In 2008, Japanese architecture firm junya.ishigami+associates, led by Junya Ishigami, completed the  workshop for students at his hometown university: the Kanagawa Institute of Technology (KAIT).

This Ishigami's ethereal building would go on to to make him the youngest ever recipient of the Architectural Institute of Japan Prize and cemented his international reputation as one of Japan’s most avantgarde architects.

In the same year KAIT Workshop was completed, Ishigami was commissioned for another project set put into motion: a project for a versatile semi-outdoor plaza that would neighbor and complement the new building. Thirteen years later, KAIT Plaza has now been completed.
junya ishigami + associates began by considering two main characteristics: the definition of versatility and exploring notions of semi-outdoor space in the context of the university campus.

junya.ishigami + associates chose to focus on a versatile design considering it from an event space point of view that could be occupied in a variety of different ways, “the process of passing time becomes the subject” said Ishigami. For example, allowing students to sit on its floor to talk, eat or even to take a nap, or used it by athletic clubs as preparatory space before sporting events,  for university’s different events and festivals, or even transforming the plaza into an active market.

Semi-outdoor space concept emerged as a physical and mental experience, building on the entire site and creating a special relationship with the most natural elements; the earth and the sky.

The project was integrated with the natural ground and its relationship with the sky was designed as an artificial stage at 2 meters high an abstract plane, which encodes the views, the perception of the sky, and generates new abstract mental images, a world of dreams .

Structure withe plan was conceived as a floating plane, a curved surface with the lack of interior support, resolved as a great feat of structural engineering. Supported only by four walls (with 83 piles and 54 ground anchors), KAIT Plaza features a sloping iron plan, just 12mm (1/2 inch) thick, that spans 90 meters (295 ft). From floor to roof-ceiling, heights range between 2.2 – 2.8m (7 – 9 ft) acording seasons of the year and temperatures. Ribs are installed as compression rings within 3 meters of the roof iron plate’s outer circumference in order to reduce the burden of tension exerted  on the walls. The latter are 250mm thick, standard for regular building constructions.

Ground and roof-ceiling meeting at the end and creating the horizon inside the building.

A magnificent set of 59 ceiling large openings allow an artificial space that transforms depending on the time and weather. “Thus the natural changes perceived by the body become the architectural scenery”.

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Architects
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junya ishigami + associates. Architect In Charge.- Junya Ishigami.
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Project team
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Project Manager.- Masayuki Asami.
Project Architect.- Taeko Abe.
Architects.- Shuma Tei, Motosuke Mandai, Sachie Morita, Toru Yamada, Federico Lepre.
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Collaborators
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Structures.- Jun Sato Structural Engineers Company Limited.
Structural Planning.- Konishi Structural Engineers.
Mep Equipment Consultant.- Takasago Thermal Engineering Company Limited.
Electrical Consultant.- Kinden Corporation.
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Builder
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Kajima Corporation.
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Area
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4,109.78 sqm.
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Dates
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2020
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Location
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Kanagawa Institute of Technology. Kanagawa, Japan.
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Photography
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Junya Ishigami, was born in Kanagawa Prefecture, Japan, in 1974. He studied at the Musashi Institute of Technology from 1994 to 1998 and subsequently completed his education at the Tokyo National University of Fine Arts and Music, where he studied between 1998 and 2000. After graduating, he worked for Kazuyo Sejima + Associates (SANAA) from 2000 to 2004. That same year, he founded his own architectural practice, Junya Ishigami + Associates.

Throughout his career, Ishigami has questioned conventional understandings of architecture. His approach allows him to work beyond prevailing trends, established principles and traditional definitions, creating new structures and spaces and proposing alternative ways of organizing the environment. Through his projects, he seeks to radically transform the lifestyles associated with modern architecture and enrich them with new values.

His early projects include Table, created in Tokyo in 2005, and T Project, which received first prize in a residential architecture competition sponsored by the Tokyo Electric Power Company that same year. These were followed by Balloon in Tokyo in 2007, the Kanagawa Institute of Technology KAIT Workshop in Kanagawa in 2008, and the Yohji Yamamoto Gansevoort Street Store in New York in 2008. Other significant works include the Japanese Pavilion for the 11th Venice Architecture Biennale in 2008, Art Biotop Water Garden in Tochigi in 2018, the Serpentine Pavilion in London in 2019, KAIT Plaza in Kanagawa in 2020, House & Restaurant in Ube in 2022 and the Zaishui Art Museum in Rizhao, China, completed in 2023.

Ishigami’s work has received considerable international recognition. In 2004, Low Chair and Round Table were acquired by the Centre Pompidou. In 2005, he received the SD Prize for Small Garden of a Row House, the Kirin Prize for Table and first prize in the residential architecture competition for T Project. In 2006, Table was presented by Gallery Koyanagi at Art Basel and was later acquired by the Israel Museum. He subsequently received the Architectural Institute of Japan Prize for KAIT Workshop in 2009, the Golden Lion for Best Project at the 12th Venice Architecture Biennale in 2010, the OBEL Award for Art Biotop Water Garden in 2019 and the Frederick Kiesler Prize for Architecture and the Arts in 2024.

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Published on: January 22, 2021
Cite:
metalocus, JOSÉ JUAN BARBA
"Process of passing time as concept. Plaza of Kanagawa Institute of Technology by junya ishigami + associates" METALOCUS. Accessed
<https://www.metalocus.es/en/news/process-passing-time-concept-plaza-kanagawa-institute-technology-junya-ishigami-associates> ISSN 1139-6415
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