The new Charles Library at Temple University, sited at the intersection of two major pedestrian pathways, Polett Walk and Liacouras Walk, and at the nexus of Temple’s Main Campushas, a place located in the North Philadelphia, just one block off of Broad Street.

The project designeb by Norwegian architects firm Snøhetta in collaboration with Stantec, abrió sus puertas para el comienzo del semestre de otoño de 2019, anchoring a new social and academic heart for the university’s diverse student body of over 39,000.
Within its dynamic urban context, Snøhetta’s design, reinterprets the traditional typology of the research library as a repository for books, integrating the building with a diversity of collaborative and social learning spaces. And in offering more than double the amount of study spaces than its 1960s predecessor, Paley Library, the 2,000-square-meter Library anticipates over 5 million annual visitors.

By uniting a plethora of academic resources, disciplines, and cutting-edge technology under one roof, Charles Library stewards Temple’s progressive mission to provide equitable learning experiences for its students, its faculty, and the surrounding community.
 

Project description by Snøhetta

The new Charles Library at Temple University has opened its doors for the start of the Fall 2019 semester. Sited at the intersection of two major pedestrian pathways, Polett Walk and Liacouras Walk, and at the nexus of Temple’s Main Campus, the project anchors a new social and academic heart for the university’s diverse student body of over 39,000. Woven into the fabric of North Philadelphia, the building sits just one block off of Broad Street, the connecting artery to the city. Within its dynamic urban context, Snøhetta’s design, developed in collaboration with Stantec, reinterprets the traditional typology of the research library as a repository for books, integrating the building with a diversity of collaborative and social learning spaces. And in offering more than double the amount of study spaces than its 1960s predecessor, Paley Library, the 220,000-square-foot Library anticipates over 5 million annual visitors. By uniting a plethora of academic resources, disciplines, and cutting-edge technology under one roof, Charles Library stewards Temple’s progressive mission to provide equitable learning experiences for its students, its faculty, and the surrounding community.

The landscape and site strategy capture this public-facing role, with generous plazas that slope up to the library entrances, not only inviting people in but also providing space for outdoor classrooms and informal gatherings. The building’s solid base is clad in vertical sections of split-faced granite, referencing the materials of the surrounding campus context. Grand wooden arched entrances cut into the stone volume and announce a welcoming point of entry. Expanses of glass create maximum transparency at the three major entrances. The soaring arches continue into the building, forming a dramatic 3-story domed atrium lobby. Within the central atrium is a 24/7 zone, as well as computing workspaces available to Philadelphia residents. The building’s arched entries and expansive plazas extend a welcoming invitation to all visitors, and while its unusual geometry expresses a distinct identity, its massing is carefully attuned to the scale and materials of its neighbors.

The lobby’s domed atrium offers views to every corner of the building, serving as a wayfinding anchor and placing the user at the center of the library’s activity. An oculus carved into the expansive cedar-clad dome allows light to pour into the lobby from the uppermost floor, connecting the terminus of the library back to its beginning. The steel- clad main stair is immediately visible from the entry as it winds up to the highest level of the building, inviting people to climb upwards. As people move through the building, this visual and physical connectivity allows them to maintain their bearings and encourages usage of all of the building’s resources.

At the base of the main stair, the one-stop service desk provides the first interface between library staff and students, and facilitates their access to the library collection, stored primarily in the high-density automated storage and retrieval system (ASRS), affectionately termed the ‘BookBot.’ At fifty-seven feet tall, it spans three levels of the building and currently stores 1.5 million volumes with a capacity of nearly 2 million, allowing holdings previously housed in off-site deep storage to be relocated on-site. By drastically reducing the space required for book storage while also expanding access to the Library’s collection, the BookBot enables increased space for collaborative learning, academic resources, and individual study space.

To that end, the library’s design houses multiple partner programs and academic resources under a shared roof, while responding to the demonstrated need for increased seating. Anchoring the second and third floors are the Student Success Center, which offers writing and tutoring support; the Loretta C. Duckworth Scholars Studio, with access to digital fabrication and immersive technologies; and Temple University Press. Charles Library is also committed to an all-mobile technology strategy, offering laptops and charging banks on every floor, which in turn liberates workspaces from being locked down by traditional desktops as the technological needs of the students continue to adapt. More than 40 meeting rooms and study spaces, interspersed throughout the building, are available for reservation. In welcoming students from all departments, and offering access to cutting edge technology and a variety of study spaces into a centralized location on campus, these resources will be more accessible than ever to the student body.

While the library offers a uniquely diverse space program tailored to the emerging needs of contemporary students, it also offers the focused research experience of traditional academic libraries. The serene, sun-filled fourth floor encourages visitors to meander through the stacks of the library’s browsable collection. Roughly 200,000 volumes anchor the center of the room, while more private study spaces line its perimeter. Balancing the north and south ends of the fourth floor are two expansive reading rooms, dedicated to graduate, faculty, and undergraduate study. Glazed on all four sides with glass, with views out to the lushly planted green roof, the fourth floor offers an unexpected retreat that feels embedded in nature. Conceived as an amplified meadow landscape, ornamental grasses and herbaceous perennials form the foundation of these reading gardens, through which drifts of curated flowering species and bulbs emerge punctuating color and interest throughout the year. The roof gardens, composed of upwards of 15 different species, provide rich urban habitat for pollinators and a calming visual foreground to the views of the campus and city beyond from the interior of the library.

Covering over 70 percent of the building’s roof surface, the 47,300 square-foot green roof is one of the largest in Pennsylvania and also plays a key role in the site’s stormwater management system. The Charles Library site at large is designed to capture and retain a maximum amount of rainwater not only from the Temple campus but also from Philadelphia’s aging infrastructure, which has been historically overburdened during storm events. Designed to meet the progressive Philadelphia Water Department guidelines, the library’s stormwater management system includes the green roof, pervious paved plazas and paths and landscaped planting beds that infiltrate rainwater, and two underground catchment basins that together can store and process nearly half a million gallons of water during storm events. Taken altogether, the project manages all rainwater runoff on the roughly three-acre site, as well as for an additional acre of offsite impervious ground.

Charles Library embraces the needs of contemporary students and evolving models of learning. By enhancing the visual and physical connectivity to academic resources and fostering learning through social interaction, the design inspires students to engage more directly with the library’s activity. It also marks one of the largest investments in new facilities in Temple’s history and serves as a central point of intersection between students, faculty, staff and the surrounding community. As a world-class facility for Philadelphia’s only public university, the project marks a transformative moment not only for the Temple University but also for the city, and for academic libraries around the world.

Read more
Read less

More information

Label
Architects
Text
Snøhetta. Executive Architect.- Snøhetta & Stantec
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Architect of Record, Sustainability, LEED Consultant, and MEP Engineering.- Stantec. Civil Engineer.- Hunt Engineering. Structural Engineer.- LERA. IT/AV.- Sextant Group. Façade Consultant.- Heintges. Green Roof Consultant.- Roofmeadow. Lighting Consultant.- Tillotson Lighting Design. Programming Consultant.- brightspot strategy. Dome Geometry and Framing Fabricator.- RadiusTrack. Contractor.- Daniel J. Keating. ASRS/Bookbot.- Dematic.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client
Text
Temple University
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
2.000,00 m²
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
Completed August 2019
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Construction Cost
Text
$135 Million
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
+ + copy Created with Sketch.
- + copy Created with Sketch.

Snøhetta is an architecture, landscape, and interior design studio with offices in Oslo, Norway, and New York City, USA. Founded in 1989, it is led by Craig Dykers and Kjetil Thorsen. The studio, named in honour of Mount Snøhetta, the highest peak in the Dovrefjell mountains of Norway, has approximately 100 collaborators working on large-scale international projects across a wide range of typologies. Their approach is deeply collaborative and transdisciplinary, bringing together architects, designers, engineers, and landscape professionals to explore multiple perspectives depending on the nature of each project.

Snøhetta has completed a series of world-renowned cultural and landmark projects, including the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, and the Lillehammer Art Museum in Norway. Current projects include the National Pavilion of the September 11 Memorial Museum at the World Trade Center site in New York, as well as urban and landscape developments that aim to merge local identity, sustainability, and public experience.

In 2004, Snøhetta was awarded the Aga Khan Award for Architecture, and in 2009, the Mies van der Rohe Award. The studio is the only practice to have won the World Architecture Award for Best Cultural Building twice in consecutive years: in 2002 for the Bibliotheca Alexandrina and in 2008 for the Oslo Opera House and Ballet, consolidating its international prestige.

Kjetil Trædal Thorsen (born 1958 on the coastal island of Karmøy, Norway) is a co-founder of the studio and a multiple award-winning architect. He is a visionary and humanist designer who has redefined the boundaries of contemporary practice. Under his leadership, Snøhetta has produced iconic, sustainable structures that are highly sensitive to their cultural context, combining technological innovation with a profound environmental awareness. Thorsen’s work is recognized for its focus on social interaction, sustainability, and the creation of spaces that foster human connection and sensory experience, establishing a benchmark in contemporary global architecture.

Craig Dykers (born 1961 in Frankfurt, Germany) is also a co-founder of the studio and director of its New York office. Snøhetta has earned a reputation for maintaining a deep integration of landscape, architecture, and urban experience across all its projects. Key works include the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, the National Pavilion of the September 11 Memorial Museum in New York, and the redesign of Times Square. Professionally and academically active, Dykers has been a member of the Norwegian Association of Architects (NAL), the American Institute of Architects (AIA), and the Royal Society of Arts in England. He has served as a diploma juror at the Architectural College in Oslo and as a distinguished professor at City College, New York. He has delivered numerous lectures across Europe, Asia, and the Americas, and has undertaken public art installation projects, many of which explore the interplay between context, landscape, and human experience.

Read more
Published on: September 20, 2019
Cite:
metalocus, INÉS LALUETA
"Opening of Charles Library designed by Snøhetta" METALOCUS. Accessed
<https://www.metalocus.es/en/news/opening-charles-library-designed-snohetta> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...