The concert hall for the Hamburg Elbphilharmonie finally has an opening date set for 2017, but its price tag is now more than 10 times the original estimate. Herzog & Meuron's design was originally projected to cost just €77 million. According to the Hamburg Senate, the expected final price has now rocketed up to €789 million, although a portion of that will be covered by investors.

All partners involved in the project agreed on 11 January 2017 as the official opening date of Hamburg’s new concert hall, designed by Herzog & de Meuron. Its 4,000 square metres large plaza that will offer unparalleled panoramic views of the Hanseatic city and its port will already be accessible to the general public by November 2016, the Senate informed yesterday, 12 January 2015.

Herzog & de Meuron presented the project at the 2012 Venice Architecture Biennale, to demonstrate the impact of planning difficulties and how cost inflation can affect the architectural industry.

The statements of all authorities placed agree, below.

Exterior Scaffolding Nearly Dismantled

Following the reorganisation in spring 2013, the project advanced well. With the roof rain-proof since August 2012, works in the interior also progress well. In the Great Hall, the white skin and the ceiling reflector have been mounted, and the working platform has been dismantled. For the very first time, the amazing architecture of the concert hall has become fully visible. In addition, works on the building’s old brick facade have nearly been completed, allowing to fully dismantle the exterior scaffolding.

30,000 Visitors At The Construction Site

Hamburg’s first mayor Olaf Scholz: “The progress in construction shows that co-operation significantly improved after our reorganisation. I hereby thank all project partners for their excellent work and look forward to focussing our energies on preparing all for the opening fixed in January.” With 30,000 visitors at the construction site last year, the Elbe Philharmonic Hall still arises great public interest. “By opening the plaza already in November 2016, we will offer locals and visitors alike the great chance to discover Hamburg’s new landmark even prior to its official opening”, the first mayor continued.

Cultural Highlight At A Unique Location

“Next to our ongoing critical monitoring of the construction, we finally can draw up concretely plans for the opening of the Elbe Philharmonic Hall on 11 January 2017. A look into the impressive Great Hall shows that Hamburg can look forward to an architecturally exceptional concert house. It becomes increasingly clear that the Hamburg Elbe Philharmonic will be able to strengthen Hamburg’s role an an important international centre of culture”, state Prof Barbara Kisseler, Hamburg MInister of Culture.

Extraordinary Design of World-Class Concert Hall

The heart of the Elbphilharmonie, designed by Swiss architects Herzog & de Meuron, is the Grand Hall with a seating capacity for 2,100 guests. Wile its centre will be occupied by the orchestra and the conductor, terraced steep seating rows will allow the audience to enjoy unobstructed views. The hall’s perfect acoustics is achieved by a white skin made up from 10,000 individual plates, and a 50-ton reflector mounted to the ceiling. Two smaller concert halls will complement the building.

Last Cranes To Disappear In Spring

Also from the outside, the Elbe Philharmonics impressive architecture is becoming more visible. Following the dismantling of all exterior scaffolding, general contractor Hochtief announced to also take away the cranes after the end of works on the roof. In a few weeks, however, scaffolding will return for a short period of time to allow the storation of the hatches. The next big steps have been determined as follows in the contract: completion of works on technical installations above the Grand Hall and the Hotels until 30 April 2015, completion of the white skin until 31 January 2016, completion of the entire building by 31 October 2016.

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Herzog & de Meuron is an international architecture practice founded in 1978 in Basel, Switzerland, by Jacques Herzog and Pierre de Meuron, both born in Basel in 1950. The practice's work encompasses projects of different scales and programmes, from housing and cultural buildings to hospitals, stadiums, infrastructure, and urban developments. Its architecture is characterised by an ongoing investigation into materials, construction processes, and the relationship between buildings and their context.

Jacques Herzog (Basel, Switzerland, 1950) and Pierre de Meuron (Basel, Switzerland, 1950) studied architecture between 1970 and 1975 at the Swiss Federal Institute of Technology Zurich (ETH Zürich), where they were students of Aldo Rossi and Dolf Schnebli. Friends since childhood, they began a professional partnership that has maintained a close relationship between architectural practice, research, and teaching.

Jacques Herzog was a visiting professor at Cornell University in 1983. Both architects taught as visiting professors at Harvard University Graduate School of Design in 1989 and between 1994 and 2014, and were professors at ETH Zürich from 1999 to 2018. They also co-founded ETH Studio Basel – Contemporary City Institute, a research programme focused on processes of urban and territorial transformation.

During its early years, the practice gained international recognition with projects such as the Blue House in Oberwil (1980), the Ricola Storage Building in Laufen (1987), the Stone House in Tavole (1988), and Dominus Winery in Yountville, California (1998). These projects helped establish an architectural approach based on material experimentation, the reinterpretation of construction systems, and the exploration of new relationships between structure, building envelope, and space.

The practice's international reputation grew significantly with the transformation of the former Bankside Power Station into Tate Modern in London (2000), one of the most influential cultural adaptive reuse projects of recent decades. This was followed by buildings such as Schaulager in Münchenstein (2003), Prada Aoyama in Tokyo (2003), the de Young Museum in San Francisco (2005), Allianz Arena in Munich (2005), CaixaForum Madrid (2008), the Beijing National Stadium (2008), VitraHaus in Weil am Rhein (2010), and the Elbphilharmonie in Hamburg (2017).

The practice has also expanded its work into museums, collective housing, educational and healthcare buildings, and urban transformation. Notable projects include Pérez Art Museum Miami (2013), the extension of Tate Modern in London (2016), the residential tower at 56 Leonard Street in New York (2017), the Tai Kwun cultural centre in Hong Kong (2018), the M+ museum in Hong Kong (2021), and the extension of Museum Küppersmühle in Duisburg (2021).

In recent years, Herzog & de Meuron has completed projects including the University Children's Hospital Zurich (2024), the Roche pRED research centre in Basel (2024), the Hortus office building in Allschwil (2025), the new Lombard Odier headquarters in Bellevue, Geneva (2025), Calder Gardens in Philadelphia (2025), and the transformation of Marcel Breuer's building on Madison Avenue in New York for Sotheby's (2025). Further projects followed in 2026, including Titlis Tower in Engelberg and the Ford Student Center at Amherst College in Massachusetts.

A distinctive aspect of the practice's work has been its collaboration with artists from different generations, including Rémy Zaugg, Thomas Ruff, and Michael Craig-Martin, alongside projects exploring the relationships between architecture, contemporary art, and public space.

Herzog & de Meuron currently employs more than 500 professionals from approximately 50 countries. The practice maintains its headquarters in Basel, with offices in cities including Berlin, Barcelona, Hong Kong, London, Munich, New York, Paris, and San Francisco. Its leadership structure comprises the founding partners, Jacques Herzog and Pierre de Meuron, together with a team of senior partners, partners, and associate partners. Senior partners include Christine Binswanger, Ascan Mergenthaler, Stefan Marbach, Jason Frantzen, Andreas Fries, and Wim Walschap, who became Chief Executive Officer of the practice in May 2026.

In 2001, Jacques Herzog and Pierre de Meuron were awarded the Pritzker Architecture Prize. In 2007, they received the Royal Gold Medal from the Royal Institute of British Architects (RIBA) and the Praemium Imperiale from the Japan Art Association, followed by the RIBA Jencks Award in 2015. That same year, they established the non-profit institution Jacques Herzog und Pierre de Meuron Kabinett, dedicated to preserving, researching, and sharing their collections of architecture, art, and photography.

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Published on: January 13, 2015
Cite:
metalocus, INÉS LALUETA
"Elbphilharmonie Hall to Open 11 January 2017" METALOCUS. Accessed
<https://www.metalocus.es/en/news/elbphilharmonie-hall-open-11-january-2017> ISSN 1139-6415
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