OMA / Rem Koolhaas’ plans to renovate the largest museum building in Russia, is a new step, after the original design by N.P. Sukoyan and Y.N. Sheverdyaev approved in 1964 and completed in 1983. The original project consists of multiple exhibition halls; the combined program adds up to a total floor area of 61.091m². The museum is marked by a number of improvisations and additions that have been added over time, fragmenting the vast hallways and grand exhibition spaces into clusters of smaller rooms.
The New Tretyakov houses an extensive and important collection of Russian art, including seminal work from Malevich, Kandinsky, Chagall, and Soviet artists such as Aleksandr Deyneka and Vera Mukhina.
Rem Koolhaas, “Our proposal is a reconsideration of the New Tretyakov, focusing on improving its spatial infrastructure and the elimination of dysfunctional parts. We also undo the absolute separation between museum and the House of Artist, and remove a number of walls to make the different components more accessible and visible. Because of its size, it is almost impossible to consider it as a homogeneous entity; modern interventions unaffordable in Soviet times, such as escalators, improve circulation and draw together the different autonomous elements of the museum complex.”
OMA’s design identifies four sectors, clarifying the orientation and creating a basis for architectural differentiation. Each of these sectors – Art Storage, an Education Center, the Collection, and a Festival Hall – has a distinctive identity and role, and is linked by a new pedestrian route along the embankment side of the Moscow River. Carefully placed cutouts in the façade open up the interior spaces to the city.
After OMA/AMO’s research for the State Hermitage Museum in St. Petersburg and the Garage Museum of Contemporary Art in Moscow, this is the third cultural project by OMA in Russia.