The Japanese architect Junya Ishigami, celebrated for his experimental structures that interpret traditional architectural conventions and reflect natural phenomena, has been selected to design the Serpentine Pavilion 2019
The Japanese architect Junya Ishigami, celebrated for his experimental structures that interpret traditional architectural conventions and reflect natural phenomena, has been selected to design the Serpentine Pavilion 2019.

Ishigami’s design takes inspiration from roofs, the most common architectural feature used around the world. The design of the 2019 Serpentine Pavilion is made by arranging slates to create a single canopy roof that appears to emerge from the ground of the surrounding Park. Within, the interior of the Pavilion is an enclosed cave-like space, a refuge for contemplation. For Ishigami, the Pavilion articulates his ‘free space’ philosophy in which he seeks harmony between man-made structures and those that already exist in nature.

‘My design for the Pavilion plays with our perspectives of the built environment against the backdrop of a natural landscape, emphasising a natural and organic feel as though it had grown out of the lawn, resembling a hill made out of rocks. This is an attempt to supplement traditional architecture with modern methodologies and concepts, to create in this place an expanse of scenery like never seen before. Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric.’ 
Describing his design, Junya Ishigami
 
Junya Ishigami (b. 1974) worked as an architect at SANAA before founding the prize-winning Junya Ishigami + Associates in 2004. Winner of the Golden Lion award at the Venice Biennale of Architecture in 2010, he was the subject of a major and critically acclaimed solo exhibition at the Fondation Cartier pour l’art contemporain in 2018 that is traveling to the Power Station of art in Shanghai later this year. He is known for designs with dream-like qualities that incorporate the natural world, such as landscapes, forests and clouds, in anarchitectural practice that places humankind as part of nature.

He is the nineteenth architect to accept the invitation to design a temporary Pavilion on the Serpentine Gallery’s lawn in Kensington Gardens. This pioneering commission, which began in 2000 with Zaha Hadid, has presented the first UK structures by some of the biggest names in international architecture. In recent years it has grown into a highly-anticipated showcase for emerging talent, from Frida Escobedo of Mexico to Francis Kéré of Burkina Faso and Bjarke Ingels of Denmark, whose 2016 Pavilion was the most visited architectural and design exhibition in the world.

Serpentine Galleries Artistic Director Hans Ulrich Obrist and CEO Yana Peel selected this year’s architect with advisors Sir David Adjaye OBE, Lord Richard Rogers and David Glover alongside Julie Burnell (Head of Construction and Buildings, Serpentine Galleries) and Amira Gad (Curator, Exhibitions and Architecture, Serpentine Galleries).

The Serpentine Pavilion 2019 is supported by Goldman Sachs for the fifth year.
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Junya Ishigami, was born in Kanagawa Prefecture, Japan, in 1974. He studied at the Musashi Institute of Technology from 1994 to 1998 and subsequently completed his education at the Tokyo National University of Fine Arts and Music, where he studied between 1998 and 2000. After graduating, he worked for Kazuyo Sejima + Associates (SANAA) from 2000 to 2004. That same year, he founded his own architectural practice, Junya Ishigami + Associates.

Throughout his career, Ishigami has questioned conventional understandings of architecture. His approach allows him to work beyond prevailing trends, established principles and traditional definitions, creating new structures and spaces and proposing alternative ways of organizing the environment. Through his projects, he seeks to radically transform the lifestyles associated with modern architecture and enrich them with new values.

His early projects include Table, created in Tokyo in 2005, and T Project, which received first prize in a residential architecture competition sponsored by the Tokyo Electric Power Company that same year. These were followed by Balloon in Tokyo in 2007, the Kanagawa Institute of Technology KAIT Workshop in Kanagawa in 2008, and the Yohji Yamamoto Gansevoort Street Store in New York in 2008. Other significant works include the Japanese Pavilion for the 11th Venice Architecture Biennale in 2008, Art Biotop Water Garden in Tochigi in 2018, the Serpentine Pavilion in London in 2019, KAIT Plaza in Kanagawa in 2020, House & Restaurant in Ube in 2022 and the Zaishui Art Museum in Rizhao, China, completed in 2023.

Ishigami’s work has received considerable international recognition. In 2004, Low Chair and Round Table were acquired by the Centre Pompidou. In 2005, he received the SD Prize for Small Garden of a Row House, the Kirin Prize for Table and first prize in the residential architecture competition for T Project. In 2006, Table was presented by Gallery Koyanagi at Art Basel and was later acquired by the Israel Museum. He subsequently received the Architectural Institute of Japan Prize for KAIT Workshop in 2009, the Golden Lion for Best Project at the 12th Venice Architecture Biennale in 2010, the OBEL Award for Art Biotop Water Garden in 2019 and the Frederick Kiesler Prize for Architecture and the Arts in 2024.

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Published on: February 14, 2019
Cite:
metalocus, ANDREA GONZÁLEZ
"Serpentine pavilion 2019 designed by Junya Ishigami" METALOCUS. Accessed
<https://www.metalocus.es/en/news/serpentine-pavilion-2019-designed-junya-ishigami> ISSN 1139-6415
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