The new Philharmonic Hall in Szczecin by Barozzi Veiga houses a wide symphony hall for 1.000 spectators as well as a hall for chamber music for 200 spectators.
In its design the building seeks simplicity and order, with a perimetral ring which defines de inner circulations in plan and a façade composed by vertical elements which both integrate the building in the urban context and create different views of the inner space depending on the function.
Description of the project by Barozzi Veiga
The new Philharmonic Hall of Szczecin is located (arises) on the historical site of the “Konzerthaus”, which was destroyed during Second World War and recomposes an urban corner in a neighborhood near to the historic city. The building houses a symphony hall for 1.000 spectators, a hall for chamber music for 200 spectators, a multifunctional space for exhibitions and conferences, and a wide foyer, which can also be used to host events.
The building is configured by a synthetic, but at the same time complex volume, which is resolved through a continuous promenade, which connects all these functions along a single public path through all the levels of the building. Externally, as in the adjacent preexistence, the verticality and geometry of the roof prevail. These characteristics identify the Philharmonic Hall with its surrounding context.
The plan composition is defined by a perimetral ring. This element mostly hosts service spaces. On the one hand this allows to define a large void within which gravitate the symphony hall and the hall for chamber music, on the other hand to shape the relationship of the building with its surroundings. The serial modulation of the roof represents the only other expressive element, that permits the integration of the new building within the fragmented urban profile of the city.
In its materiality, the building is perceived as a light element: the glass facade, illuminated from inside, depending on the use allows different perceptions. The exterior austerity and the simple composition of the interior circulation spaces contrast with the expressiveness of the main hall. In accordance with the central European tradition of the classical concert halls, decoration becomes ornament and function. The hall is composed following a Fibonacci sequence whose fragmentation increases with the distance from the scene, and gives shape to an ornamental space which reminds of the classical tradition through its gold-leaf covering.
Text.- Barozzi / Veiga.
DATA SHEET.-
Architects.- Barozzi / Veiga, Fabrizio Barozzi and Alberto Veiga.
Project leaders.- Pieter Janssens and Agnieszka Samsel.
Project team.- Marta Grządziel, Isak Mayor, Petra Jossen, Cristina Lucena, Cristina Porta and Ruben Sousa.
Local architects.- STUDIO A4 Sp. z o.o., Jacek Lenart.
Collaborators.- BOMA S.L., FORT POLSKA Sp. z o.o. (structural engineering), GLA Engineering Sp. z o.o., ELSECO Sp. z o.o. y ANOCHE Iluminación Arquitectónica (installations), ARAU ACUSTICA (acoustics), FERRÉS ARQUITECTOS Y CONSULTORES (façade) y WARBUD S.A. (general contractor).
Location.- Małopolska 48, Szczecin. Poland.
Date.- 2007 (competition), 2009 (project), 2014 (construction).
Site area.- 3.800 sqm.
Usable floor area.- 13.000 sqm.
Volumen.- 98.200 m³.
Budget.- 30.000.000 € aprox.
Concert Hall Audience.- 951 (Symphony Hall) y 192 (Chamber Hall).
