Denton Corker Marshall’s new Stonehenge Visitor Centre opens its doors today 18th December, inviting more than one million visitors every year to experience the transformed Stonehenge site. Here are the first photographs of Denton Corker Marshall's visitor centre at Stonehenge - a prehistoric stone circle in England - which finally, has taken over 20 years, opens to the public.

The centre is about a 1.5 miles (2,41 Km.) to the west of the stone circle and over a hill at Airman’s Corner, just within the World Heritage Site but out of sight of the monument, the new visitor centre is designed with a low key building sensitive to its environment.

It has taken over 20 years to realise the Stonehenge visitor centre in a saga costing at least £37.8m - considerably more than the £27m final scheme.

Sited within the rolling landforms of Salisbury Plain, the design consists of a subtle group of simple enclosures resting on a limestone platform, all sheltered by a fine, perforated, undulating canopy.

The organic form of the canopy is intended to reflect the gently undulating Salisbury Plain landscape.

Road improvements are a key part of the Stonehenge plan. The A344 road is now closed to all traffic except a land train to get people from the visitors' centre to the site. You have the option of walking all the way, or getting off the train halfway and walking the rest, such that the trilithons slowly come into view. The A344 runs close to the site, but a bigger problem is the A303 trunk road, which passes to the south and is a key route linking London to the South-west. This blights the area and is also a major bottleneck as much of the road has now been upgraded to dual carriageway.

New Stonehenge Visitor Centre by Denton Corker Marshall. Photography © Peter Cook.

Denton Corker Marshall.- New Stonehenge Visitor Centre Opens

Sited within the rolling landforms of Salisbury Plain, the design consists of a subtle group of simple enclosures resting on a limestone platform, all sheltered by a fine, perforated, undulating canopy.

Barrie Marshall, director at Denton Corker Marshall, said: "The design of the centre is based on the idea that it is a prelude to the stones, and its architectural form and character should in no way diminish their visual impact, sense of timeless strength and powerful sculptural composition. Where the stones are exposed, massive and purposefully positioned, the centre is sheltered, lightweight and informal. And where the stones seem embedded into the earth, the centre rests on its surface."

Three pods, finished in different materials, provide the principal accommodation. The largest, clad in sweet chestnut timber, houses the museum displays and service facilities. The second largest, clad in glass, houses the educational base, a stylish café and retail facilities. Located between these is the third, by far the smallest and clad in zinc, which provides ticketing and guide facilities.

Oversailing them all, and resting on 211 irregularly placed sloping columns, is a steel canopy clad on the underside with zinc metal panels and shaped with a complex geometry reflecting the local landforms.

Local, recyclable and renewable materials have been used wherever possible. The material palette includes locally grown sweet chestnut timber cladding and Salisbury limestone.

Stephen Quinlan, partner at Denton Corker Marshall, said: "Various strategies have been adopted in the design to ensure that the centre is environmentally sensitive and uses natural resources in a responsible way. These range from the natural sun shading qualities of the canopy which promotes natural ventilation and reduces the need for cooling in the pods, through to more technical solutions such as heat pumps and high efficiency insulation."

The new building allows Stonehenge to have dedicated facilities on site for education and interpretation for the first time, with museum-quality exhibits that tell the story of the 5,000 year- old monument.

From the new centre, visitors can either walk to the monument or take a ten-minute shuttle ride. During the trip the henge emerges slowly over the horizon to the East.

Dr Simon Thurley, chief executive of English Heritage, said: "For too long, people's appreciation of Stonehenge is this mysterious, impressive but anonymous monument. The Neolithic period itself is pretty much a murky expanse of time, shrouded by many outdated notions. We want people to come here and take away a fresh view."

There will also be an outdoor gallery including the reconstruction of three early Neolithic houses, based on rare forensic evidence found near Stonehenge. These houses will be built by skilled volunteers and are due to be complete by Easter 2014.

New Stonehenge Visitor Centre by Denton Corker Marshall. Photography © Peter Cook.

Sustainable Design

The building is sensitively designed to sit lightly in the landscape. Reversibility – the ability to return the site to its current state - was a fundamental design concept. The building will last as long as it needs to but could, if necessary, be removed leaving little permanent impact on the landscape.

This is achieved by constructing it on a concrete raft which in turn sits on an area of 'fill' with minimal cutting into the soil. The modern construction, using slender steel columns and lightweight framed walls, and semi-external spaces allow the depth of foundations to be minimised.

New Stonehenge Visitor Centre by Denton Corker Marshall. Photography © Peter Cook.

Other green features include:

- An open loop ground source heating system that pumps underground water through a unit to extract/inject heat energy. This enables the building to be heated and provides some cooling without the need for fossil fuels.
- Fully insulated cavity walls – the timber pod is constructed of structurally insulated panels (SIPS), which enables efficiencies in construction whilst minimising material waste and ensuring the building is well insulated.
- Mixed mode ventilation – the building will be naturally ventilated whenever external conditions allow, switching to an efficient mechanical ventilation system that enables the heat energy in the exhaust air to be ‘recovered’ and transferred to the supply air, thereby reducing the load on the heating plant and saving energy.
- “Grey water”, including rainwater collected from the roof of the building, will be used for the bulk of water required at the visitor centre, e.g. for flushing toilets. Other water – e.g. for drinking – will be drawn from the aquifer, a local and renewable resource.
- The facilities will use on-site water treatment for sustainability and to avoid intrusive trenching for connections to water and sewer mains.

 

CREDITS.-

Architect.- Denton Corker Marshall

Project Team.- Structural Engineer.- SKM. M&E engineer.- Norman Disney & Young. Project manager.- Gardiner & Theobald. QS Firmingers. Main contractor.- Vinci. Roofing contractor.- Malone Roofing. Steelwork contractor.- SH Structures. Zinc cladding.- Massey Cladding Solutions. Carpentry.- Severn Carpentry.
Client.- English Heritage

 

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Denton Corker Marshall is a design practice with offices in the United Kingdom, Indonesia and Australia. In 1972 in Melbourne, John Denton, Bill Corker and Barrie Marshall initiated a joint career, establishing a partnership that became one of the most sought after architectural firms in the world. The office Denton Corker Marshall believe that its distinctive architectural language is derived from the operation of a fusion between art, architecture and tectonics. With numerous architectural awards and competition successes the practice has made, and continues to make, an acknowledged contribution to the international architectural design scene.

In the United Kingdom their best known completed work is the Manchester Civil Justice Centre, which was shortlisted for the prestigious Stirling Prize in 2008. The firm has a team of 10 directors across three studios: Stephen Quinlan and John Rintoul in London, Budiman Hendropurnomo in Jakarta and seven directors in Melbourne - Adrian FitzGerald, Ian White, Neil Bourne, Peter Williams, Greg Gong, Wojciech Pluta and Anna Piatkowska (Administration). With 120 architects and design staff, the firm utilises advanced communications and is committed to a global presence with completed projects in 20 countries.

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