Opening. Museumplein Limburg by Shift architecture urbanism
30/11/2015.
[Kerkrade] The Netherlands
metalocus, JOSÉ JUAN BARBA
metalocus, JOSÉ JUAN BARBA
The extension of museum quarter, by Shift architecture urbanism, formalizes the entrance into Kerkrade for both train passengers and visitors arriving by car from the main access road.
Description of project by Shift architecture urbanism
Museum quarter
Continium is a discovery centre for science and technology; Cube is a design museum consisting of design expos and exploratory labs, while Columbus houses a unique Earth Theatre shaped as an inverse planetarium and a 3D cinema conceived in partnership with National Geographic. Together, these elements form a “museum without boundaries”, where visitors are regarded as participants rather than spectators. They discover the world and their place in it through interaction, participation and debate. Hence, in addition to museum galleries, Museumplein Limburg also offers shared facilities for conferences, events, workshops and education.
The new design consists of a composition of strong solitary volumes: a sphere, a beam and a cube. Their pure geometry and omnidirectional orientation is a response to the amorphous and introvert character of the existing museum.
A large part of the 7500m2 new program is located underground. By extending the sunken square (the best feature of the original museum) underneath the new volumes, a continuous underground landscape is created that connects all the facilities of Museumplein Limburg, both old and new.
Visitors descent into this space via one of two wide staircases at both ends: one orientated towards the train station and the other towards the town’s centre.
In addition to the new museum square, this excavated landscape in red concrete hosts a central entrance hall, a restaurant, an enclosed patio and two tunnels connecting to Cube and Columbus.
All stairs, walls and floors of the excavated landscape are made of a uniform red concrete to emphasize the connective character of the space. The walls were poured in a form work of rough wooden planks adding a tactile quality that contrasts with the abstract volumes above ground. The excavation out of red concrete, combined with the experience of descending below ground, refer to the mining past of Kerkrade.
Cube, the design museum, is truly a cube of 21x21x21 meters. A glass plinth creates the illusion of a volume floating above the red underground landscape. Together with the patio, this plinth allows for natural light and views into the temporary exhibition space located underneath.
Cube is draped in a reflective curtain of coated steel that emphasizes the vertical character of the museum. The curtain effect is obtained by the random placement of vertical profiles of three varying folds that each reflect the light differently.
The design museum is conceived as a vertical exhibition machine. The various floors of the building offer generic column-free exhibition spaces in prefab concrete, allowing exhibition designers to appropriate them according to any given theme.The top floor accommodates a multi-functional event space that can be partitioned in different ways by means of a curved curtain system. The only specifically shaped element in Cube’s interior is the main staircase with randomly rotated straight flights, creating the effect of a cascade falling down a 25 meters high void.
Columbus is a spherical building, half above ground and half underground. The lower half accommodates the Earth Theatre, where a spectacular, 16-meter wide and 9 meters deep, hollow projection sphere can be viewed from two rings of glass balconies. This inverted planetarium offers visitors the experience of an astronaut looking back towards planet earth.
In the upper half of the Columbus sphere, underneath the dome, a circular auditorium houses the first National Geographic 3D cinema in Europe.
Columbus’ cupola is made of two shells of shotcrete. The seamless shotcrete skin emphasizes the absolute form and its density guarantees sound insulation from the loud shows inside.
An important part of the communal functions of Museumplein Limburg are located in the 80 meter long beam volume, hovering above the sunken entrance zone. The beam serves as a giant canopy for the pedestrian route from the train station through the museum district towards the town centre. The beam is clad in a black modular facade with protruding ribs which create a heavy visual impact, while its minimal amount of columns emphasize its floating character and keeping the entrance hall underneath as open as possible.
The public walkways crossing through Museumplein Limburg firmly embed the museum district into the public space of Kerkrade. On the walkway to and from the train station, designed as a scaled up zebra crossing, pedestrians can see lively areas such as the entrance hall, the sunken square and the temporary exhibition hall underneath Cube.
A transverse walkway, punching through the entrance hall, connects the sunken museum square to the district’s bus terminal in the forecourt. This walkway provides train and bus passengers direct access to the museum’s restaurant which can double as waiting room, transforming the museum square into a true extension of the public realm of Kerkrade.
The combination of public space and public transport with the museum district fits perfectly with the ambition of a “museum without boundaries”: even passers-by become participants.
CREDITS. TECHNICAL SHEET.-
Architect.- Shift architecture urbanism
Team.- Thijs van Bijsterveldt, Oana Rades, Harm Timmermans, Pieter Heymans, Irgen Salianji, Thomas Grievink, Davide Prioli, Dalia Zakaite, René Sangers, Mariya Gyaurova, Sara Frikech, Zoé Renaud
Structural engineer.- ABT
Technical engineer.- Mertens Bouwbedrijf
Building physics.- Bremen Bouwadvies
Fire safety.- Bureau Bouwkunde
Construction.- Mertens Bouwbedrijf, Spie, Van de Laar
Client.- Discovery Center Continium
Dates.- Year 2015
Status.- completed
Program Design museum, Earth theater, offices, conference rooms, auditorium and museum square
Size.- 7,500 m²
Budget.- €14,000,000.00
Shift based in Rotterdam, is funded in 2005 by Harm Timmermans (1975) and Oana Rades (1977). In 2010 Thijs van Bijsterveldt (1981) joined the principal team. All three partners teach and lecture at different universities and schools throughout the Netherlands, such as the Academy of Architecture in Amsterdam, Rotterdam and Tilburg, the Design Academy Eindhoven, Technical University of Eindhoven and the Rietveld Academy Amsterdam.
Awards: The Charlotte Köhler Prize, Prix de Rome, Archiprix International and Archiprix NL.
Shift architecture urbanism is a Rotterdam based design office that operates both beyond the traditional boundaries of architecture and at the same time within the hard core of architecture. In both cases, we believe that architecture should be there to make a difference, or shouldn’t be there at all.
Shift stands for a proactive approach to relevant spatial issues shaping the contemporary environment. The office engages in self-initiated research-by-design studies on themes as transport, infrastructure, sports and (the public domain of) the city. In these studies, Shift visualizes future scenarios through specific spatial interventions charged with form, program and typology.
Shift strives for a craftsmanship attitude throughout each phase of the architectural process. Experiment and originality are balanced with skill and precision. Rather than on the newness, the focus is on performance. The office finds it its task to safeguard the integrality of each project. Shift takes responsibility for the architecture of the entire process: from sketch to realization.