The new Macallan Distillery, designed by Rogers Stirk Harbour + Partners, is cut into the hills of Speyside. The new facilities sits on the Easter Elchies estate in Scotland, which has been distilling the famous single malt whisky since 1824.

The green roof undulations, designed by RSHP, on the building seeks to reveal the brand’s production processes, the whisky stills situated below, while remaining sensitive to the surrounding landscape. Costing €160 million, the centrepiece of the whisky-making building is this rippling timber roof formed of 380,000 individual components, almost all different.

The new distillery will enable production of The Macallan to increase by a third if required.
 

‘The Macallan estate truly is a special place; a place we have come to love and respect hugely. The vision was always ambitious but this enabled us to challenge our own thinking to create something so dramatic and awe-inspiring. It has been an honour to play our part in shaping the next chapter for Macallan. We were always trying capture the words of the Macallan: The mystery revealed, the idea of being aware of something which is definitely manmade but is of landscape,’ says senior partner and lead architect Graham Stirk.
 

Description of project by Rogers Stirk Harbour + Partners

The new Macallan distillery and visitor experience is set into the landscape of the estate that has been distilling the world’s leading single malt since 1824. The Macallan is one of the most sought after whiskys in the world and wanted to create a building that could reveal the production processes and welcome visitors while remaining sensitive to the beautiful surrounding countryside.

The new distillery will enable production of The Macallan to increase by a third if required. Internally, a series of production cells are arranged in a linear format with an open-plan layout revealing all stages of the production process at once. These cells are reflected above the building in the form of a gently undulating timber roof. Grass-covered peaks rise and fall from The Macallan estate grounds, signaling to approaching visitors the activities housed beneath. Set into the naturally sloping contours of the site, the design makes direct references to ancient Scottish earthworks.

The visitor experience starts with an introduction to The Macallan in an exhibition and gallery area, before progressing through a sequence of spaces that follow the production story of the whisky. Natural materials – local stone, timber and the living meadow roof – as well as the landscaping design not only evoke the environment and ingredients of whisky production but also serve to provide an atmospheric journey for the visitor.

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Rogers Stirk Harbour + Partners

 

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Venue
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Tromie Mills, Kingussie PH21 1NS, United Kingdom
 

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Completed.- 2018

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Richard Rogers. (Florence, July 23, 1933 – London, December 18, 2021) was a central figure in international architecture from the late twentieth to the early twenty-first century, widely recognized for his role in consolidating high-tech architecture and for his sustained engagement with urban debate. Born in Italy to a British family, he moved to the United Kingdom as a child during the Second World War. This early experience of displacement would later inform his sensitivity to the social and urban issues that permeated his work. He was educated at the Architectural Association in London, a key institution in the renewal of architectural thought, and later continued his studies at Yale University, where he encountered other architects who would go on to achieve international prominence.

In 1977, he founded his own practice, initially known as Richard Rogers Partnership, which later evolved into Rogers Stirk Harbour + Partners. From this professional platform, he developed an approach characterized by technical innovation, constructive clarity, and a strong commitment to making visible the systems that shape a building. His architecture is distinguished by the externalization of structural and service elements, understood not only as functional solutions but as an essential part of architectural expression.

Among his most influential works is the Centre Pompidou in Paris, designed in collaboration with Renzo Piano, which represented a radical break from conventional architectural languages and redefined the role of the cultural building within the city. Likewise, the Lloyd’s building in London stands as another paradigmatic example of his approach, where technology and programmatic flexibility are integrated into a proposal that challenges traditional typologies.

Throughout his career, he received numerous distinctions, including the Pritzker Prize in 2007, widely regarded as architecture’s highest honor, the RIBA Gold Medal in 1985, and the Golden Lion for Lifetime Achievement at the Venice Biennale in 2006. He was knighted in 1991 and was later appointed a Member of the Order of the Companions of Honour in 2008, in recognition of both his professional work and his contribution to urban thought.

Beyond his built work, Rogers played an active role in shaping urban policy, particularly in the United Kingdom. He chaired the Urban Task Force in the late 1990s, promoting strategies for the regeneration of British cities based on models of compact, diverse, and sustainable urban development. His vision emphasized the importance of public space as a structuring element of urban life, as well as the need to integrate environmental criteria into urban growth.

His legacy extends beyond a body of iconic buildings to encompass a broader understanding of architecture as a discipline deeply connected to society, politics, and the environment. Through his work, Rogers helped redefine both professional practice and the role of the architect in shaping the contemporary city.

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RSHP. Architecture practice founded in London in 1977 as Richard Rogers Partnership by Richard Rogers, John Young, Marco Goldschmied and Mike Davies. It was established following the completion of the Centre Pompidou in Paris (1971-1977), by Richard Rogers and Renzo Piano together with Gianfranco Franchini, a seminal work in Rogers’ career and in the architecture of the second half of the twentieth century.

In 2007, the practice was renamed Rogers Stirk Harbour + Partners, recognising the work of Graham Stirk and Ivan Harbour within the studio.

Richard Rogers (1933-2021), one of the leading figures in British architecture of recent decades and recipient of the Pritzker Architecture Prize in 2007, retired from the practice in 2020 and died on 18 December 2021. Following his death, in June 2022 the practice was renamed RSHP, consolidating a collective working structure that ensures the continuity of the studio beyond its founder.

RSHP is currently led by Graham Stirk, Ivan Harbour, Lennart Grut, John McElgunn, Tracy Meller, Ian Birtles, Stephen Barrett, Richard Paul, Simon Smithson and Andrew Tyley, who continue to develop the practice’s international work.

Since 1990, ownership of the practice has been linked to a charitable trust and governed by a constitution establishing principles of social and professional responsibility. Since 1993, the foundation associated with the practice has distributed more than £20.2 million to over 2,000 charitable organisations.

Among the practice’s best-known works are Lloyd’s of London, Terminal 4 at Madrid-Barajas Airport, projected in collaboration winner of the Stirling Prize in 2006, Terminal 5 at Heathrow Airport, the Senedd in Wales, the Leadenhall Building and Aile Est at Geneva Airport. Its recent work includes Melbourne’s Metro Tunnel, completed in 2025, as well as projects currently under development such as Capodichino Aeroporto metro station in Naples and new international airport infrastructure.

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Published on: May 22, 2018
Cite:
metalocus, ANTONIO G DE JUAN
"New Macallan Distillery, designed by Rogers Stirk Harbour + Partners" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-macallan-distillery-designed-rogers-stirk-harbour-partners> ISSN 1139-6415
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