The National Railway Museum and organaicers unveiled the five design concepts created by international and UK teams for the museum’s new Central Hall.

A two-stage competition was launched last October for the new National Railway Museum Central Hall that will be part of York Central, a 45-hectare redevelopment project in the UK that will also include business and residential neighborhoods.
Finalist design concepts by emerging star architects displayed below, and at an exhibition at York’s National Railway Museum from 13 February 2020.

The concept designs on show are the work of five teams shortlisted in November 2019 (in alphabetical order):
 
6a architects (UK) and OFFICE Kersten Geers David Van Severen (Belgium)
Atelier d’Architecture Philippe Prost (France)
Carmody Groarke (UK)
Feilden Fowles (UK)
Heneghan Peng architects (Ireland)

Each finalist team that submits a compliant proposal will receive a £30,000 honorarium at the conclusion of the competition.

The new 4,500-square-meter Central Hall will bridge the space between the museum's Great Hall and Station Hall, and serve as a welcoming entrance hall to the site.  Currently budgeted at £16.5 million (approx. $21.5 million) for construction, Central Hall will have reception spaces and a new 1,000-square-meter gallery showcasing future acquisitions, new innovations in the rail industry, and the museum's world-class collection.

The full Jury is as follows:
 
• Dame Mary Archer DBE, (Chair), Chair of the Board of Trustees, Science Museum Group
• Sir Ian Blatchford FSA, Director and Chief Executive, Science Museum Group
• Gitta Gschwendtner, Director, Gitta Gschwendtner Design Consultancy
• Zoe Laughlin, Director, Institute of Making
• Karen Livingstone, Director of Masterplan and Estate, Science Museum Group
• Judith McNicol, Director, National Railway Museum
• Michael Squire, Senior Partner, Squire and Partners
• Malcolm Reading, Competition Director (Jury Adviser)
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6a architects (Stephanie Macdonald, Tom Emerson, founded in 2001) illustrate in their projects a sophisticated experience of space, light and material, also using locations throughout their history. Their work is surprising through its sovereign sense of lightness and originality, without disowning any of its sobriety.

Stephanie Macdonald, studied Fine Arts at the Portsmouth School of Art. Following a scholarship in Japan, he studied architecture at the Mackintosh School of Architecture, the Royal College of Art and the University of North London. His experience before moving to private professional practice includes working with Tom Dixon and collaborations with Glasgow artists. He has lectured to the new creative industries in Berlin representing the ICA and the British Council.

Tom Emerson studied architecture at the University of Bath, the Royal College of Art and the University of Cambridge. He combines his professional practice with teaching at the Architectural Association in London. He has published articles on architecture, literature and art, and has taught at several architecture and art schools, including the Chelsea School of Art at the University of Cambridge, the ICA and the Royal College of Art.

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Philippe Prost, after dedicating to research for ten years or so, was called for help in 1991 on a 15-year long adventure at the citadel of Belle-Ile-en-Mer. Today, he has gathered a team of about fifteen professionals as passionate and demanding as he is to work with in the long-term.The main features of their work are the respect for the site’s history and geography, a deep analysis of the programme issue, a constructive approach, the choice of sustainable materials, and finally a regular presence on the construction site.

The notions of memory and context are at the root of all the projects they carry on, whether on a large or a small scale. He is professor and president of the Ecole Nationale Supérieure d’Architecture de Paris-Belleville. He has been awarded the Chevalier des arts et des lettres in 2014 and the Prize Equerre by the french group Le moniteur for the Memorial international Notre-Dame-de-Lorette.

In 2009 he was awarded the Prix de l’Equerre d’Argent awarded by the press group Le Moniteur for La Cour des Images, Bourg-lès-Valence. In 2008 he received the Prize for the architecture book for Vauban: the style of intelligence. A reference work for contemporary architecture. In 2004 he received an special mention in the Prix de l’Equerre d’Argent for Zac Réunion (housing), Paris 20th district.

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Carmody Groarke is a London-based architectural practice founded in 2006 by Kevin Carmody and Andy Groarke. The practice has developed a reputation for working internationally on a wide range of arts, cultural, heritage and residential projects.

Carmody Groarke have designed critically acclaimed buildings including Windermere Jetty Museum, the V&A Members’ Room and Maggie’s Cancer Care Centre Clatterbridge. The studio has designed projects for clients including artist Antony Gormley, British Land and the Royal Academy of Arts.

Current projects include a Temporary Museum for Charles Rennie Mackintosh’s Hill House, housing in Milan and a new international arts venue at Park Hill, Sheffield.

The practice has earned international recognition, winning several architectural competitions and awards for completed projects. Two monographs of the practice’ work have been published by the world renowned El Croquis and 2G.
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Feilden Fowles is an award-winning, London-based architecture studio, founded in 2009 by Fergus Feilden and Edmund Fowles who recognised their complementary talents through early student collaborations while studying at the University of Cambridge. The practice now delivers a range of buildings across the UK, producing architecture that is rich in character and distinct in identity.

They are passionate about education, they research and teaching at London Metropolitan University, where they have run a design unit since 2014. To date we have delivered 16 education projects including four masterplans, across a range of providers covering both the state and private sectors, and primary and secondary institutions.
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Heneghan Peng Architects is a design partnership practising architecture, landscape and urban design. The practise was founded by Shih-Fu Peng and Róisín Heneghan in New York in 1999 and in 2001 opened an office in Dublin, Ireland.
 
They take a multi-disciplinary approach to design and have collaborated with many leading designers and engineers on a range of projects which include larger scale urban masterplans, bridges, landscapes and buildings.
 
Current projects include the Grand Egyptian Museum, at the Pyramids, the Giant’s Causeway Visitors’ Centre, Central Park Bridges at the 2012 London Olympic Park, a Library and School of Architecture at the University of Greenwich in Greenwich, London and a Mittelrheinbruecke in the Rhine Valley.

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Published on: February 15, 2020
Cite: "Design Concepts for York National Railway Museum Central Hall competition" METALOCUS. Accessed
<https://www.metalocus.es/en/news/design-concepts-york-national-railway-museum-central-hall-competition> ISSN 1139-6415
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