Bodegas Protos is a contemporary reinterpretation of the traditional winery. Located in Peñafiel, a small town in the Ribera del Duero, Spain, the need arose to expand and modernize the production facilities belonging to Protos wines.
This work, made by Rogers Stirk Harbour + Partners, is an industrial project whose design and layout follows the process of winemaking, from the harvest of the grapes to the bottling of the wines. Most of the cellar's internal area is underground, where the thermal mass of the soil is used to keep the wine fresh, with the production area at ground level below a spectacular vaulted wooden ceiling.

The project is based on the operation of a traditional winery: it employs the effective use of the thermal mass, a large flexible deposit and construction materials in accordance with the local vernacular. The design concept of the building follows the journey of the grape in the process of winemaking, with each part of the installation designed to provide the most appropriate environmental conditions.

Terracotta tiles are common to the architecture of the region, and the stone that forms the walls is waste material from a local quarry. The use of traditional materials such as wood and stone and the sensitive use of form to break the scale of the building has resulted in a winery that complements the traditional architectural style surrounding Penafiel (Valladolid).

Compositively, the winery is related to the original winery by connecting through an underground passage, also having areas designed to measure for tastings or special events, as well as administrative functions.

The project as a whole is conceived as a light and articulated structure that rests on a solid base or base. The plinth anchors the building to the ground, since its volume is buried mainly underground. Its triangular shape allows a maximum use of space and resolves the difference in level existing in the place, as well as creating a horizontal plane from which the structure expands. The base of the building is externally manifested in stone perimeter walls.

A large double-height space at the production level is surrounded by interconnected wooden vaults to guarantee an open and flexible space. This accommodates fermentation and storage tanks, as well as the bottling plant, packaging equipment, technical areas and vehicle access bays. 

The roof is composed as the facade, responding to the view from the castle. The terracotta tiles, as well as the scale and rhythm of the arches, complement the surrounding buildings.
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Project Partners
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Graham Stirk, Lennart Grut
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Project Lead
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Jan Güell
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Team
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Raquel Borrás, Maxine Campbell, Mike Fairbrass, Silvia Fukuoka, Russell Gilchrist, Lennart Grut, Jan Güell, Juan Laguna, Ronald Lammerts Van Beuren, Tim Mason, Jack Newton, Tamiko Onozawa, Susana Ribes, Richard Rogers, Graham Stirk, Patricia Vázquez, Martin White, Neil Wormsley
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Collaborators
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Structural Engineer.- Arup / BOMA / Agroindus. Services Engineer.- BDSP Partnership / Grupo JG / Agroindus. Quantity Surveyor.- Tècnics G3 / Agroindus. Lighting Consultant.- Biosca & Botey. Project Manager.- CEM Management
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Client
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Bodegas Protos
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Measures
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Area.- 19.450m² --- Floors.- 4
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Construction Cost
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€ 17,023,735.00
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Dates
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Project.- 2004. Inauguration.- 2008
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Location
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Peñafiel, Valladolid, Spain
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Richard Rogers. (Florence, July 23, 1933 – London, December 18, 2021) was a central figure in international architecture from the late twentieth to the early twenty-first century, widely recognized for his role in consolidating high-tech architecture and for his sustained engagement with urban debate. Born in Italy to a British family, he moved to the United Kingdom as a child during the Second World War. This early experience of displacement would later inform his sensitivity to the social and urban issues that permeated his work. He was educated at the Architectural Association in London, a key institution in the renewal of architectural thought, and later continued his studies at Yale University, where he encountered other architects who would go on to achieve international prominence.

In 1977, he founded his own practice, initially known as Richard Rogers Partnership, which later evolved into Rogers Stirk Harbour + Partners. From this professional platform, he developed an approach characterized by technical innovation, constructive clarity, and a strong commitment to making visible the systems that shape a building. His architecture is distinguished by the externalization of structural and service elements, understood not only as functional solutions but as an essential part of architectural expression.

Among his most influential works is the Centre Pompidou in Paris, designed in collaboration with Renzo Piano, which represented a radical break from conventional architectural languages and redefined the role of the cultural building within the city. Likewise, the Lloyd’s building in London stands as another paradigmatic example of his approach, where technology and programmatic flexibility are integrated into a proposal that challenges traditional typologies.

Throughout his career, he received numerous distinctions, including the Pritzker Prize in 2007, widely regarded as architecture’s highest honor, the RIBA Gold Medal in 1985, and the Golden Lion for Lifetime Achievement at the Venice Biennale in 2006. He was knighted in 1991 and was later appointed a Member of the Order of the Companions of Honour in 2008, in recognition of both his professional work and his contribution to urban thought.

Beyond his built work, Rogers played an active role in shaping urban policy, particularly in the United Kingdom. He chaired the Urban Task Force in the late 1990s, promoting strategies for the regeneration of British cities based on models of compact, diverse, and sustainable urban development. His vision emphasized the importance of public space as a structuring element of urban life, as well as the need to integrate environmental criteria into urban growth.

His legacy extends beyond a body of iconic buildings to encompass a broader understanding of architecture as a discipline deeply connected to society, politics, and the environment. Through his work, Rogers helped redefine both professional practice and the role of the architect in shaping the contemporary city.

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Published on: July 4, 2018
Cite:
metalocus, JUDIT OTERO
"Protos wineries in Peñafiel, by Rogers Stirk Harbour + Partners" METALOCUS. Accessed
<https://www.metalocus.es/en/news/protos-wineries-penafiel-rogers-stirk-harbour-partners> ISSN 1139-6415
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