Supported by a forest of super thin columns, the Serpentine pavilion and its cavernous space are shown in this group of images offering a closer look at its rocky cover that forms this year's Serpentine Pavilion by Japanese architect Junya Ishigami.

Junya Ishigami's design sees 61 tonnes of Cumbrian slate used to create a mountain-like roof structure outside the Serpentine Gallery in London. This is supported by a "basket" roof and slender steel columns.
The 2019 Serpentine Pavilion, the temporary structure erected each year in London’s Hyde Park, has been unveiled. The pavilion has been designed by Junya Ishigami — known for his experimental structures that interpret traditional architectural conventions and reflect natural phenomena.

‘My design for the pavilion plays with our perspectives of the built environment against the backdrop of a natural landscape, emphasizing a natural and organic feel as though it had grown out of the lawn, resembling a hill made out of rocks,’ explains the japanese architect Junya Ishigami.

The photos offer a more detailed look at the pavilion's architectural features, such as the way the roof curves down at the corners and the underside of the expansive slate canopy.

Junya Ishigami’s design for the 2019 Serpentine pavilion takes inspiration from roofs, the most common architectural feature used around the world. The design is made by arranging slates to create a single canopy roof that appears to emerge from the ground of the surrounding park. Within, the interior of the pavilion is an enclosed cave-like space, a refuge for contemplation. For Ishigami, the pavilion articulates his ‘free space’ philosophy in which he seeks harmony between man-made structures and those that already exist in nature.
 
'This is an attempt to supplement traditional architecture with modern methodologies and concepts, to create in this place an expanse of scenery like never seen before. Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric.'
 
Ishigami is the 19th architect to design a pavilion at the Serpentine, following works by Frida Escobedo (2018), Francis Kere (2017), Bjarke Ingels (2016), and SelgasCano (2015). The pavilion was unveiled earlier today, but the news has been overshadowed by the announcement that Serpentine CEO Yana Peel has resigned amid a row over spyware.

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Junya Ishigami, was born in Kanagawa Prefecture, Japan, in 1974. He studied at the Musashi Institute of Technology from 1994 to 1998 and subsequently completed his education at the Tokyo National University of Fine Arts and Music, where he studied between 1998 and 2000. After graduating, he worked for Kazuyo Sejima + Associates (SANAA) from 2000 to 2004. That same year, he founded his own architectural practice, Junya Ishigami + Associates.

Throughout his career, Ishigami has questioned conventional understandings of architecture. His approach allows him to work beyond prevailing trends, established principles and traditional definitions, creating new structures and spaces and proposing alternative ways of organizing the environment. Through his projects, he seeks to radically transform the lifestyles associated with modern architecture and enrich them with new values.

His early projects include Table, created in Tokyo in 2005, and T Project, which received first prize in a residential architecture competition sponsored by the Tokyo Electric Power Company that same year. These were followed by Balloon in Tokyo in 2007, the Kanagawa Institute of Technology KAIT Workshop in Kanagawa in 2008, and the Yohji Yamamoto Gansevoort Street Store in New York in 2008. Other significant works include the Japanese Pavilion for the 11th Venice Architecture Biennale in 2008, Art Biotop Water Garden in Tochigi in 2018, the Serpentine Pavilion in London in 2019, KAIT Plaza in Kanagawa in 2020, House & Restaurant in Ube in 2022 and the Zaishui Art Museum in Rizhao, China, completed in 2023.

Ishigami’s work has received considerable international recognition. In 2004, Low Chair and Round Table were acquired by the Centre Pompidou. In 2005, he received the SD Prize for Small Garden of a Row House, the Kirin Prize for Table and first prize in the residential architecture competition for T Project. In 2006, Table was presented by Gallery Koyanagi at Art Basel and was later acquired by the Israel Museum. He subsequently received the Architectural Institute of Japan Prize for KAIT Workshop in 2009, the Golden Lion for Best Project at the 12th Venice Architecture Biennale in 2010, the OBEL Award for Art Biotop Water Garden in 2019 and the Frederick Kiesler Prize for Architecture and the Arts in 2024.

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Published on: June 18, 2019
Cite:
metalocus, JOSÉ JUAN BARBA
"Junya Ishigami completes the Serpentine Pavilion 2019" METALOCUS. Accessed
<https://www.metalocus.es/en/news/junya-ishigami-completes-serpentine-pavilion-2019> ISSN 1139-6415
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