The Seattle Asian Art Museum will reopen to the public in February 2020 after a two-year, $56 million renovation and expansion project, by LMN Architects – winner of the 2016 AIA Firm Award.
The Art Deco building which has not undergone any major work since was designed by Bebb and Gould in 1933 will reopen on February 8, 2020, after an extensive renovation by LMN Architects to both secure the building’s aging structure and reopen the facilities, as a modern exhibition space.

The renovation and expansion of the Asian Art Museum will be  integrate into the Olmsted designed landscape of Volunteer Park.
 

Project description by LMN Architects

The design represents the first substantial renovation, addition, and the seamless integration of the building’s spectacular site with the museum’s mission for the 21st century: to showcase Asian art in conjunction with contemporary educational and conservation spaces.

The museum will begin welcoming the public with a ribbon-cutting ceremony at 8 am on Saturday, February 8. In evidence of public excitement for the reopening, all 10,000 free, timed tickets have been claimed for the weekend celebration. The museum’s regular hours will begin on February 12, including four new free days every month.

“We could not be more excited to open the doors of the museum and welcome everyone back,” said Amada Cruz, Illsley Ball Nordstrom Director and CEO of the Seattle Art Museum (SAM). “The new and refreshed galleries designed by LMN Architects will display art from the collection that has never been on view before, and the resonant themes of the installation will provoke delight and curiosity alike. The new connections to and views of Volunteer Park are stunning. We are grateful to the city of Seattle and the staff and supporters of SAM, as well as SAM’s retired director, Kimerly Rorschach, whose extraordinary dedication brought this project to fruition.”

“The design developed by LMN Architects took in consideration various technical needs, including mechanical and electrical systems, accessibility, seismic improvements, and all other needs for a contemporary art environment. These program requirements, as well as new areas for visitors, additional space for special exhibitions, and offices for staff were important considerations in the final design.”

Sam Miller, Partner-in-Charge.

A set of steps lead to the Art Deco lobby entrance on the west side of the building. Once inside, the Entry Lobby connects to the Fuller Garden Court and unfolds into the new Park Lobby. All three spaces create a new circulation spine joining the building with the park, and the park with the building. The renovation and addition reaffirms the original character of the Fuller Garden Court as the central hub of the museum which not only provides access to the gallery spaces, but also establishes a sense of expectation that is reinforced by the two new portals that open to the Park Lobby. The new lobby is the vertical connector to new program spaces and is composed mostly of glass, giving the impression that the space is floating in the landscape.
 

“The existing building is a local treasure for the city. Our main goal was to restore the building back to its original splendor, but with changes that allow the museum to be successful in the future and meet conservation and curatorial goals within the existing fabric of the original building. Another important goal was to have the museum more connected to the community and be more open and expressive of what is happening inside. Now, everyone in the park can get a sense of what is happening within and the contemporary addition creates new opportunities for serendipitous social interactions inside the museum.”

Wendy Pautz, Design Partner.

The circulation interconnects each volume, ultimately connecting everything to the park and the original elements. The Entrance Level encompasses all lobbies, existing gallery spaces, and an all-new 2,658 sq. ft. gallery which adds significant additional space for the museum. The Ground Level and Basement Level have a similar building program composed of ancillary spaces, art storage, meeting spaces, and offices. The Ground Level also contains a library, conservation studio, 201-seat auditorium, and a community education space.


“The idea that the original building had daylight incorporated was an important catalyst for some of our design decisions. Since the original building was about connecting with the exterior, we approached the interior design focused on connecting with the outside environment. Our approach to the space, the experience, materiality and texture, and the attitude to daylight allow for a unified experience with subtle interventions between the existing building and the new addition.”

Pamela Trevithick, Principal.

The renovation provides daylight to the octagonal galleries with light boxes built into the ceiling that emulate natural daylight while providing the museum with a modern lighting system. This artificial lighting allows the museum to set the stage for new art, better preserve their collection, and provide newfound flexibility for future displays.

“The experience of the building brings the art deco structure back to its origins, but enhanced with new surprises and the three-story addition we designed. The new modern gallery and Park Lobby are built around the trees and create a new experience with the park elements. We worked to open the building to the park, so as you circulate through the addition the architecture creates a stronger connection with the nature around the site and shows the activity that is happening within the museum.”

Wendy Pautz, Design Partner.

The building components and the interior spaces have been renovated and organized to maximize program space and functionality as well as take advantage of their own tectonic identity. In addition to the façade restoration work, major upgrades were completed to the walls, floors, and ceiling elements in the existing galleries to modernize the space to be structurally sound and meet code requirements.

“To work on a historic building like this is a real privilege and honor. It is part of the legacy of Seattle and we hope everyone sees we treated the existing building with care and respect, and enhanced the facility with the addition to make it so that viewing art is better than it has ever been. The focus of our work at LMN Architects is about making great social experiences, but it is primarily about connecting to community. We hope the addition adds significance to the original historic building, and we are very excited for everyone to visit the museum and experience the renovation and addition for themselves.”

Sam Miller, Partner-in-Charge.

The Seattle Asian Art Museum honors and preserves the architectural legacy of the historic building and integrity of the Park while providing space for deeper explorations of the diverse, artistic, and cultural traditions of Asia. The new addition of a dedicated community education space provides visitors enjoyment and access to public programming and community events. The new expanded and renovated gallery space enables the museum to showcase more of its permanent collection and organize special exhibitions offering broader perspectives on Asia’s traditions and contemporary issues.  Reflecting a complex organization of requirements, the museum integrates nature, architecture, history, and art in a poetic and intimate scale.

LMN Architects is a leader in the design of civic and cultural projects across the United States. The firm has designed a number of important projects in Seattle, including Benaroya Hall, McCaw Hall, the Washington State Convention Center Addition, the Museum of History & Industry, and are currently designing the Seattle Aquarium Ocean Pavilion to be located on the waterfront.

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Architects
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Project Team
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Yomi Adeyemi, Associate AIA. Robert Ames. Aaron Argyle, Associate AIA. Henry Butitta, Michael Day, Tiffani Erdmanczyk. Anya Fiechtl, AIA. Mette Greenshields, AIA. Joanne Koola, Mark Lo. Samuel Miller, FAIA. Lori Naig, IIDA. Lauren Patnoe. Wendy Pautz, FAIA. Christopher Patterson, AIA. Francene Ray. Ayako Sakurai, IIDA. Jeremy Schoenfeld, AIA. Kathy Stallings, AIA. Jennifer Tamblin, Megan Taylor. Pamela Trevithick, AIA. Paulina Wilkowska. John Woloszyn, AIA.
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Collaborators
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Structural Engineer.- Magnusson Klemencic Associates. Civil Engineer.- Coughlin Porter Lundeen, Inc. Landscape Architect.- Walker Macy. Lighting Design.- Fisher Marantz Stone. Mechanical Engineer.- Rushing Company. Electrical Engineer.- Stantec. Envelope Consultant.- RDH Building Science, Inc. Historic Preservation Consultant.- BOLA Architecture and Planning.
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Commissioning
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Glumac
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General Contractor
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BNBuilders, Inc.
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Client
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Seattle Art Museum. Owner’s Representative.- OAC Services, Inc.
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Measures
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Volunteer Park Site Area.- 1,960,200 SFT (182,108.53 s.m.).
Original Galleries.- 12,924 SFT (1,200 s.m.).
New Gallery.- 2,658 SFT (246 s.m.).
Fuller Garden Court.- 2,186 SFT (203 s.m.).
Park Lobby.- 1,247 SFT (115 s.m.).
Total Gross Floor Area.- 64,250 SFT (5,969 s.m.).
Building Height.- 48’-8” (15 m.).
Number of floors.- 3.
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Dates
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Design Years.- 2008 – 2017.
Construction Years.- 2017 – 2020.
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Location
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1400 E. Prospect Street. Seattle, Washington 98112. USA
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Program
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Museum featuring one of the nation’s most important collections of Japanese, Chinese, Korean, Indian and South Asian works with 1 large special exhibition gallery, 14 medium-sized galleries, education space, conservation studio, library, 201-seat auditorium, 2 meeting rooms, facility and administrative offices.
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Photography
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Adam Hunter/LMN Architects. Tim Griffith.
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LMN Architects. Architecture practice founded in 1979 based in Seattle, Washington. United States. His work specializes in the planning and design of significant public and private projects, including transit stations, cultural venues, convention centers, education facilities, office buildings, mixed-use developments, and other urban environments that celebrate and enrich communities. The firm is the recipient of the 2016 American Institute of Architects National Architecture Firm Award.

SELECTED DESIGN AWARDS
2018 AIA National Honor Award for Interior Architecture
2017 Chicago Athenaeum/Europe International Architecture Award
2017 American Architecture Awards Airports and Transportation Centers
2017 Architizer Popular Choice Winner, Architecture + Glass
2016 Fast Company Innovation by Design Honorable Mention for Spaces, Places, Cities
2016 AIA Washington Council Civic Design Awards Honorable Mention
2016 AIA Seattle Chapter Award of Merit
2016 City of Seattle Design Commission Design Excellence Award

John Chau, AIA,
John is one of our most gifted designers and conceptualists. His ability to integrate the unique characteristics of each project with local culture and tradition has resulted in responsive, innovative solutions. His collaborative working style and mentoring skills have been fundamental in the success of many of the firm’s most important projects.

Sam Miller, FAIA, LEED AP,
Sam’s work includes civic, education, and performing arts projects in addition to leading LMN’s advances in sustainable design and design technology. His construction and engineering background supports a thorough understanding of building systems and technology.

Walt Niehoff, AIA,
Walt has been with LMN since 1989 and leads the firm’s private sector work. His expertise includes the design and project management of mixed-use, commercial, retail, corporate office, and high-rise office projects. He is a leader in developing progressive designs that integrate mixed-use projects into urban neighborhoods, and highly regarded for his ability to work with stakeholders to create projects embraced by their communities.

Wendy Pautz, FAIA,
Wendy is known for integrating conceptual design with a sophisticated knowledge of technical resolution. She synthesizes pragmatic project requirements with far-reaching social, economic and environmental considerations resulting in innovative solutions that enhance the life of their communities.

Mark Reddington, FAIA,
Mark has been instrumental in establishing LMN as a leader in the design of public places with over 120 awards including national and international awards for architecture, urban design and sustainability.  He leads projects in all market sectors including convention centers, performing arts, education and transportation and brings a strong focus on enhancing the public realm through design excellence.

George Shaw, FAIA, LEED AP,
George provides project leadership on major public projects including convention centers, performing arts venues and higher education facilities. His ability to discern and resolve fundamental planning and design issues, combined with his management and cost control skills, ensure a creative and highly effective design and project delivery process.

Stephen Van Dyck, AIA, LEED AP,
Stephen has earned a reputation for innovation, design technology and collaborative leadership and is widely recognized as an industry authority in the adoption of emerging technologies. His project experience encompasses a wide range of public assembly, performing arts, higher education and mixed-use projects.

Rafael Viñoly-Menendez, AIA,
Rafael has been involved in a wide range of national and international projects, including performing arts venues, sports and events facilities, with a special emphasis on the planning and design of convention and conference centers. His involvement with a wide variety of project types has consistently produced creative design solutions that capitalize on the opportunities implicit in the client’s program, site, and budget.

 
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Published on: February 3, 2020
Cite: "Reopening of the Seattle Asian Art Museum by LMN Architects" METALOCUS. Accessed
<https://www.metalocus.es/en/news/reopening-seattle-asian-art-museum-lmn-architects> ISSN 1139-6415
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