Who says you cannot won a good contest with a dreadful renderings! The Musée du Louvre and the Nord-Pas de Calais region have announced the winner of the competition to build a conservation and storage facility for the Musée du Louvre in Liévin in northern France (Nord-Pas-de-Calais).

The project has been granted to a consortium consisting of the British architecture firm Rogers Stirk Harbour + Partners, the consortium’s representative and best known for the British Museum’s new World Conservation and Exhibitions Centre in London (2014); the French firm Mutabilis Paysage (landscape architects); Egis Bâtiments Nord technical consultancy); Inddigo SAS (environmental consultancy); and VPEAS SAS (economists).

The consortium designed a 20,000 sqm landscape building, with a slightly sloping roof, fully covered with vegetation. Understated and elegant, it combines light-filled spaces for people to work and art to circulate, and cutting-edge technology to guarantee stable climatic conditions for the proper conservation of the Louvre’s collections. Functional and accessible, the new building will welcome scientists and researchers from end-2018. Construction is set to begin in 2017.

The construction budget mounts to 35 million euros, and the overall cost of the project 60 million euros. The Musée du Louvre will finance 51% of the project, and the regional council of Nord-Pas de Calais 49%.

Approximately 250,000 works of art, currently stored in more than 60 different locations both inside and outside the Louvre palace (in Greater Paris and other French regions), will be transferred to the site as soon as the building is complete. The artworks will therefore be in one sole location, in the immediate vicinity of the Louvre-Lens.

Transferring the museum’s reserve collections is a step aimed at protecting the art from the risk of centennial flooding. The move is intended to create a facility for study and research—one of Europe’s largest—to enhance the scientific renown of the Musée du Louvre.

Jean-Luc Martinez, President-Director of the Musée du Louvre said: “The consortium of architects, headed by Rogers Stirk Harbour + Partners, has succeeded in taking the specific needs of properly preserving and accessing the Louvre’s collections, and turning them into a first-class architectural creation. The project proposes innovative solutions in terms of sustainable development and the building’s thermal mass. It is particularly commendable for providing a response that is perfectly in line with the plan to ensure stable climatic conditions for storing art, and for the organisation of day-to-day interactions in a one-story space. The architects also had people in mind when designing this light-filled space nestled in nature, taking into consideration the comfort level of the personnel who will work there, conducting research on the works of art. The new facility will be in perfect dialogue with its neighbour, the Louvre-Lens.”

Daniel Percheron, President of the Nord-Pas-de-Calais region added “The project for a conservation and storage facility, designed by a Franco-British team, is in line with the threefold vision of the Nord-Pas-de-Calais region, with the support of Euralens: a cultural facility with the creation of the Musée du Louvre-Lens; economic renewal with the support of centers of excellence, notably in relation to the art and culture economy and art professions; and lastly, an environmental dimension with the onset of the “third industrial revolution.”

 

Description of the project by Rogers Stirk Harbour + Partners

It is our intent that the new conservation and storage facility for the collections of the Musée du Louvre tap into the full potential offered by our project’s functional program and its location as a natural extension of a green pathway. Our proposal calls for a sloping design in harmony with its surroundings, to provide a discreet solution for a building surface area of considerable scope, following the natural contours of the site. The new, inclined surface takes the diverse volumes of the collections into account organically, protecting them from extreme fluctuations of the outdoors, in a building with high thermal mass to ensure stable and optimal conditions indoors.

The western edge of this new park is designed to highlight the all-important conservation work of the Louvre’s exceptional collection in the most up-to-date facilities. A large window offers a view onto the activity that will take place in a broad band that serves as an interface with the collections in the heart of the building. A garden on the same level provides a welcome oasis, pleasant views and natural light to personnel. This area is connected to the collections via the “boulevard of artworks,” a logistical axis linking the reception area to the art reserves and delivery bay. This ample flow of movement constitutes the core of the building, bathing conservation areas in natural light and providing a space brimming with life, thanks to its capacity to host activities, but also temporary and social events.

CREDITS. DATA SHEET.-

Architect Rogers Stirk Harbour + Partners.
Collaborators.- Landscape architect.- Mutabilis Paysage. Technical consultancy.- Egis Bâtiments Nord. Environmental consultancy.- Inddigo SAS. Economist.- VPEAS SAS.
Type of project.- conservation and storage facility.
Location.- Lievin, Nord-Pas-de-Calais
Client.- Musee du Louvre
Area.- 20,000 sqm
Start on site date.- 2017
Completion date.- 2018
Budget.- Funding 51 per cent from Musee du Louvre and 49 per cent from the regional council of Nord-Pas de Calais
Cost.- €60,00m

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Richard Rogers. (Florence, July 23, 1933 – London, December 18, 2021) was a central figure in international architecture from the late twentieth to the early twenty-first century, widely recognized for his role in consolidating high-tech architecture and for his sustained engagement with urban debate. Born in Italy to a British family, he moved to the United Kingdom as a child during the Second World War. This early experience of displacement would later inform his sensitivity to the social and urban issues that permeated his work. He was educated at the Architectural Association in London, a key institution in the renewal of architectural thought, and later continued his studies at Yale University, where he encountered other architects who would go on to achieve international prominence.

In 1977, he founded his own practice, initially known as Richard Rogers Partnership, which later evolved into Rogers Stirk Harbour + Partners. From this professional platform, he developed an approach characterized by technical innovation, constructive clarity, and a strong commitment to making visible the systems that shape a building. His architecture is distinguished by the externalization of structural and service elements, understood not only as functional solutions but as an essential part of architectural expression.

Among his most influential works is the Centre Pompidou in Paris, designed in collaboration with Renzo Piano, which represented a radical break from conventional architectural languages and redefined the role of the cultural building within the city. Likewise, the Lloyd’s building in London stands as another paradigmatic example of his approach, where technology and programmatic flexibility are integrated into a proposal that challenges traditional typologies.

Throughout his career, he received numerous distinctions, including the Pritzker Prize in 2007, widely regarded as architecture’s highest honor, the RIBA Gold Medal in 1985, and the Golden Lion for Lifetime Achievement at the Venice Biennale in 2006. He was knighted in 1991 and was later appointed a Member of the Order of the Companions of Honour in 2008, in recognition of both his professional work and his contribution to urban thought.

Beyond his built work, Rogers played an active role in shaping urban policy, particularly in the United Kingdom. He chaired the Urban Task Force in the late 1990s, promoting strategies for the regeneration of British cities based on models of compact, diverse, and sustainable urban development. His vision emphasized the importance of public space as a structuring element of urban life, as well as the need to integrate environmental criteria into urban growth.

His legacy extends beyond a body of iconic buildings to encompass a broader understanding of architecture as a discipline deeply connected to society, politics, and the environment. Through his work, Rogers helped redefine both professional practice and the role of the architect in shaping the contemporary city.

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Published on: July 8, 2015
Cite:
metalocus, DANIEL MADERA, CELIA RODRÍGUEZ
"Rogers Stirk Harbour + Partners win Louvre competition" METALOCUS. Accessed
<https://www.metalocus.es/en/news/rogers-stirk-harbour-partners-win-louvre-competition> ISSN 1139-6415
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