The building, which on the ground and first floor was resolved by a structure of wooden beams and joists supported by load-bearing walls, is preserved, partially replaced on the ground floor by a slender metal structure to provide greater spatiality to the gallery of art; as well as on the second floor and in the patio, where to guarantee greater thermal regulation it is covered with a glass cover.
A house in the Jewish quarter of Seville by Guillermo Vázquez Consuegra. Photograph by Jesús Granada.
A house in the Jewish quarter of Seville by Guillermo Vázquez Consuegra. Photograph by Jesús Granada.
Project description by Guillermo Vázquez Consuegra
The house is located next to the bend in Abades Street in the Santa Cruz quarter, the old Jewish quarter of Seville. It is an 18th-century house with two storeys, to which a second storey was added in the first half of the last century. Its unique situation in the street allows it to have two wide façades (north and east) and a third, smaller one (south), to which the house opens up for the first time.
The proposal seeks to transform this single-family house, organised around a tiny central courtyard, into two flats and the Plural art gallery. The project should integrate these uses, achieving total independence in the functioning of both. The art gallery should be developed on as much of the ground floor as possible and the flats should have independent access.
To this end, the project maintains the organisation of the openings in the main façade unaltered, modifying the dimensions and opening new ones on the east and south façades, giving the latter new access to the building: access to the flats and a second entrance to the art gallery.
A house in the Jewish quarter of Seville by Guillermo Vázquez Consuegra. Photograph by Jesús Granada.
The new interior organisation responds to the location of the small interior courtyard and the layout, orientation and character of the three façades. The main façade opens to the long perspective of Abades Street; the east façade corresponds to the narrowing of the street, as a consequence of its double bending; and the south façade, previously very closed, now opens onto the main axis of the neighbourhood.
The vertical communication system - new staircase and lift, are now located in the dark corner of the plot, between the party walls and the courtyard, so that the courtyard, now covered, becomes the vestibular space of the flats. All the rooms will open directly onto the façades.
The ground and first floors were resolved with a structure of wooden beams and joists, which have been maintained, supported by load-bearing walls, and partially replaced on the ground floor by a slender metal structure to give the art gallery greater spatiality. The second floor has a metallic structure and the courtyard is covered with a glass roof, fitted with an opening device that ensures the thermal regulation of the construction.
