The BAMMP architecture studio developed the functional transformation and rehabilitation of a 12th-century farmhouse to turn it into a music school.

The Masia of Can Fargas was built around a medieval tower of the XII century. This heritage element located in the center of the new school becomes the protagonist and at the same time the articulator of the spaces that surround and make up the music school.

The rehabilitation is done with the utmost respect for the existing building, both its interior and exterior spaces. The starting structure was the result of numerous interventions produced over time, forming a disorder of spaces that revolved around the Tower.
The rehabilitation of BAMMP takes the connectivity of this labyrinth of interior and exterior spaces as an ordering mechanism, where the geometric guideline of a spiral fits as a referenced mode of continuity.

Starting from the Tower, different places follow one another, going through the building from outside to inside and vice versa. The result is a school where classrooms do not respond to a typological repetition but to an increasing programmatic continuity like the Fibonacci sequences that we find in nature.

The school is located within the old Can Fargues gardens. It connects directly with the old orchard that has been converted into a patio. The classrooms are accommodated in the existing spaces and only when it is indispensable, new volumes are inserted, like free-standing boxes, inside the old spaces.
 

Description of project by BAMMP

- ADAPTATION OF THE WORK TO THE ENVIRONMENT

Being a rehabilitation of an existing building, the adaptation to the environment is basically focused on the access and the relationship of the intermediate spaces with the garden. The main access to the school is the same as it has been for centuries in the old farmhouse. The outdoor spaces reconvert their use, giving identity to the new school. The central patio makes the transition in the arrival of the urban space; The galleries and porches expand the possibilities of the educational program with the exterior and synergy with the neighborhood.

- SINGULARITY AND CHARACTER

Keeping the patio as access, a typologically characteristic space of this type of buildings, is also recognized and the overall vision of the farmhouse and the medieval tower is prioritized.

Incorporating the nucleus of the new vertical communication staircase adjacent to the medieval tower, makes it easier to read as a historical element that generates the farmhouse. Furthermore, the position of the new vertical circulation in the heart of the farmhouse minimizes interior routes.

The main pieces of the school program; the music rooms are placed around the vertical circulation core attached to the tower and configure common spaces closely connected to the main memory of the building.

In general, when possible, the spaces are adapted to the new uses without more intervention than the necessary infrastructures, for example, the sequence of three old ground floor rooms is configured as a single space, allowing the location of the room for instrumental groups. It is the widest space, unique in structure and height and the fact that it can be accessed independently from the school allows small-format events to be held, available to the neighborhood.

- RESOURCE ECONOMY

The new program is a Music School, and the classrooms and rehearsal rooms have very important acoustic and thermal requirements. This determines how to intervene in the farmhouse in an austere way, through a selection process that only intervenes in a singular and neutral way in the acoustic boxes. The rest is cleaned and what is left is left. In such a way that the contrast makes the existing take a new role.

- RIGUROSITY IN THE TECHNICAL ASPECTS OF MAINTENANCE AND ENERGY SAVING

The intention is to reduce as much as possible the energy demand and take advantage of all the passive characteristics of the building. The old farmhouses were a good response to the climatic conditions of the environment through solutions with highly efficient sustainable parameters. It is intended not to abandon these characteristics, especially in the management of solar energy for lighting and heating, the increase in efficiency when necessary, active systems and the healthy management of spaces.

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Architects
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Project team
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Francesc Bacardit i Segués, Jaume Armengol i Clotet, Ferran Pont i Montaner, Carles Gelis Centeno, Montserrat Garcia Carceller.
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Collaborators
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Structures.- BIS ARQUITECTES. MEP.- JSS ENGINYERIA.
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Developer
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Area
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1,650 m².
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Dates
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Commission.- May 2013. Project approval.- June 2014. Start of work.- December 2015. End of work.- February 2016.
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Budget
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€ 2,088,456.
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Location
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Street Frederic Rahola, Horta Guinardó district. Barcelona, Spain.
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Photography
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José Hevia. 
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BAMMP Arquitectos y Asociados is an organization of experts in architecture, urban planning and construction. They are based on the combination of a taste for architecture with the criteria of technical effectiveness and construction. Their professional career starts from the 90s, with a greater volume of construction and projected urbanization.

BAMMP was founded in 2002 from the professional studio of Francisco Bacardit, started in 1972, to which Jaume Armengol and Josep Malgosa joined in 1987, Joaquim Mompel 1990 and Ferran Pont in 1993. In 2008 the architects Mateu Baylina, Montserrat Garcia and Carles Gelis and the technical architect Xavier Delgado joined the company. In 2010, the technical architect Montserrat Riera Valenciano de Mendiolaza joined the team.

They have received numerous awards for their works from 1988 to the present. These are some of the latest awards they have obtained: Bonaplata Awards 2014 in Studies Award for the Book "Espais Recobrats", Bonaplata Awards 2015 in Bonaplata Rehabilitation Award for the Recovery of the Can Boada deposit. In 2016 the 7th Vallés Architecture Exhibition in the Ciutat de Terrassa Award for Urban Landscape Improvement 5th Parc Vallparadís Phase and the X NAN Architecture and Construction Awards 2016 ”in the Award Category for the best residential construction project, Bonaplata Awards 2016. Bonaplata Rehabilitation Award in Rehabilitation and interpretation of the Fabra & Coats Hall of Calders.

Francesc Bacardit i Segués is an architect since 1973. He is a Professor of Urban Planning, Spatial Planning since 1993 and a member of the final degree project court of the Barcelona Technical School of Architecture and a visiting professor in the International Master's in Urban Planning at the Polytechnic University of Catalonia. He has worked in building and urban rehabilitation. Specialist in planning, public works and landscaping. His work has been awarded with first prizes within the contests of the Ciutat de Terrassa Architecture Awards, the Biennial of Vallés, the Bonaplata Awards, the Catalonia Awards for Construction and the City of Barcelona Awards for Architecture and Urbanism, and has been a finalist at the FAD Awards.

Jaume Armengol i Clotet is an architect from ETSA del Vallès since 1987. He is a collaborator in the Architectural Constructions department of ETSA del Vallès. He has taken courses from the doctoral and Master's program at the Technical School of Architecture of Barcelona. He is an architect collaborating with the sports department of the Diputaciò de Barcelona and director and coordinator of the rehabilitation course at the Sert school.

Ferran Pont i Montaner is an architect from the ETSA del Vallès since 1993. He is a doctor from the Higher Technical School of Architecture in Barcelona. He has completed a Postgraduate degree in urban management from the Polytechnic University of Catalonia. He is an expert in the study of museum building projects and has experience in housing, cultural facilities and urban management.

Josep Malgosa i Morera is a quantity surveyor from the School of Technical Architecture - Polytechnic University of Catalonia since 1987. He has extensive experience in executive management of works, responsible for health and safety and quality control in urbanization and building works.

Montserrat García i Carceller is an architect from ETSA del Vallés since 2003. She has completed a Postgraduate Diploma in Sustainability and Architecture in 2012 and Facility Management in 2013. She has obtained a diploma at the 3rd European Landscape Biennial "Només amb Natura" in 2003 and awards at the Bienal del Vallés in 2009 and Nan Arquitectura Award, Madrid in 2016.

Carles Gelis i Centeno is an architect from ETSA del Vallés since 2003. He has completed a Postgraduate degree in urban planning 4ed.M4 Performances on undeveloped land at Escola Sert.

Xavier Delgado i Ferrer is a quantity surveyor from Elisava, Pompeu Fabra since 2003. He has completed a postgraduate degree in Construction Management in 2003, and a Postgraduate degree in Safety and Health coordination at COAATB between 2004 and 2005. He completed a Master in Project Management (2009-2010) and is a Certified Professor by the Construction Labor Foundation.
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Published on: July 15, 2020
Cite: "Fibonacci sequence as ordering mechanism in a rehabilitation. Can Fargues Music school by BAMMP" METALOCUS. Accessed
<https://www.metalocus.es/en/news/fibonacci-sequence-ordering-mechanism-a-rehabilitation-can-fargues-music-school-bammp> ISSN 1139-6415
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