The Investcorp Building for Oxford University by Zaha Hadid
02/06/2015.
St Antony's College, University of Oxford [Oxford] UK
metalocus, SILVIA BATRES
metalocus, SILVIA BATRES
Description of the project by Zaha Hadid Architects
Founded in 1957, the Middle East Centre at St Antony’s College serves as the University of Oxford’s facility for research and teaching on the Arab world, Iran, Israel and Turkey from the 19 century to the present day, with its focus on the research of humanities and social sciences. The centre has been housed at 68 Woodstock Road (the former rectory of the Church of St Philip and St James, built in 1887) since 1978.
The Middle East Centre holds Oxford University’s primary collection on the modern Middle East, a world-class archive of private papers and historic photographs used by scholars and researchers with an interest in the region. The centre’s research core is the specialised library, document and photographic archive covering material from the 1800’s onwards. The archive was set up in 1961 and has grown to over 400 collections of private papers and holds more than 100,000 historic photographs.
As an integral part of the college’s on-going expansion plans, the Investcorp Building incorporates essential new facilities to meet the Middle East Centre’s increasing demand for research and academic activities. The need to expand the teaching space at the centre has become increasingly acute with student numbers growing dramatically in recent years, including many additional masters’ students and doctoral candidates.
The new lecture theatre will allow the Middle East Centre to expand its popular programme of seminars, lectures and debates – much of which is open to both the University and the general public.
The Invescorp Building complements the college’s ongoing development. Its design weaves through the restricted site at St Antony’s College to connect and incorporate the existing protected buildings and trees; while its stainless steel façade softly reflects natural light to echo the building’s context.
The building integrates new academic and research facilities within a design defined by the existing built and natural environment of the college. The project maintains the detached character of the college’s current buildings, allowing them to be read as separate elements, while introducing a contemporary building that conveys the past, present and future evolution of the college, university and city.
To the west, the project’s scale defers to the existing buildings of 66 & 68 Woodstock Road. The curved form of library reading room’s western façade accommodates the century-old Sequoia tree and its extensive root network; while a drainage system has been installed below the foundation slabs to ensure the tree receives enough moisture. To the east, the archive reading room and librarians’ offices rise towards the height of the 1970 brutalist Hilda Besse Building it faces, yet the new Investcorp Building remains below the roofline of the adjacent 66 Woodstock Road.
The 117-seat lecture theatre is located below ground and is ventilated through a thermal labyrinth. A similar labyrinth exists beneath the library archive room to achieve the essential environmental controls and mitigate the need for mechanical air-handling. A ground source heat pump provides active ground coupling controlled for both temperature and humidity, creating a secure environment to conserve the centre’s renowned collection.
The work of the Middle East Centre contributes to the global discourse and greater understanding of the region. The new Investcorp Building connects disparate buildings within the college, defining a series of spaces for the centre’s renowned archive, library and seminar programmes; allowing the Middle East Centre to expand its commitment as a vital forum of research, understanding and open debate.
Zaha Hadid, (Bagdad, 31 October 1950 – Miami, 31 March 2016) founder of Zaha Hadid Architects, was awarded the Pritzker Architecture Prize (considered to be the Nobel Prize of architecture) in 2004 and is internationally known for both her theoretical and academic work.
Each of her dynamic and innovative projects builds on over thirty years of revolutionary exploration and research in the interrelated fields of urbanism, architecture and design. Hadid’s interest lies in the rigorous interface between architecture, landscape and geology as her practice integrates natural topography and human-made systems, leading to experimentation with cutting-edge technologies. Such a process often results in unexpected and dynamic architectural forms.
Education: Hadid studied architecture at the Architectural Association from 1972 and was awarded the Diploma Prize in 1977.
Teaching: She became a partner of the Office for Metropolitan Architecture, taught at the AA with OMA collaborators Rem Koolhaas and Elia Zenghelis, and later led her own studio at the AA until 1987. Since then she has held the Kenzo Tange Chair at the Graduate School of Design, Harvard University; the Sullivan Chair at the University of Illinois, School of Architecture, Chicago; guest professorships at the Hochschule für Bildende Künste in Hamburg; the Knolton School of Architecture, Ohio and the Masters Studio at Columbia University, New York. In addition, she was made Honorary Member of the American Academy of Arts and Letters, Fellow of the American Institute of Architecture and Commander of the British Empire, 2002. She is currently Professor at the University of Applied Arts in Vienna, Austria and was the Eero Saarinen Visiting Professor of Architectural Design at Yale University, New Haven, Connecticut.
Awards: Zaha Hadid’s work of the past 30 years was the subject of critically-acclaimed retrospective exhibitions at New York’s Solomon R. Guggenheim Museum in 2006, London’s Design Museum in 2007 and the Palazzo della Ragione, Padua, Italy in 2009. Her recently completed projects include the MAXXI Museum in Rome; which won the Stirling award in 2010. Hadid’s outstanding contribution to the architectural profession continues to be acknowledged by the most world’s most respected institutions. She received the prestigious ‘Praemium Imperiale’ from the Japan Art Association in 2009, and in 2010, the Stirling Prize – one of architecture’s highest accolades – from the Royal Institute of British Architects. Other recent awards include UNESCO naming Hadid as an ‘Artist for Peace’ at a ceremony in their Paris headquarters last year. Also in 2010, the Republic of France named Hadid as ‘Commandeur de l’Ordre des Arts et des Lettres’ in recognition of her services to architecture, and TIME magazine included her in their 2010 list of the ‘100 Most Influential People in the World’. This year’s ‘Time 100’ is divided into four categories: Leaders, Thinkers, Artists and Heroes – with Hadid ranking top of the Thinkers category.