As we mentioned in the previous news, Alberto Campo Baeza has been awarded the Gold Medal Heinrich Tessenow 2012. To celebrate, we bring the project Olnick Spanu House, the first project in New York and the United States. A project that clearly reflects the Spanish architect's career. Architecture with capital letters, quiet and without fanfare.

The place is of profound tranquility where after a day of rain and fog an intense light reflects in the stilled mirror of the majestic Hudson River´s deep waters. A place where twilights are a thousand colors as the water breaks into a thousand reflections. A place where the air is clean and calm, and mild. One could say a place that is very close to heaven.

In this impressive place, we establish a plane, a platform that underlines the landscape before us, seeking to enhance it. A large long box is thus built, 122 feet long by 54 feet wide by 12 feet high, with sturdy concrete walls that accentuate its relationship to the land. The roof of this box is flat, paved in stone, travertine, so that we may use it.

And to protect ourselves from the sun and rain, over the stone plane we raise a light roof 100 feet long by 40 feet wide by 9 feet tall, held by 10 cylindrical steel pillars that are arranged according to a 20 x 20 foot grid. This roof cantilevers 10 feet along all of its sides. And to make this space habitable, we put a glass box under the roof, an enclosure measuring 94 feet long by 25 feet wide. This glass box contains the back row of columns within it and leaves the front columns outside, in order to further accentuate its transparency.

This construction on the platform resembles a large table with ten legs. Three areas are created within it, divided by two white boxes that do not reach the ceiling, containing the stairs and service spaces. The central space is the living area, and the dining room has a large white table. On one side, closer to the swimming pool, is the kitchen, and on the other side, in the manner of a pensatorio, the area around the hearth. And below, inside the cement box, the bedrooms and baths are housed. In its central vestibule, connecting the main entrance and the access to the garden, a gallery has been created where pieces of Arte Povera and other pieces of contemporary Italian art are displayed, in addition to other areas around the house.

In all, once again, the cabin over the cave. The tectonic piece on top of the stereotomic piece.

CREDITS.

Architect.- Alberto Campo Baeza. Estudio Arquitectura Campo Baeza S.L.
Architect director.- Miguel Garcia Quismondo
Collaborator.- Ignacio Aguirre. Ingenieros Structures: Michael P Carr, P.E., Maria Concepción Perez Gutierrez (Architect). Ingenieros MEP.- D`Antonio Consulting Engineers. Advisor: Massimo y Lella Vignelli. Asesor Iluminacion.- Gary Gordon, LLC. Concrete Advisor.- Reginald D. Hough, FAIA. Color Advisor.- Donal Kaufmann y Taffy Dahl

Client.- Nancy Olnick y Giorgio Spanu
Gross surface.- 900 m²
Dates. Project.- 2003. Demolition existing structure.- 2004. Building.- 2005-2007
Photography.- Javier Callejas, Estudio Alberto Campo Baeza, Hisao Suzuki.

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Alberto Campo Baeza. Born in Valladolid (1946), where his grandfather was an architect, from the age of two he lived in CADIZ where he saw the LIGHT. From his father he inherited a spirit of ANALYSIS and from his mother the determination to be an ARCHITECT.

He lives in Madrid, where he moved to study Architecture. His first professor was Alejandro de la Sota, who instilled in him the ESSENTIAL architecture that he is still trying to erect. He is a PROFESSOR at the Madrid School of Architecture, ETSAM, where he has been a tenured professor for more than 25 years.

He has taught at the ETH in Zurich and the EPFL in Lausanne as well as the University of Pennsylvania in Philadelphia. And in Dublin and Naples, Virginia and Copenhagen. And at the BAUHAUS in Weimar and at Kansas State University. He spent a year as a research fellow at COLUMBIA University in New York in 2001 and again in 2011. He has given many lectures and has received many awards like the TORROJA for his Caja Granada building. And he was awarded the Buenos Aires Biennial 2009 for his Nursery for Benetton in Venice and his MA Museum in Granada. He has recently been nominated by the American Academy of Arts and Letters for the prestigious Arnold W. Brunner Memorial Prize of 2010.

His works have been widely recognized. From the single family houses Casa Turégano and Casa de Blas, both in Madrid, to Casa Gaspar, Casa Asencio and Casa Guerrero in Cádiz. And the Olnick Spanu House in Garrison, New York, the Centro BIT in Inca-Mallorca, the Caja de Granada Savings Bank and the MA, the Museum of Andalusian Memory, both in Granada, and a nursery for Benetton in Venice. And Between Cathedrals in Cádiz, and just recently a building for Offices in Zamora (2012). And the construction of the new Offices for Benetton in Samara, Russia, which is about to begin.

And more than 20 editions of a BOOK with his texts “LA IDEA CONSTRUÍDA” [THE BUILT IDEA] have been published in several languages. A fourth edition of “PENSAR CON LAS MANOS”, a second compilation of his writings, has just been published. And just now “PRINCIPIA ARCHITECTONICA”, a collection of his texts written during his sabbatical year at Columbia University in New York in 2011.

He believes in Architecture as a BUILT IDEA. And he believes that the principle components of Architecture are GRAVITY that constructs SPACE and LIGHT that constructs TIME.

He has exhibited his work in the CROWN HALL by Mies at Chicago’s IIT and at the PALLADIO Basilica in Vicenza. And in the Urban Center in New York. And at the Saint Irene Church in Istanbul. In 2009 the prestigious MA Gallery of Toto in Tokyo made an anthological exhibition of his work that in 2011 was in the MAXXI in Rome.

Act.>. 04-2012
 

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Published on: January 30, 2013
Cite: "Olnick Spanu house" METALOCUS. Accessed
<https://www.metalocus.es/en/news/olnick-spanu-house> ISSN 1139-6415
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