Sean Godsell unveiled the inaugural MPavilion in Melbourne's Queen Victoria Gardens. Intended as an Australian counterpart to London's wildly successful Serpentine Gallery Pavilion, the Pavilion will be open until February 1st, hosting a series of events throughout its four-month stay including talks, workshops, film screenings and art interventions.
Funded primarily by the recently established Naomi Milgrom Foundation, with assistance and support from the Serpentine Gallery itself, the pavilion is the first step in the Naomi Milgrom Foundation's goal to position Melbourne as "Asia-Pacific’s hub of design and architecture." The first instalment by Godsell features a simple frame covered with automated aluminium panels, which open and close in response to the sunlight.
 
"The design incorporates an innovative construction with wall and roof panels that open and close on pneumatic arms," said Sean Godsell. "This fully automated ‘outer skin’ means that the pavilion will ‘open’ each morning and ‘close’ at the end of the day in a number of different configurations. Its exterior is perforated aluminium that reflects light and animates the building. Conceived as architecture that ‘blooms like a flower’ each day and opens to its audience, it also has a mysterious box-like quality at night.

Through my foundation I want to initiate a truly inspirational design and architecture project for Melbourne with an enduring legacy," added Naomi Milgrom. "I was inspired by London’s Serpentine Gallery Pavilion and have sought to take this idea further by adding a robust cultural program that celebrates design, architecture and creativity in our city.

The opening was also attended by Julia Peyton-Jones, the co-director of London's Serpentine Gallery, who commented that "Naomi has the energy and integrity to make this project reality and I believe it will add enormously to Melbourne’s social and cultural life."

In partnership with the City of Melbourne and the Victorian State Government, the Naomi Milgrom Foundation has committed to funding the annual pavilion for at least four years. After their four-month stay in the Queen Victoria Gardens, each one will be gifted to the city of Melbourne to be moved to a permanent location.
 
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Sean Godsell was born in Melbourne in 1960. He graduated with First Class Honours from the University of Melbourne in 1984. He spent much of 1985 travelling in Japan and Europe and worked in London from 1986 to 1988 for Sir Denys Lasdun. In 1989 he returned to Melbourne and worked for The Hassell Group. In 1994 he formed Godsell Associates Pty Ltd Architects.

He obtained a Masters of Architecture degree from RMIT University in 1999 entitled ‘The Appropriateness of the Contemporary Australian Dwelling.’ His work has been published in the world’s leading architectural journals including Architectural Review (UK), Architectural Record (USA), Domus (Italy), A+U (Japan), Casabella (Italy), GA Houses (Japan), Detail (Germany), Le Moniteur (France), and Architect (Portugal).

He has lectured in the USA, UK, China, Japan, India, France, Italy and New Zealand as well as across Australia. He was a keynote speaker at the Alvar Aalto symposium in Finland in July 2006.

In July 2003 he received a citation from the president of the American Institute of Architects for his work for the homeless. His Future Shack prototype was exhibited from May to October 2004 at the Smithsonian Institute’s Cooper Hewitt Design Museum in New York. In the same year the Italian publisher Electa published the monograph Sean Godsell: Works and Projects. TIME Magazine named him in the ‘Who’s Who—The New Contemporaries’ section of their 2005 ‘Style and Design’ supplement. He was the only Australian and the only architect in the group of seven eminent designers.

He has received numerous local and international awards. In 2006 he received the Victorian Premier’s Design Award and the RAIA Robin Boyd Award and in 2007 he received the Cappochin residential architecture award in Italy and a Chicago Athenaeum award in the USA—all for St Andrews Beach House—and in 2008 he was a finalist in the Wallpaper* International Design Awards and a recipient of his second AIA Record Houses Award for Excellence in the USA for Glenburn House. In 2008 noted architectural historian and professor of architecture at Columbia University Kenneth Frampton nominated him for the inaugural BSI Swiss Architecture Award for architects under the age of 50, and his work was exhibited as part of the Milan Triennale and Venice Biennale in the same year. In 2010 the prototype of the RMIT Design Hub facade was exhibited in Gallery MA in Tokyo before being transported in 2011 to its permanent home at the Victoria and Albert Museum in London. In 2012 he was shortlisted to design the new Australian Pavilion in Venice. In 2013 he received the RAIA Victorian Medal and William Wardell Awards for the RMIT Design Hub and the Harold Desbrowe Annear award for the Edward Street House.

In January 2013 the Spanish publication El Croquis published the monograph Sean Godsell – Tough Subtlety which includes an essay by Juhani Pallasmaa and interview by Leon Van Schaik. In July 2013 and July 2014 he was visiting professor at the IUAV WAVE workshop in Venice and delivered the UNESCO chair open lecture in Mantova, Italy.
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