New images and details of "The Shed" have been presented at Hudson Yards, just as the first ETFE elements begin to be installed in the enclosure structure, as a preliminary phase to its completion scheduled for the spring of 2019.
Designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, the 18,500 sqm cultural center was designed as an heir to the avant-garde "Fun Palace" project designed by Cedric Price, an adaptive structure that could be moved to accommodate different types of events.

The Shed, New York’s new center for artistic invention, is a building that will accommodate the broadest range of performance, visual art, and multi-disciplinary work. Two principal components comprise The Shed: an eight-level “fixed” base building for cultural programming and support spaces, and a telescoping outer shell that deploys over an adjoining plaza to double the building’s footprint on demand. The base building includes two expansive levels of gallery space, a versatile theater, a rehearsal space, a creative lab for artists, and a sky-lit event space. The shell forms a vast hall that accommodates large-scale performances, installations, and events.
 

Description of project by Diller Scofidio + Renfro

Opening in spring 2019, The Shed will be New York’s first arts center dedicated to commissioning, producing, and presenting all types of performing arts, visual arts, and popular culture. The Shed’s building— an innovative 200,000-square-foot (18,500 m²) structure designed by Diller Scofidio + Renfro in collaboration with Rockwell Group—is designed to physically transform to support artists' most ambitious ideas. Its eight-level base building includes two levels of gallery space, a versatile theater, a rehearsal space, a creative lab, and a skylit event space; a telescoping outer shell can deploy from its position over the base building and glide along rails onto an adjoining plaza to double the building’s footprint for large-scale performances, installations, and events.

When deployed, the shell creates a 17,200-square-foot light-, sound-, and temperature-controlled hall that can serve an infinite variety of uses. The hall can accommodate an audience of 1,200 seated or 2,700 standing; flexible overlap space in the two adjoining galleries of the base building allows for an expanded audience in the hall of up to 3,000. The shell’s entire ceiling operates as an occupiable theatrical deck with rigging and structural capacity throughout. Large operable doors on the Plaza level allow for engagement with the public areas to the east and north when open.

When the shell is nested over the base building, the 19,500-square-foot plaza will be open public space that can be used for outdoor programming; the eastern façade can serve as a backdrop for projection with lighting and sound support. The Plaza is equipped with distributed power supply for outdoor functions.

The building is able to expand and contract by rolling the telescoping shell on rails. The Shed’s kinetic system is inspired by the industrial past of the High Line and the West Side Railyard.  Through the use of conventional building systems for the fixed structure and adapting gantry crane technology to activate the outer shell, the institution is able to accommodate large-scale indoor and open-air programming on demand.

The Shed takes inspiration, architecturally, from the Fun Palace, the influential but unrealized building-machine conceived by British architect Cedric Price and theater director Joan Littlewood in the 1960s. Like its precursor, The Shed’s open infrastructure can be permanently flexible for an unknowable future and responsive to variability in scale, media, technology, and the evolving needs of artists.

The Shed’s back-of-house spaces, which include offices, mechanical spaces, dressing rooms, and storage, are located on Level 1 and the lower levels of the residential tower to the west, 15 Hudson Yards (also designed by Diller Scofidio + Renfro in collaboration with Rockwell Group). This allows the bulk of The Shed’s base building to be devoted to programmable space for art.

More information

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Diller Scofidio + Renfro in collaboration with Rockwell Group
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Structural Engineer.- Thornton Tomasetti. Kinetic Systems Consultant.- Hardesty & Hanover. MEP & Fire Protection Consultant.- Jaros Baum & Bolles. Energy Modeling Consultant.- Vidaris. Lighting Consultant.- Tillotson Design Associates. Acoustics / Audio / Visual Consultant.- Akustiks. Theater Consultant.- Fisher Dachs
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Completion.- 2019 Groundbreaking.- 2015
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Elizabeth Diller, (Poland,1954), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Ricardo Scofidio, Diller’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture.

Elizabeth Diller has also received the Wolf Prize in Architecture. Most recently, she led two cultural works significant to New York: The Shed and the expansion of MoMA. Diller also co-created, -directed and -produced The Mile-Long Opera, an immersive choral work staged on the High Line. Diller is a member of the UN Council on Urban Initiatives and a Professor of Architectural Design at Princeton University.

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Ricardo Scofidio, AIA (New York,1935), is a partner of Diller Scofidio + Renfro (DS+R). Alongside partner Elizabeth Diller, Ric’s cross-genre work has been distinguished with TIME’s "100 Most Influential People" list and the first MacArthur Foundation fellowship awarded in the field of architecture. He led the design of the High Line – the adaptive reuse of an obsolete, industrial rail infrastructure into a 1.5 mile-long public park, Blur Building – a pavilion made of fog on Lake Neuchâtel for the 2002 Swiss Expo, and contributed to the redesign of Lincoln Center for the Performing Arts in New York, and The Broad in Los Angeles.

Ric spearheads many of the studio’s independent works, including Soft Sell, a video installation in an abandoned porn theatre in Times Square; Tourisms: suitCase Studies, an investigation of American tourist attractions at the Walker Art Center in Minneapolis; and Musings on a Glass Box for the Fondation Cartier pour l’art contemporain in Paris. He is a Professor Emeritus at The Cooper Union School of Architecture.

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Charles Renfro, AIA (Baytown, Texas in 1964) joined Diller Scofidio + Renfro (DS+R) in 1997 and became a Partner in 2004. He led the design and construction of the studio’s first concert hall outside of the US - The Tianjin Juilliard School in China - as well as the studio's first public park outside of the US - Zaryadye Park in Moscow. Charles has also led the design of much of DS+R's academic portfolio, with projects completed at Stanford University, UC Berkeley, Brown University, the University of Chicago, and the recently completed Columbia Business School.

Charles is also leading the design of two projects in his native Texas: the renovation of Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas, and Sarofim Hall, a new home for Rice University’s Visual Arts department in Houston. Charles is the Co-President of BOFFO, a nonprofit organization that supports the work of queer LGBTQ+ BIPOC artists and designers. He has twice been recognized with the "Out100" list and has also been distinguished as a notable LGBTQ leader by Crain's New York Business. He is a faculty member of the School of Visual Arts.

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Published on: March 12, 2018
Cite: "New images of The Shed at Hudson Yards by Diller Scofidio + Renfro" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-images-shed-hudson-yards-diller-scofidio-renfro> ISSN 1139-6415
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