One of the hardest hit areas, by Sandy, New York, has a good news these days with the opening of its new museum. The project for the new Parrish Art Museum, designed by Swiss architects Herzog & de Meuron, on the island of Long Island New York, is the second version of a previous design which simplifies the original concept and resources are optimized.

Volume is the result of extruding two gantries. Among them, a central circulation shaft around the building giving access to the different rooms of the two aisles. About an ordered sequence of belts, joists and beams supporting a white corrugated metal roof that extends creating shadow spaces. The exterior walls are made of concrete in situ and at its base is modeled a bench that you sit back and take in the scenery. The size and proportion of the galleries can be adapted reorganizing the partitions. The materials and construction methods are local and easily accessible.

On Nov 10, the Parrish Art Museum will had a Grand Opening to begin the museum’s next chapter. The pièces de résistance is the dramatically-expanded building set on a dedicated campus. Art exhibitions inaugurating the new space include a solo show and the first installation of the museum’s collection.

The New Parrish Art Museum, projected to open in 2012 on fourteen acres in Water Mill, will be the first art museum built on the East End of Long Island in more than a century. Located on the north side of Montauk Highway and designed by world-renowned architects Herzog & de Meuron, the new Parrish will be the cultural centerpiece and most recognizable architectural landmark of the region.

CREDITS

Design: Herzog & de Meuron, Basel, Switzerland.
Furniture design: Kgid, Konstantin grcic industrial design, Munich, Germany.
Executive architect: Handel architects llp, New York, USA.
Structural, mechanical, electrical engineering: Buro Happold, New York, USA.
Landscape design: Herzog & de Meuron, Basel, Switzerland.
Landscape executive architect: Reed Hilderbrand landscape architecture, Watertown, USA.
Civil engineer: Nelson & Pope engineers & Surveyors, Melville, USA.
Environmental engineer: Nelson, Pope & Voorhis llc, Melville, USA.

Facade consulting: R.A. Heintges & Associates, New York, USA.
Lighting engineer: Arup lighting, New York, USA / London, UK.
Geotechnical consultant: Langan, New York, NY, USA.
Energy design consultant: Transsolar energietechnik gmbh, Stuttgart, Germany.
Acoustics: Shen Milsom Wilke, New York, USA.
Security consultant: Ducibella Venter & Santore, North Haven, CT, USA.
Fire protection: Rolf Jensen & Associates, inc., Chicago, USA.
Concrete consultant: Reginald D. Hough, Rhinebeck, USA.

Cost: 26 million usd.
Site area: 601,000sqft / 56,000sqm.
Building footprint: Phase one 38,000sqft / 3,530sqm; phase two 55,000sqft / 5,110sqm.
Building dimensions: Length 450ft / 137m, width 250ft / 76m, height 37ft / 11m.
Gross floor area: Phase one 42,000sqft / 3,900sqm; phase two 62,000sqft / 5,760sqm.

Address:  279 Montauk Highway. Water Mill. NY 11976. USA.

 

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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