The Enric Miralles Foundation and Benedetta Tagliabue (EMBT) together with Professor Josep Maria Rovira and his teaching team from the Escuela Técnica Superior de Arquitectura de Barcelona (ETSAB / UPC) coordinate the first postgraduate course accredited by the UPC that studies the work of Enric Miralles architect.

Postgraduate accredited by the Universidad Politécnica de Barcelona (UPC).

From February 3rd, 2015 to July 2nd, 2015. Price €3500.

The postgraduate, dedicated to the deep learning of the work by Enric Miralles, is structured from the complex cosmos that surrounds his creative ability. Miralles is not an architect analyzable from linear structures, but rather he is organized in twists and turns where the before and after do not exist and everything is mixed to achieve a result that is not such. From this point of view, giving a postgraduate about the work of the architect requires a number of parallel tasks in which the teachers will offer some clues and where the students will continue in the ways they chose. All this will be shared in the classroom without any prior academic order and presupposes the opening of roads more than the effectiveness of the forms, something that Miralles defended under the motto he learned from the Italian Mannerism: run away from the mimesis. Therefore, the planned programs are likely to be extended or contracted as buildings, ideologies, imaginary and texts permit to advance in the knowledge of an intellectual universe that stretches through the slides, drawings, notes, photographs, journeys… content between the walls of the Enric Miralles Foundation – EMBT studio.

From there, let’s advance through successive beginnings.
Again and again, as if each were the final…

Enric Miralles, 1987

Therefore, the course will try to place Enric Miralles in an erratic, changeable and multidirectional center of the cultural history in which architecture would be its most important component. For example, when Miralles refers to the Smithsons, a student enrolled in the course should never think about issues of mimesis but about the presentation of an affinities’ universe that the architect dominated through the looking, thinking and working. Offering the student the deep knowledge of these worlds is indispensable to avoid thinking in operative terms. The development of these issues will build a corpus of references needed to reconstruct the changing and always provisional constellations that surround the work of Miralles. Calling some of them will be part of the competency that the students will achieve after making their final research work.

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Enric Miralles Moya (Barcelona 1955 - Sant Feliu de Codines 2000) studied at the Barcelona School of Architecture, ETSAB, graduating in 1978. From 1973 to 1983 he collaborated with Albert Viaplana and Helio Piñón, and in 1984 he founded the Enric Miralles and Carme Pinós studio, from this stage one of his most poetic works stands out, such as the Igualada Cemetery. In 1993 he began the EMBT study with his wife and partner Benedetta Tagliabue.

Considered an architect of great inventiveness, he defined himself as the enfant terrible of Spanish architecture. He was a Fulbright Visiting Professor at Columbia University for the 1980-81 academic year. Two years later, he presented his doctoral thesis "Things seen to the left and the right, (without glasses)."

Since 1985 he was professor at ETSAB (Escuela Técnica Superior de Arquitectura de Barcelona), holding the Chair of Architecture since 1996. In 1990 he began as Director and Professor of the Master Class at Städelschule of Frankfurt and beginning in 1992 served as the "Kenzo Tange Chair” professor at the GSD of Harvard University. Moreover, he was visiting professor and lecturer at several universities in the United States (Columbia, Princeton, Harvard, Yale), Germany, the United Kingdom, Italy, the Netherlands, and a member of the Royal Incorporation of Architects in Scotland.

As an architect of many works, his projects include, the Igualada Cemetery in Spain (1995) and the rehabilitation of Utrecht City Hall in Holland (2000). He was also active as an interior designer, with projects including The Hipostila shelving system(1989) in collaboration with Lluis Clotet and Oscar Tusquets Blanca for Bd Ediciones de Diseño, Lungomare Bench for Escofet,(2000), Vacante bench for Sellex (1991), and many other furnishing designs which were not put in production.

He has received numerous awards, including the National Prize of Spanish Architecture 1995, FAD Prize (Fomento Artes Decorativas) 1985 and 2000, The European ITALSTAD (Italy) 1991. Leone d’Oro Prize at the Biennale di Venezia 1996. His work has been published internationally in the most distinguished reviews, El Croquis N.100 101, Enric Miralles Benedetta Tagliabue 1996-2000. GG. Miralles Tagliabue Time Architecture 1999. Electa, Documenti di Architettutra. Benedetta Tagliabue. Enric Miralles: Opere e Progetti. 1996. In 1999 he was named an Honorary member of The Royal Incorporation of Architects in Scotland. In 2002 he received posthumously the Gold Medal from the Col·legi d'Arquitectes de Catalunya.

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Published on: November 21, 2014
Cite: "Enric Miralles: things seen without beginning or end" METALOCUS. Accessed
<https://www.metalocus.es/en/news/enric-miralles-things-seen-without-beginning-or-end> ISSN 1139-6415
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