatkin.

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Construction
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Sciame Construction LLC, with McKissack & McKissack.

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Areas / Dimensions
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Total area.- 82,000 ft² ≈ 7,896 m²
Height.- 7 floors (138 ft ≈ 42,06 m.)
Exhibition galleries.- 14,000 ft² ≈ 1.300 m².
Artist-in-Residence studios and artist lounge.- 2,100 ft² ≈ 196 m².
Education spaces.- 1,800 ft² ≈ 167 m².
Visitor amenities.- 8,900 ft² ≈ 827 m².
Outdoor space.- 8,000 ft² ≈ 743 m².

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Dates
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Groundbreaking.- 2018.
Grand Opening.- Fall 2025.

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Location
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144 West 125th Street, New York, NY USA.

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Photography
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Albert Vecerka/Esto, Dror Baldinger, Kris Graves, Adam Reich, Dror Baldinger FAIA.

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David Adjaye was born in Dar es Salaam, Tanzania, in 1966. The son of a Ghanaian diplomat who has lived in Tanzania, Egypt, Yemen, and Lebanon before moving to Britain at the age of nine, he led a privileged life and was privately educated. He earned his BA at London South Bank University, before graduating with an MA in 1993 from the Royal College of Art. In 1993, the same year of graduation, Adjaye won the RIBA Bronze Medal, a prize offered for RIBA Part 1 projects, normally won by students who have only completed a bachelor's degree.

Previously a unit tutor at the Architectural Association, he was also a lecturer at the Royal College of Art. After very short terms of work with the architectural studios of David Chipperfield (London) and Eduardo Souto de Moura (Porto), Adjaye established a practice with William Russell in 1994 called Adjaye & Russell, based in North London. This office was disbanded in 2000 and Adjaye established his own eponymous studio at this point.

Recent works include the Museum of Contemporary Art in Denver, the Nobel Peace Centre in Oslo, and the Skolkovo Moscow School of Management completed in 2010. On April 15, 2009, he was selected in a competition to design the $500 million National Museum of African American History and Culture, part of the Smithsonian in Washington, D.C., planned to open in 2015. His design features a crown motif from Yoruba sculpture.

Alongside his international commissions, Adjayes work spans exhibitions, private homes, and artist collaborations. He built homes for the designer Alexander McQueen, artist Jake Chapman, photographer Juergen Teller, actor Ewan McGregor, and artists Tim Noble and Sue Webster. For artist Chris Ofili, he designed a new studio and a beach house in Port of Spain. He worked with Ofili to create an environment for the Upper Room, which was later acquired by Tate Britain and caused a nationwide media debate. He also collaborated with artist Olafur Eliasson to create a light installation, Your black horizon, at the 2005 Venice Biennale. He has also worked on the art project Sankalpa with director Shekhar Kapur. Adjaye coauthored two seasons of BBC's Dreamspaces television series and hosts a BBC radio program. In June 2005, he presented the documentary, Building Africa: Architecture of a Continent. In 2008, he participated in Manifesta 7.

In February 2009, the cancellation or postponement of four projects in Europe and Asia forced the firm to enter into a Company Voluntary Arrangement (CVA), a deal to stave off insolvency proceedings which prevents financial collapse by rescheduling debts – estimated at about £1m – to creditors.

Adjaye currently holds a Visiting Professor post at Princeton University School of Architecture. He was the first Louis Kahn visiting professor at the University of Pennsylvania, and was the Kenzo Tange Professor in Architecture at Harvard Graduate School of Design. In addition, he is a RIBA Chartered Member, an AIA Honorary Fellow, a Foreign Honorary Member of the American Academy of Arts and Letters, and a Senior Fellow of the Design Futures Council. He also serves as member of the Advisory Boards of the Barcelona Institute of Architecture and the London School of Economics Cities programme.

The studio's first solo exhibition: "David Adjaye: Making Public Buildings" was shown at the Whitechapel Gallery in London in January 2006, with Thames and Hudson publishing the catalogue of the same name. This followed their 2005 publication of Adjaye's first book entitled "David Adjaye Houses".

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Published on: November 21, 2025
Cite:
metalocus, ANTONIO GRAS
"New cultural centrality on the 125. Studio Museum in Harlem by Adjaye Associates" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-cultural-centrality-125-studio-museum-harlem-adjaye-associates> ISSN 1139-6415
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