The new Rijksmuseum will open on 13 April 2013 following a ten-year transformation, which has seen the museum rebuilt, renovated and restored. Never before has a national museum undergone such complete modernisation.

The new Rijksmuseum will display more than 8,000 artistic and historical objects, in a striking sequence of 80 galleries, which tell the story of 800 years of Dutch art and history from 1200 to the present day.

The Rijksmuseum has been housed in the current building, designed by Dutch architect Pierre Cuypers (1827 – 1921), since 1885. The building endured more than a century of intensive use before major renovation plans were put in place.

Spanish architects Cruz y Ortiz Arquitectos of Seville have transformed the 19th century building into a museum for the 21st century. Parisian museum designer Jean-Michel Wilmotte has devised the interior design for the galleries, fusing 19th-century grandeur with modern design.
 

Description Rijksmuseum  Ámsterdam.-

Design Overview

Following a European tender process, Spanish architects Cruz y Ortiz Arquitectos of Seville were chosen by a committee chaired by the chief government architect Jo Coenen to lead the transformation of the Rijksmuseum. Cruz y Ortiz proposed minimal alterations to the building itself. The firm has recreated the clear layout conceived by the museum’s original architect, Pierre Cuypers, stripping the building of its later additions to ensure that it is once again a coherent whole.

The result transforms the 19th-century building into a bright and spacious 21st-century museum. The new Rijksmuseum features an impressive new entrance area; a new Asian Pavilion; a new outdoor exhibition space and garden; state-of-the-art facilities including new dining spaces, a shop, a restored library and auditorium; renewed education facilities, a new service entrance, a separate building for the conservation of the collection; and climate-control and security features, which are in line with today’s requirements.

Also restored to their former glory are the high-ceilinged, spacious, late 19th-century galleries. In keeping with the plan to restore the building where possible, the original monumental ornaments that decorated the walls and ceilings will be returned to the Gallery of Honour, the Grand Hall, the Night Watch Gallery and the stairwells. Cuypers‘ hallmark is best preserved in the library where the original design and ornaments have largely been maintained.

The French interior architect Jean-Michel Wilmotte, whose work for the Louvre has earned him international acclaim, was invited to devise the interior design for the transformed Rijksmuseum. He has created all display elements for the galleries that complement the restored 19th-century museum, including the display cases, plinths, lighting and furniture. In consultation with Cruz y Ortiz, Wilmotte has also determined the interior colour scheme, which has been inspired by Pierre Cuypers’ palette for the building.

Atrium
Cruz y Ortiz has created an impressive new entrance area suitable for the needs of a leading international museum. The museum’s two inner courtyards have now been opened up, with the removal of galleries that were added in the 1950s and 1960s. A two-part, 2,250 square-metre Atrium has been created by sinking the floor of the two courtyards below ground level and connecting them via an underground zone beneath the original passageway through the building. The Atrium can be accessed from the passageway, which features glass walls through which passersby can admire the view of the courtyards.

The Atrium features large glass-covered roofs and pale polished Portuguese stone floors that reflect the natural light, making the voluminous courtyard spaces feel airy and bright. Overlooking the courtyards are the warm brick façades of the surrounding museum buildings, interspersed with windows and niches.

The light-filled Atrium is a welcoming space in the heart of the museum and can be accessed by all visitors even without a ticket. Located within the entrance area are a café, the ticketing booth and a cloakroom.

Asian Pavilion
Designed by Cruz y Ortiz, the free-standing Asian Pavilion is situated facing the Museumplein in the garden to the south of the Rijksmuseum and is surrounded by water. The irregular-shaped, two-storey structure stands out against the red brick walls of the Rijksmuseum, with its walls faced in pale Portuguese stone and glass. It is characterised by many sloping walls and unusual sightlines. The pavilion is linked to the main building via an underground passageway.

The Atelier Building
Developed by the Government Buildings Agency and commissioned by the Rijksmuseum and the Ministry of Education, Culture and Science (OCW), the Atelier Building is the first structure by Cruz y Ortiz to be completed as part of the Rijksmuseum renovation.

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Architects
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Transformation.– Cruz y Ortiz Arquitectos, Seville.
Principals.- Antonio Cruz and Antonio Ortiz.
Project Architect.- Muriel Huisman, Thomas Offermans.
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Project Team
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Tirma Reventós, Oscar García de la Cámara, Marije Ter. Steege, Alicia López, Juan Luis Mayén, Clara Hernández, Ana Vila, Victoria. Bernícola, Jan Kolle, Sara Gutiérrez, Marta Pelegrín, Iko Mennenga, Joaquin Pérez, Lourdes Gutierrez, and Carlos Arévalo.
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Collaborators Consultants
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Structural Engineering: ARCADIS. Mechanical and Civil Engineering: OVE ARUP. Construction Manager: JP van Eesteren. Conservation: Van Hoogevest Architecten. Landscape Architect: Copijn Landschapsarchitecten.
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Collaborators Interior Design
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Wilmotte & Associés SA, Paris. Principal: Jean-Michel Wilmotte. Project Interior Architect: Marleen Homan. Project Team: Bénédicte Ollier, Emilie Oliviero, Domenico Lo Rito, Flore Lenoir, Céline Seivert, Anne-Claire Grassler, Marc Dutoit, Dji-Ming Luk, Vanessa Adolphe, Alekos Santantonios.
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Area / dimensions
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Total building size.- 30,000 square metres.
Total exhibition space.- 12,000 square metres.
Total galleries.- 80 galleries.
Atrium.- 2,250 square metres.
Asian Pavilion.- 670 square metres.
Garden / Outdoor Museum.- 14,500 square metres.
Museum Shop.- 300 square metres.
Walking distance.- The walking distance through the museum’s 80 galleries is a total of approximately 1.5 kilometres.
Facilities.- Drawing School. Restored library. Auditorium. Museum shop in Atrium. Café in Atrium. Restaurant in the Philips Wing [from 2014].
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Location
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Museumstraat 1, 1071 XX Amsterdam, Netherlands.
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Photography
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José Manuel Ballesteros, John Lewis Marshall, Myra May, Pedro Pegenaute.
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Cruz y Ortiz Arquitectos is an architectural practice founded in 1974 by Antonio Cruz Villalón (Seville, 17 March 1948) and Antonio Ortiz García (Seville, 17 September 1947), with its main office in Seville. Since 2002, it has had a permanent office in Amsterdam, and since 2020, an office in Lugano, Switzerland, as well as an associated studio in Madrid.

Antonio Cruz and Antonio Ortiz began their professional careers in 1971, after graduating from the Madrid School of Architecture. After completing their studies, both architects returned to Seville, where they founded Cruz y Ortiz Arquitectos in 1974. From there, they began a career defined by a sober, precise architecture, attentive to the urban dimension of each intervention, which soon established them as one of the most important Spanish practices of their generation.

In 2002, Cruz and Ortiz opened a studio in Amsterdam, from which they have developed a significant part of their Dutch and Central European work. These projects include Java Eiland in Amsterdam (1994), the Patio Sevilla residences in Céramique, Maastricht (2000), the towers in Wilhelminapier, Rotterdam (2002–2003, project), the transformation of the Rijksmuseum in Amsterdam (2001–2013), and the Atelier Building of the Rijksmuseum itself (2007).

Their best-known projects include a housing project on Calle Doña María Coronel, Seville (1976), the adaptation of the Baluarte de la Candelaria as the Museum of the Sea in Cádiz (1989), the housing blocks in Carabanchel, Madrid (1989), the Andalusian Regional Ministry of Culture in Seville (1989–1992), Santa Justa Station in Seville (1991), the adaptation and extension of Ceuta City Hall (1993), Huelva Bus Station (1994), Seville Public Library (1999), La Cartuja Stadium in Seville (1999), the Spanish Pavilion at Expo 2000 in Hanover, the extension of the SBB railway station in Basel, Switzerland (2003), the housing project in the former Tort Can Planell Factory in Sabadell (2007), the Community of Madrid Stadium (2012), the Central Building of the Health Sciences Campus of the University of Granada (2015), the new Atlético de Madrid stadium, also conceived as an Olympic stadium (2016), the offices for the Andalusian Regional Ministry of Public Works and Housing in Seville (2016), the five-star Mercer Hotel in the Casa Palacio Castelar in Seville (2016), the extension and refurbishment of the Reina Sofía School of Music in Madrid, a competition won in 2024, and the project for the rehabilitation of the GESA building and the transformation of Palma’s seafront, a competition won in 2026.

In 1997, they were awarded the Gold Medal of Andalusia for their contribution to the field of architecture. They later received the National Sports Architecture Award (1998), the Eduardo Torroja Award for the Olympic Stadium in Seville (1999), the Heimatschutz Award for the extension of Basel SBB railway station (2001), the Velux Foundation Daylight Award Special Mention for Basel SBB railway station (2006), and the Andalusian Architecture Award for the extension of Basel railway station (2008). In 2013, they received the CSCAE International Spanish Architecture Award for the Rijksmuseum and the Abe Bonnema Architecture Award for the New Rijksmuseum. In 2014, they received the International FAD Award for the New Rijksmuseum, The Brick Awards / Worldwide Brick Award for the New Rijksmuseum, were appointed Honorary Fellows of the American Institute of Architects, were distinguished as Knights of the Order of the Netherlands Lion, and received the CSCAE Gold Medal for Architecture. In 2015, they received the AD Architects of the Year Award; in 2018, the World Football Summit Best Stadium Award for the Wanda Metropolitano; in 2019, the UEFA Elite Stadium distinction for the Wanda Metropolitano; and in 2026, the Hispalyt “Excellence in Ceramic Architecture” Award. Since 2004, they have been honorary professors at the University of Seville and have held the Cátedra Blanca at its School of Architecture. They have also been visiting professors at the polytechnic schools of Lausanne and Zurich, as well as at Cornell University, Columbia University, and the School of Architecture in Pamplona, and have held the Kenzo Tange Chair at Harvard University’s Graduate School of Design. Among other distinctions, they have received the Spanish National Architecture Award, the City of Seville Award, the City of Madrid Award, the 92nd Brunei International Award, the Construmat Award, and the CEOE Foundation Award. They have twice been finalists for the Mies van der Rohe Award.

Over more than five decades of work, Cruz y Ortiz Arquitectos has built a career marked by continuity, constructive rigour, and the ability to intervene in highly diverse contexts, ranging from housing and public facilities to infrastructure, stadiums, and the rehabilitation of major historic buildings. Their work, developed across Spain and other European countries, combines a precise attention to place with architecture of great formal clarity, positioning the practice among the key references in contemporary Spanish architecture.

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Published on: March 24, 2013
Cite:
metalocus, JOSÉ JUAN BARBA
"New Rijksmuseum by Cruz y Ortiz" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-rijksmuseum-cruz-y-ortiz> ISSN 1139-6415
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