"Pacha, Llaqta, Wasichay: Espacio Indígena, Arquitectura Moderna, Arte Nuevo" investigates contemporary art practices that preserve and foreground Indigenous American notions of the built environment and natural world.

The three words in the exhibition’s title are Quechua, the Indigenous language most spoken in the Americas. Each holds more than one meaning: pacha denotes universe, time, space, nature, or world; llaqta signifies place, country, community, or town; and wasichay means to build or to construct a house. Influenced by the richness of these concepts, the artworks explore the conceptual frameworks inherited from, and also still alive in, Indigeno us groups in Mexico and South America that include the Quechua, Aymara, Maya, Aztec, and Taíno, among others. 

The show features the work of seven emerging Latinx artists based in the United States and Puerto Rico: william cordovaLivia Corona Benjamin, Jorge González, Guadalupe Maravilla, Claudia Peña Salinas, Ronny Quevedo and Clarissa Tossin. Their works investigate the complex relationship that indigenous and vernacular notions of construction, land, space, and cosmology have had in the history of modern and contemporary art and architecture in the Americas.
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Curators
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This exhibition is organized by Marcela Guerrero, assistant curator, with Alana Hernandez, curatorial project assistant.
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Venue
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Whitney Museum of American Art. 99 Gansevoort Street, New York, NY 10014. USA
(212) 570-3600
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Dates
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July,13–September30, 2018
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Published on: August 30, 2018
Cite:
metalocus, ANDREA GONZÁLEZ
"Pacha, Llaqta, Wasichay: Indigenous Space, Modern Architecture, New Art in Whitney Museum" METALOCUS. Accessed
<https://www.metalocus.es/en/news/pacha-llaqta-wasichay-indigenous-space-modern-architecture-new-art-whitney-museum> ISSN 1139-6415
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