The competition's result was known the last Thursday, and it was in order to select the architectural team that will develop the Hall of Realms' rehabilitation, integral part of the disappeared Buen Retiro Real Palace and former headquarters of the Army Museum, assigned formally to the Prado National Museum in October of 2015.

"Thus, it is proposed to eliminate the enlargements made during the twentieth century, among other reasons, given its low constructive quality."

The winning proposal turned out to be the one presented under the slogan "Trace Hidden" presented by Norman Foster and Carlos Rubio studios. The competition was attended by a wide and concurred cast of architects, in a competition procedure, in which 47 architectural teams took part, that developed in two phases. The first, fully open, ended up in June with the selection of eight teams.

Among this selection of finalists was the proposal of the Spanish team Cruz y Ortiz Arquitectos, which took part in the contest without partners.
 
The Museo del Prado will be exhibiting the winning proposal and those of the other 7 teams of finalists from 1 December. The interesting proposal by Cruz y Ortiz Arquitectos on METALOCUS is below.
 

Description of project by Cruz y Ortiz Arquitectos

HALL OF REALMS OF THE BUEN RETIRO ROYAL PALACE

The building should not be referred to as Hall of Realms, since the only part that keeps its original condition is the inside. It would be more accurate to say that the former Army Museum should be remodeled.
The building we found is the result of a series of interventions along many centuries, from its construction in the early 17th, to the last intervention in the second half of the 20th century.
We decided first to eliminate those less valuable elements, as the mansard roof floor built back in 1905 and the central bay in the south side in order to introduce later the suitable modificationsto adapt the building to the new requirements.
The elimination of the referred partsendows the building with better clarity both functionally and formally.  This leads us to take the exhibition program of 1.600 m2, the smaller of the surfaces requested in the Program.
The bay in the south side is replaced by a construction able to hold the new access point and welcome areas in its ground floor and the cafeteria and the bookstorein its first floor. Gathering the most important elements of the project, this new part of the building tries to house the functions that could hardly be included in the existing one.
 

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Architects
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Cruz y Ortiz Arquitectos.- Antonio Cruz y Antonio Ortiz. Giordano Baly, Pablo Ortiz, Rodrigo Ruiz, Juan Bautista García, Julia Sevilla, Juan Carlos Mulero, Berta M. García, Rosa Melero
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Venue
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9 Méndez nuñez St. Madrid, Spain
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Client
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Prado Museum
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Program
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Museum
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Restoration and conservation
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Pilar Soler y Carlos Núñez
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Engineering
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CLIMA: IS Ingenieros – Juan Manuel Baños
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Budget
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€ 30,000,000 (year 2016)
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Surface
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Plot.- 3,345 sqm
Built.- 5,113 sqm
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Cruz y Ortiz Arquitectos is an architectural practice founded in 1974 by Antonio Cruz Villalón (Seville, 17 March 1948) and Antonio Ortiz García (Seville, 17 September 1947), with its main office in Seville. Since 2002, it has had a permanent office in Amsterdam, and since 2020, an office in Lugano, Switzerland, as well as an associated studio in Madrid.

Antonio Cruz and Antonio Ortiz began their professional careers in 1971, after graduating from the Madrid School of Architecture. After completing their studies, both architects returned to Seville, where they founded Cruz y Ortiz Arquitectos in 1974. From there, they began a career defined by a sober, precise architecture, attentive to the urban dimension of each intervention, which soon established them as one of the most important Spanish practices of their generation.

In 2002, Cruz and Ortiz opened a studio in Amsterdam, from which they have developed a significant part of their Dutch and Central European work. These projects include Java Eiland in Amsterdam (1994), the Patio Sevilla residences in Céramique, Maastricht (2000), the towers in Wilhelminapier, Rotterdam (2002–2003, project), the transformation of the Rijksmuseum in Amsterdam (2001–2013), and the Atelier Building of the Rijksmuseum itself (2007).

Their best-known projects include a housing project on Calle Doña María Coronel, Seville (1976), the adaptation of the Baluarte de la Candelaria as the Museum of the Sea in Cádiz (1989), the housing blocks in Carabanchel, Madrid (1989), the Andalusian Regional Ministry of Culture in Seville (1989–1992), Santa Justa Station in Seville (1991), the adaptation and extension of Ceuta City Hall (1993), Huelva Bus Station (1994), Seville Public Library (1999), La Cartuja Stadium in Seville (1999), the Spanish Pavilion at Expo 2000 in Hanover, the extension of the SBB railway station in Basel, Switzerland (2003), the housing project in the former Tort Can Planell Factory in Sabadell (2007), the Community of Madrid Stadium (2012), the Central Building of the Health Sciences Campus of the University of Granada (2015), the new Atlético de Madrid stadium, also conceived as an Olympic stadium (2016), the offices for the Andalusian Regional Ministry of Public Works and Housing in Seville (2016), the five-star Mercer Hotel in the Casa Palacio Castelar in Seville (2016), the extension and refurbishment of the Reina Sofía School of Music in Madrid, a competition won in 2024, and the project for the rehabilitation of the GESA building and the transformation of Palma’s seafront, a competition won in 2026.

In 1997, they were awarded the Gold Medal of Andalusia for their contribution to the field of architecture. They later received the National Sports Architecture Award (1998), the Eduardo Torroja Award for the Olympic Stadium in Seville (1999), the Heimatschutz Award for the extension of Basel SBB railway station (2001), the Velux Foundation Daylight Award Special Mention for Basel SBB railway station (2006), and the Andalusian Architecture Award for the extension of Basel railway station (2008). In 2013, they received the CSCAE International Spanish Architecture Award for the Rijksmuseum and the Abe Bonnema Architecture Award for the New Rijksmuseum. In 2014, they received the International FAD Award for the New Rijksmuseum, The Brick Awards / Worldwide Brick Award for the New Rijksmuseum, were appointed Honorary Fellows of the American Institute of Architects, were distinguished as Knights of the Order of the Netherlands Lion, and received the CSCAE Gold Medal for Architecture. In 2015, they received the AD Architects of the Year Award; in 2018, the World Football Summit Best Stadium Award for the Wanda Metropolitano; in 2019, the UEFA Elite Stadium distinction for the Wanda Metropolitano; and in 2026, the Hispalyt “Excellence in Ceramic Architecture” Award. Since 2004, they have been honorary professors at the University of Seville and have held the Cátedra Blanca at its School of Architecture. They have also been visiting professors at the polytechnic schools of Lausanne and Zurich, as well as at Cornell University, Columbia University, and the School of Architecture in Pamplona, and have held the Kenzo Tange Chair at Harvard University’s Graduate School of Design. Among other distinctions, they have received the Spanish National Architecture Award, the City of Seville Award, the City of Madrid Award, the 92nd Brunei International Award, the Construmat Award, and the CEOE Foundation Award. They have twice been finalists for the Mies van der Rohe Award.

Over more than five decades of work, Cruz y Ortiz Arquitectos has built a career marked by continuity, constructive rigour, and the ability to intervene in highly diverse contexts, ranging from housing and public facilities to infrastructure, stadiums, and the rehabilitation of major historic buildings. Their work, developed across Spain and other European countries, combines a precise attention to place with architecture of great formal clarity, positioning the practice among the key references in contemporary Spanish architecture.

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Published on: November 28, 2016
Cite:
metalocus, INÉS LALUETA
"El Prado Extension, "El Salón de Reinos" proposal by Cruz y Ortiz Arquitectos" METALOCUS. Accessed
<https://www.metalocus.es/en/news/el-prado-extension-el-salon-de-reinos-proposal-cruz-y-ortiz-arquitectos> ISSN 1139-6415
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