This work photographed by Edmund Sumner was built in the early 1950s in sector 17, the city's commercial district. The Neelam Theater was designed by Le Corbusier. The architect Aditya Prakash was chosen to collaborate in the construction of the theater.
The city of Chandigarh and its culture have their own character. The modern architect Le Corbusier has helped to achieve this identity. Its structures have become icons of the city. Movie theaters have a particularly relevant role within the city, are usually located in the heart of the sectors, displacing administrative or religious centers.
The Neelam Theater, which is a landmark of Sector 17, has a mainly commercial use today. The fear of the collaborator of Le Corbusier, Aditya Prakash , is that this work is demolished as has already happened with other great works in the city. The K.C theater, the work of Prakash, was demolished in 2005 by the Indian Administration.
The new photographs of Edmund Sumner show the basic framework of the building on the exterior.- two brick load-bearing walls on which a curved roof is supported.
Inside, the large movie theater shows a burst of blue. The room has 960 seats. The tiles that cover their walls are a decorative expression that tries to unify the common regular patterns of movement with techniques and influences of Indian culture. The lateral decoration of the room are large metal pieces that represent sound waves.
Although the Neelam Theater is not in disuse, it finds itself helpless in the face of possible destruction. The work is not part of the UNESCO World Heritage List. The Neelam Theater, of great value, is not protected which was a concern for the collaborator, Aditya Prakash .
The city of Chandigarh and its culture have their own character. The modern architect Le Corbusier has helped to achieve this identity. Its structures have become icons of the city. Movie theaters have a particularly relevant role within the city, are usually located in the heart of the sectors, displacing administrative or religious centers.
The Neelam Theater, which is a landmark of Sector 17, has a mainly commercial use today. The fear of the collaborator of Le Corbusier, Aditya Prakash , is that this work is demolished as has already happened with other great works in the city. The K.C theater, the work of Prakash, was demolished in 2005 by the Indian Administration.
The new photographs of Edmund Sumner show the basic framework of the building on the exterior.- two brick load-bearing walls on which a curved roof is supported.
Inside, the large movie theater shows a burst of blue. The room has 960 seats. The tiles that cover their walls are a decorative expression that tries to unify the common regular patterns of movement with techniques and influences of Indian culture. The lateral decoration of the room are large metal pieces that represent sound waves.
Although the Neelam Theater is not in disuse, it finds itself helpless in the face of possible destruction. The work is not part of the UNESCO World Heritage List. The Neelam Theater, of great value, is not protected which was a concern for the collaborator, Aditya Prakash .