Tomorrow, on September 18, 2014 the Aga Khan Museum will be open to the public. Every monumental museum is inspired by a great collection. In the case of the sparkling white-stone Aga Khan Museum, opening in the outskirts of Toronto, it contains over one thousand artefacts and artworks and spans over one thousand years of history.

The objects – in ceramic, metalwork, ivory, stone and wood, textile and carpet, glass and rock crystal objects, parchment and illustrated paintings on paper – present an overview of the artistic accomplishments of civilizations of Islam from the Iberian Peninsula to China.

The Aga Khan Museum, due to open tomorrow in Toronto, Canada, will be the first museum in North America dedicated to the arts and the cultures of the world of Islam. Founded by His Highness the Aga Khan, the Museum is dedicated to the acquisition, preservation and display of artifacts – from various periods and geographies – relating to the intellectual, cultural, artistic and religious heritage of communities in the world of Islam. Through art, performances, exhibitions, research, education and collaboration with other leading international institutions, the Aga Khan Museum promotes knowledge of the contributions of Islamic civilizations to world heritage.

The Museum was designed by the Japanese architect Fumihiko Maki, winner of the Pritzker Architecture Prize. The abstract notion of light and the light of human creativity and openness were sources of inspiration for the design of the Aga Khan Museum. He ensured not only that light is ever-present in the building, but that, depending on the time of day or season, light will animate the building in myriad ways: throwing patterns on the exterior walls of Brazilian granite, enhancing interior spaces, or illuminating the open-roofed courtyard. The building’s compact footprint — 81 metres long and 54 metres wide — contains an impressive variety of spaces, including two exhibition galleries, areas for art conservation and storage, a 350-seat theatre, and two classrooms. Within an unmistakably contemporary design, Maki incorporates historical elements originating in Islamic cultures, building bridges between eras as well as civilizations.

The Museum will share the site with Ismaili Centre Toronto, designed by architect Charles Correa. The Centre incorporates spaces for social and cultural gatherings, and is surrounded by a ten-hectare landscaped park, designed by Vladimir Djurovic.
 

Description of the project by Maki and Associates

The Aga Khan Museum is one component of a two-building complex currently being planned for an important location 15 minutes north of downtown Toronto. The entire complex will consist of a new prayer hall, the Aga Khan Museum by Maki and Associates, and a formal Islamic garden. The program consists of four primary functions (museum, auditorium, education, and restaurant) organized around a central courtyard, which will act as the heart of the building and will integrate the differing functions into a cohesive whole while allowing each space to maintain its independence, privacy, and character.

The Museum has been designed as a celebration of light and the mysteries of its various qualities and effects. Utilizing a series of natural materials with differing light reflecting properties, the building will act as an ever-changing canvas for the display and accentuation of light. In this regard, the building has been envisioned as a kind of precious stone, which can exhibit reflectivity, color variations, translucency, and a visual mystery.

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Architects
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Collaborators
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Architect of Record.- Moriyama & Teshima Architects.
Structural Engineer.- Halcrow Yolles.
Mechanical / Electrical Engineer.- The Mitchell Partnership / Crossey Engineering.
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Area
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Site Area.- 70,000 sqm.
Building Area.- 4,000 sqm.
Total Floor Area.-11,600 sqm.
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Dates
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Construction.- 2011-2014.
Inaugurated.- 2014.
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Location
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Toronto, Ontario, Canada.
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Photography
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Gary Otte.
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Fumihiko Maki. Born in Tokio in 1928. Graduated from the University of Tokyo Department of Architecture in 1952. Holds a master's degree at Cranbrook Academy of Art and the Harvard Graduate School of Design.

Worked at Skidmore, Owings & Merrill and Sert Jackson and Associates. Taught as associate professor at the University of Washington and Harvard University from 1956 to 1965. Returned to Japan in 1965 and established Maki and Associates. Taught as a professor at the University of Tokyo from 1979 to 1989. Notable awards include the 1988 Wolf Prize in Arts, the 1990 Thomas Jefferson Awards for Public Architecture, the 1993 International Union of Architects (UIA) Gold Medal and the Prince of Wales Prize in Urban Design presented by Harvard University, the 1999 Arnold Brunner Memorial Architecture Award and the Praemium Imperiale for Architecture. Was awarded the prestigious Pritzker Prize in 1993 and received the Gold Medal from the AIA American Institute of Architects in 2011.

Maki and Associates was established in 1965 by Fumihiko Maki, upon his return from a ten year period of study, teaching, and practice in the United States. The office has been based in Tokyo throughout its 42 year history, and is currently staffed by forty architects, urban designers, and administrative personnel. This size has been purposefully limited to enable Maki to maintain a close working relationship with each firm member, and daily involvement with each project. Maki personally takes a leadership role in all commissions from design inception through to completion (including construction supervision).

http://www.maki-and-associates.co.jp/e/index.shtml

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