The 2018 RIBA International Prize will be awarded to a building which exemplifies design excellence, architectural ambition and delivers meaningful social impact. The RIBA International Prize winner and RIBA Awards for International Excellence winners will be selected from the RIBA International List 2018 – a selection of the world’s best new buildings compiled from the entries to the awards.

Four buildings will compete for the RIBA International Prize. The selected projects are: A Tokyo music school, a university in Budapest, a pair of tree-covered towers in Milan and a rural school in Brazil have all been shortlisted for one of architecture's most prestigious awards.

Last December was announced the prize's longlist of 62, the president of the Royal Institute of British Architects (RIBA), Ben Derbyshire, said that the selection demonstrated "the meaningful impact and transformative quality that well-designed buildings can have on communities wherever they are in the world."

That is right to all four finalists. However, the best project to show this idea is Brazil's Children Village. Serving as a boarding school in Formoso do Araguaia, the building has put the remote Brazilian state of Tocantins firmly on the map of contemporary world architecture.

The winner will be announced later this year.

In 2016, the inaugural RIBA International Prize was awarded to Grafton Architects for their outstanding university building, UTEC (Universidad de Ingeniería y Tecnología) in Lima, Peru.

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Sheila O’Donnell and John Tuomey met while they were studying architecture at University College Dublin and have worked together in partnership as O’Donnell + Tuomey for more than 25 years. They have exhibited three times at the Venice Biennale. They received the RIAI Gold Medal for Ranelagh Multidenominational School in 2005 and have been seven times winners of the AAI Downes Medal for excellence in architectural design. They have been twice shortlisted for the RIBA Lubetkin Prize, four times for the Mies van der Rohe European Award, and five times for the RIBA Stirling Prize.

They both teach at University College Dublin and have lectured at schools of architecture in Europe, the UK, Japan and the USA, including Harvard, Princeton, Cambridge and the AA. They were elected honorary fellows of the American Institute of Architects in 2010. They are both members of Aosdána, the affiliation of Irish artists.

They are the 2015 recipients of the Royal Gold Medal, the world’s most prestigious award in architecture, awarded by the President of the RIBA.

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Aleph Zero was established in Curitiba by Gustavo Utrabo and Pedro Duschenes, the architectural firm Aleph Zero operates in areas ranging from furniture design, exhibitions, residential and commercial architecture to urban scale projects, for both public sector clients and the private sector. We seek for each project a unique atmosphere, formed through a collaborative process with artists, philosophers and specialized consultants. Since its foundation, Aleph Zero had its work recognized in national and international publications and awards.

About the name

According to Jose Luis Borges short story, the Aleph contains all possibilities, objects, and events, of past, present and future, from all perspectives, observable through a single point hidden in the attic of Carlos Argentino Daneri. It is the conformation of infinity, everything contained in an infinitesimal and recursive part, since the Aleph also contains an Aleph, which contains another Aleph, successively.

Zero is the invention of nothingness, the composition of the object does not exist, the perversion of numbers, it is the conformation of the void. Once reached it is so unstable, so close to doing rhizome that soon connects itself and acquires value. The zero is the minimum factor of possibility for all other things.

In set theory of Georg Cantor (1845-1918) Aleph is the letter used to denote the size (cardinality) of infinite sets. Aleph Zero is the first infinite cardinal, in which are included the prime numbers, integers, rational numbers, algebraic numbers, finite binary strings and finite subsets of any countable infinite.

Aleph Zero represents, conceptually, the differentiation of the infinite, of the indefinite, the possibility of making comparable what is immeasurable, to conform emptiness, potential for all events. More than void and infinity by themselves, we are interested in the different ways in which concepts can be decomposed and recomposed in general.

To us, Philosophy, Art, Literature, and Architecture itself, take part in a constant pursuit for distinct elements that intensify the critical reflection based on the understanding of reality, the capability to generate alternatives, and the pertinence of a certain desire to a specific place/time/culture.

There is no conformation a priori, instead, there is perversion. The design is understood as a process where dissonant forces are nourished and forced to collide, settling down new oblique ways which, therefore, are attacked and questioned, becoming after each cycle more consistent, until the moment when they begin to converge towards a common direction, consonant with the initially (re)imagined concept-desire.
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Stefano Boeri, born in 1956, is a Milan-based architect and since June 2011 he is Councillor for Culture, Design and Fashion for the Municipality of Milan. From 2004 to 2007 he was editor in chief of “Domus” international magazine. From 2007 to 2011 he was editor in chief of the international magazine “Abitare”. Professor of Urban Design at the Politecnico di Milano, he has taught as visiting professor at Harvard GSD, MIT, Berlage Institute and Architectural Association, among others. Since 2007 he is the director of the international festival of architecture FESTARCH. Recently he has curated “Sao Paulo Calling” a project about informal settlements, promoted by the Segretaria de Habitaçao of Sao Paulo.

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John Tuomey (Tralee, Ireland, 1954), gets the B.Arch. at University College Dublin in 1976, working for Stirling Wilford & Associates (London) between 1976 and 1980 and the Office of Public Works in Dublin between 1981 and 1987. 

John established O’Donnell+Tuomey with Sheila O’Donnell in 1988. The son of a civil engineer, he grew up on building sites, learning to draw on the back of his father’s blueprints. He graduated from UCD in 1976 and went to London to work with James Stirling on the Stuttgart Staatsgalerie between 1976 and 1980. Returning to Dublin to work at the Office of Public Works between 1981 and 1987, he completed two buildings, a laboratory in the landscape and a city courthouse, which laid the theoretical and contextual basis for his future critical practice with Sheila O’Donnell.

He was managing director of Group 91 Architects, an architects’ collaborative who designed the masterplan for the regeneration of Temple Bar as Dublin’s cultural quarter. He played a key role in liaising with government agencies, overseeing contract management and urban design integration of projects by Group 91. O’Donnell + Tuomey designed two buildings within the quarter, completed in 1996.

He has had a leading involvement in architectural education, teaching in the studios at UCD Architecture from 1980 – 2019. He was the inaugural Professor of Architectural Design at UCD from 2008-2019. He was chair of external examiners at the Architectural Association London for many years as well as at the Universities of Cambridge and East London. He has taught and lectured widely in European schools of architecture and at North American universities including Harvard, Princeton, Buffalo, Cooper Union, Columbia, Michigan, Syracuse, Toronto, Vancouver and Virginia. He was the first recipient of the UCD Masters in Architecture (based on reflective design practice).

His engagement extends beyond practice and teaching to a more civic role in the public awareness of architecture. He was president of the Architectural Association of Ireland in 1992-93. In 1986 he initiated the AAI Awards for excellence in architectural design, attracting significant Arts Council sponsorship and recognition for the art of architecture. A regular member of awards panels, he chaired the RIBA Stirling Prize jury in 2009. An occasional contributor to architectural criticism, commentary and review, he is the author of Architecture, Craft and Culture, a reflection on principles of design and thinking behind the work of O’Donnell + Tuomey published by Gandon Editions.

He is an Honorary fellow of the American Institute of Architects. In 2010 he was elected a member of Aosdána, an affiliation of Irish Artists. In 2015 he was a joint recipient with Sheila O’Donnell of the RIBA Royal Gold Medal and the American Academy of Arts and Letters Brunner Prize, both awarded in recognition of lifetime work.

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Sheila O'Donnell (Dublin, Ireland, 1953), got her B.Arch at University College Dublin in 1976, working for Spencer & Webster from 1978-1980, and Colquhoun and Miller between 1979 and 1980. In 1980, she obtained a Master of Arts from the Royal College of Art (RCA) in London, the same year she started working for James Stirling, Colquhoun + Miller and Spence and Webster before returning to Dublin. O'Donnell has been a visiting professor at universities like Princeton, Buffalo and Washington. He has been a jury of awards such as the Royal Institute of British Architects (2005-2009), and a member of the Royal Institute of Architects of Ireland (Ireland) and the American Institute of Architects.

In the early 1980s, with like-minded colleagues, she set up the Blue Studio Architecture Gallery which exhibited and published the work of European Rationalists as well as their ambitious design proposals for the regeneration and repopulation of Dublin’s Docklands. Sheila O'Donnell and John Tuomey established O'Donnell + Tuomey in 1988. In 1991, now known as Group 91, they won the competition for the urban regeneration of Temple Bar in the centre of Dublin. This cultural quarter was completed in 1996 and includes two buildings by O’Donnell+Tuomey.

Her professional work has continued to develop the spirit of architectural, social and cultural investigation which characterised her exploratory activities in the early 1980s. She has retained an involvement in the world of London architecture through teaching, external examining, exhibiting work, lecturing and as a member of the RIBA Awards group. In recent years O’Donnell+Tuomey have been commissioned to make work in London, building the Photographers’ Gallery and LSE Student Centre and are now working on a new museum for the V&A and a dance theatre and academy for Sadler’s Wells.

She has been a lecturer in Architectural design at UCD since 1981 and a Professor since 2016. She has taught and lectured at schools of Architecture in Europe, Japan and the USA, including Princeton, Michigan, Buffalo, Yale, Columbia, Syracuse and Cooper Union.

Her watercolour drawings have been exhibited in the Royal Academy and the Royal Irish Academy.

She is an Honorary fellow of the American Institute of Architects. In 2009 she was elected a member of Aosdána, an affiliation of Irish Artists. In 2015 she was a joint recipient with John Tuomey of the RIBA Royal Gold Medal and the American Academy of Arts and Letters Brunner Prize, both awarded in recognition of a lifetime work.

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Published on: September 13, 2018
Cite: "RIBA International Prize 2018. World's best new buildings revealed" METALOCUS. Accessed
<https://www.metalocus.es/en/news/riba-international-prize-2018-worlds-best-new-buildings-revealed> ISSN 1139-6415
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