Architecture firm Mecanoo has designed, as a result of a previous selection of projects, the new Central Library, located in an empty space that had been occupied in its day by the Hotel Estoril, the first casino in the city, in the historic center of Macao, in China.

This project is based on the human need to know the world and travel, from the Tap Seac Square to a set of different spaces that distribute users through the different levels to the end.

Mecanoo was a finalist together with ALA Architects, Herzog & de Meuron and Grafton Architects, impressing the Office of Cultural Affairs of the RAE Government with its dynamic and changing proposal, which presents a futuristic vision in its interior in conjunction with the traditional context and historic exterior.
Mecanoo's new Macao Central Library intends to integrate the historic Tap Sean Plaza as an integral part of the construction. From there, you can see its façade, inspired by the previous modernist design of the Hotel Estoril, which reproduces a kind of extension of the shelves housed inside. Likewise, its “L” -shaped structure tries to reproduce the idea of an “open book”.

Inside, an intriguing play of light and shadow illuminates the walls and floor of the building. From its lobby, the library welcomes users with a futuristic mural by the Italian sculptor Oseo Acconci, representing the Roman goddess of Fortune, a mythical symbol of chance. As the visitor enters the room, a raised other opens towards the upper levels of the building, facilitating orientation and recognition of its different areas. In this way, the walker can enjoy a whole tour with unique views of the mountain adjacent to the historic center of the city, declared a World Heritage Site by UNESCO.
 

Project description by mecanoo

The new Macau Central Library will be located by the Tap Seac square in the historical center of Macau, a UNESCO World Heritage Site. It is situated on the site of the former Hotel Estoril (designed by the Macau- born Portuguese architect, Alfredo Victor Jorge Álvares), which was the first casino resort in Macau opened in 1962 and has been vacant since the 1990s.

Libraries are dynamic and continually changing. While clearly a contemporary structure within a traditional context, the new Central Library will provide a forward-thinking platform for influencing its surroundings. The adjacent square will become an integral part of the library, creating an activated public realm, which will encourage visitors to use all the public amenities that new library can offer.

The facade takes inspiration from the former modernist design of Hotel Estoril by filtering the light and creating a controlled indoor climate. An intriguing play of light and shadow is projected onto the floor and walls of the library. The continuous ‘L’ shape that defines the library volume and its uniform facade helps to redefine the square.

The façade pattern acts as an extension of the bookshelves, from the inside out, from stack to protective shell. The uniform skin wraps the library volume and opens up like a book page to the main entrance facing the Tap Seac square. This welcoming gesture is an essential part of the relationship between library and square.

Rather than imagining the new Central Library simply as a cultural destination in Macau, Mecanoo’s design proposal is built around the idea of creating a journey – one that commences at city level via the Tap Seac Square and continues through a series of interconnected spaces, leading visitors all the way to the large reading rooms situated at the top level of the building.  The futurist mural designed by the Italian sculptor Oseo Acconci depicting Fortuna, the Roman goddess of chance, is preserved and integrated it in the new lobby welcoming the visitors.

Within the library, a soaring atrium opens to the uppermost levels of the building, allowing visitors to orient themselves immediately to the activities within and inspiring them to move upwards through the library. As visitors move upwards via the spacious tribunes, the building offers unique views out to the mountain and the Tap Seac Square.

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Architects
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Area
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15,000 sqm.
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Program
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15000m² library with children’s, teenagers and general collection, exhibition spaces and multifunctional rooms, café and offices.
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Dates
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Project Design.- 2020 - 2021.
Project Realisation.- 2025.
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Location
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Av. de Sidónio Pais, Macau, China.
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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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