Architect Héctor Fernández Elorza was commissioned to design the urban development of the former Pignatelli reservoirs in Zaragoza, built in the late 19th century. The project was selected through a public competition organized by the city council with the aim of expanding Pignatelli Park and integrating the space into the urban fabric.

The Pignatelli reservoir complex, originally built to supply water to the southern part of Zaragoza from the Imperial Canal, housed four large open-air water tanks with a total storage capacity of 80,000 m³, as well as other structures dedicated to water treatment and storage. In the new proposal, the remains of the old reservoirs are transformed into three distinct areas, converting the former need for water supply into a contemporary recreational space. 

The new space, designed by architect Héctor Fernández Elorza, unfolds as a hydraulic system comprised of three main areas connected by a network of pathways. The first reservoir consists of a 99 x 41 meter pond with two distinct zones: the central zone, conceived as a navigable surface with a depth of 50 cm, and the peripheral zone, with 800 nozzles that release a fine mist of water.

The second reservoir comprises a garden organized into strips, encompassing landscaped areas, two large children's activity areas, pathways, and a central plaza with two water play areas and six raised flowerbeds with seating. Finally, the third reservoir, conceived as an amphitheater with a landscaped surface, integrates four main walkways and multiple access points to the seating area.

In the project's construction, priority was given to the use of local materials to minimize environmental impact, such as the pathways paved with handmade bricks. At the same time, the intervention seeks to relieve the sewer network by channelling rainwater into underground gravel infiltration trenches, which, thanks to two wells, allow the gradual infiltration of water into the soil.

 Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

Project description by Héctor Fernández Elorza

The urban development of the Former Pignatelli Reservoirs in Zaragoza is the result of a public competition organized by the Zaragoza City Council to incorporate this urban void into the city’s fabric, extending the existing Pignatelli Park.

The Pignatelli Reservoirs were built in the late 19th century in response to the need to supply water to the southern part of the city of Zaragoza from the Imperial Canal. Within the site, covering 30,000 m², there were four large open-air water reservoirs measuring 125 × 40 m and 4 m deep, with a total storage capacity of 80,000 m³ among the four. In addition, there were other structures dedicated to water treatment and storage, which have been preserved and integrated into the development: the caretaker’s house, the underground filtration vault, and the cistern where clean water was stored, a space consisting of 33 brick groin vaults.

Depósitos de Pignatelli por Héctor Fernández Elorza. Fotografía por Montse Zamorano.
Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

The project is conceived as a hydraulic system that organizes the different parts of the proposal. It is a space that emphasizes the identity of water as the medium that gave rise to the Reservoirs, where the former need for water supply is transformed into a contemporary recreational use of water, so that the site does not lose its original identity and character. The traces of the former reservoirs are transformed into three differentiated areas, each with a distinct manifestation of water, in which it always plays the leading role.

First reservoir: the pond. A body of water measuring 99 by 41 meters, conceived as a new leisure space for the city of Zaragoza. A landscape where programs related to water are developed, such as piers, navigable areas, and water sports.

Depósitos de Pignatelli por Héctor Fernández Elorza. Fotografía por Montse Zamorano.
Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

Two differentiated zones are proposed. The central area, occupying most of the basin, is a navigable water surface with a depth of 50 cm. At its center, 800 nozzles release misted water, cooling the urban environment.

Along the perimeter, a band alternates platforms overlooking the central area with smaller ponds. These ponds, with a natural character, include aquatic vegetation and fauna, enhancing the park’s biodiversity.

Second reservoir: the banded garden. This space adopts a more domestic scale, ideal for leisurely use. The garden is organized into bands of varying width, including the following areas:

– Landscaped zones with wild meadow vegetation at the northern and southern ends, acting as a transition between walkways and children’s play areas.
– Two large children’s activity areas with silica sand paving.
– Walkways paved with handmade brick, similar in appearance and tone to that used in the construction of the retaining walls of the former reservoirs.
– A central square where, once again, vegetation and water take center stage. Two rectangular areas with water jets integrated into the brick paving create playful water effects of varying height, cooling the atmosphere during warm months. At the center, six raised planting beds are arranged, each with seating around its perimeter and shrub and flowering vegetation inside.
– Flanking the central square are two metal structures that allow climbing vegetation to grow, forming green walls that provide shade. The entire space is densely planted with deciduous fruit trees, alternating species and arranged according to a grid.

Depósitos de Pignatelli por Héctor Fernández Elorza. Fotografía por Montse Zamorano.
Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

Third reservoir: the amphitheater. A topography is created to shape this space as an amphitheater. The planted surface is modeled, integrating four main walkways and multiple access points to the different seating areas arranged within. The trees, planted in a natural and varied manner, are large in scale with high canopies, creating a space reminiscent of a large hypostyle hall.

Water once again plays a leading role, with a pond containing water-lily-type aquatic vegetation located at the lowest point of the amphitheater. The stage platform appears to float above the pond, like a true water theater. A canopy with a metal structure and folded metal sheet roofing, featuring a large cantilever, covers the stage, emphasizing one of the park’s main areas.

In order to stitch together the three main areas, a network of walkways is provided, organized longitudinally and transversely. The two north and south longitudinal paths run the full length of the park. 

Depósitos de Pignatelli por Héctor Fernández Elorza. Fotografía por Montse Zamorano.
Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

They feature a central band of exposed aggregate concrete with Calatorao aggregate, and two side bands paved with crushed Jaulín stone. Large deciduous trees are integrated into these side bands. The four transverse paths connect the longitudinal ones and separate the three main spaces. They include deciduous trees of smaller scale than those along the longitudinal paths and continuous paving of crushed Jaulín stone, extending the side bands of the longitudinal paths.

The first transverse path establishes a connection with the existing Pignatelli Park. To ensure continuity of the green area, one of the site’s opportunities is utilized: its change in elevation, ranging from 0 m to 5.75 m. Part of the historic retaining wall is restored and reinforced, incorporating a continuous railing that unifies the different sections. This railing integrates metal tension cables that allow climbing vegetation to grow, creating a new green wall. Along the wall, several distinctive elements appear: the park entrance sign, the main staircase connecting to the northern longitudinal path opposite the caretaker’s house, and a stepped viewing area with a metal canopy cantilevering over the Pignatelli Park walkway.

Depósitos de Pignatelli por Héctor Fernández Elorza. Fotografía por Montse Zamorano.
Pignatelli Deposits by Héctor Fernández Elorza. Photograph by Montse Zamorano.

Throughout the development, the use of local materials is prioritized, reducing the ecological footprint. A large portion of the pavements used are porous, promoting direct infiltration into the ground. In addition, by understanding the park as a large hydraulic system, special attention is given to the treatment of runoff water as a design tool. The project seeks to relieve the sewage network by channeling rainwater into underground gravel infiltration trenches which, thanks to two wells, allow for the gradual infiltration of water into the soil.

Ultimately, the project aims to transform the original infrastructures and processes of the reservoirs, linked to water storage, into recreational and cultural urban infrastructures with water-related urban programs.

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Architects
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Project team
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Javier Moraleda Perulero, Ana Sebastià Puig, Aitana San José Aguilera, María Risueño Domínguez, Ismael Medina Manzano. 

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Collaborators
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Technical Architect.- Ignacio Delgado Conde.
Civil Engineer.- Félix Royo Millán.
Industrial Engineer.- Inmaculada Urriés Ortiz.
Structural Engineers.- Alejandro Bernabeu, Josué García.

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Client
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Zaragoza City Council. 

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Builder
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Grupo MLN.

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Area
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Intervention surface.- 27,394 sqm.

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Dates
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Competition.- 2018. 
Project.- 2020.
Start of construction.- junio de 2021.
End of construction.- marzo de 2023. 

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Location
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Park "Depósitos de Torrero". C/ Santiago Guallar, 4. Zaragoza, Spain. 

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Budget
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4,853,493 euros.

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Photography
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Héctor Fernández Elorza was born in Zaragoza (Spain) in 1972. Architect degree at Escuela Técnica Superior de Arquitectura de Madrid, ETSAM, in 1998 where he, since 2001, is Lecturing Professor in Architectural Projects.

He was awarded the scholarship from the EU-exchange program at Darmstadt Institute of Technology in 1995 and1996 and at Technical Royal Institute of Stockholm, KTH in 1997 and 1998. His postgraduate studies were continued in Scandinavia, awarded grant by the Marghit and Folke Perzhon Foundation in 1999 and 2000. This period was dedicated to his PhD research at the Architectural Museum Archive in Stockholm and the Alvar Aalto Foundation in Helsinki. The Ph.D. studies have being finalized in 2014 at the Escuela Técnica Superior de Arquitectura de Madrid ,ETSAM, with the Doctoral Thesis named “Asplund vs. Lewerentz”.

He has been Visiting Professor and Lecturer at the following Schools of Architecture: Escuela de Arquitectura de Zaragoza and ETSAB-Barcelona (Spain), Universitá Di Roma “La Sapienza", Politenico di Milano and Siracusa (Italy), Architecture Nordostniedersachsen Universität Hamburg and Fachhochschule Köln (Germany), NTNU University in Trondheim (Norway), Kunstakademiets Arkitektskole in Copenhague (Denmark), KTH University in Stockholm (Sweden), University of Innsbruck (Austria), Universidad Católica de Rio de Janeiro (Brasil), University of Belgrade (Serbia), University of Budapest (Hungary), Hogeschool voor Wetenschap en Kunst in Brussels (Belgium), the Royal Institute of British Architects-RIBA in Londres (England), and the University of Texas in Dallas and Cooper Union University in New York (United States of America).

Awarded the Second Prize in the International Competition “Louis Poulsen”, Copenhague,1999; First Prize in the Competition “The House of the Third Millennium” Cantú, (Italia), 1999; Second Prize in the Competition “Karhus”, Stockholm, 2000; Finalist in the Competition “Leca-Mur”, Linköping, (Sweden), 2000; Fourth Prize in the Competition “Stockholm Bostader”, Stockholm, 2000. His work "Architectural Documentation Centre in Madrid" was awarded: First Prize in the AR+D PRIZE from the British Architecture Association, RIBA, Finalist in the ENOR PRIZE 2005, Finalist in the COSENZA PRIZE 2005, First Prize in SALONI PRIZE 2005 and Finalist in BIENAL DE ARQUITECTURA ESPAÑOLA 2005. Finalist in the GARCIA MERCADAL PRIZES 2007, 2011 and 2012 with the Urban Project “Zuera Sur”, "Valdefierro´s Park" and "Twin squares" in Zaragoza; Second Prize in the Competition “The old town of Belchite”, 2009. His work Chemical Laboratory Building in Alcala University was awarded First Prize in the ATEG-PRIZE 2010, Second Prize in the BIGMAT PRIZE 2011 and First Prize in the ENOR-MADRID AWARD 2012. In 2014 he was awarded with the DESIGN VANGUARD for emerging architects by the magazine Architectural Record.

In 2000 and 2012 he participated at the Biennale di Architecture di Venezia.

The Research project "Stockholm Universal Exposition of 1930" and its publication catalogue, for the Exposition "Arquitecturas Ausentes del siglo XX" was coordinated by him during 2000-2005. In 2010 and 2011 he has been Curator of the International Architectural Congress “Cien años aprendiendo de Roma” and "Architettura e Resistenza" in the Spanish Academy in Rome.

During 2011 y 2012 he has been co-director of Madrid Ceramic Tile Studies Department.

As practicing architect among his works he has projected and built the Mausoleum for the oceanografist Odón de Buen, the San Juan district in Zuera the Main square of Cuarte, (Zaragoza); the Auditorium and Documentation Centre of Contemporary Architecture in “Nuevos Ministerios” (Madrid); the Riding School in Oros Alto, (Huesca); the Agricultural park, Valdefierro´s park (Zaragoza); the Cultural buildings in Jarandilla de la Vera, (Cáceres) and San Esteban del Valle, (Ávila); the Chemical Laboratory Building and Genetic Faculty at the University of Alcalá (Madrid); Venecia Park and Twin squares (Zaragoza); Sotogrande Sailing School (Cádiz), an currently won and developing Casa Mahou, the renovation of the Palace of Duke of Infantado for the brewing company Mahou San Miguel in Madrid.

Author and co-author of the following books: E. G. Asplund, Exposición de Estocolmo 1930; Por si nos encontramos; Piedra , papel y tijera; Essays on Architecture and Ceramics; Babelia; Pensar con las manos and Materia y material, La ortografía del espacio y el alfabeto de la estructura; Cuaderno de viaje; Chicago-Nueva York, Arqueología Contemporánea, La Vuelta al Mundo en Ochenta Días, Madrid/Tokio, Sicilia and Vivir. His work has been showed widely in Spain and abroad.

During 2009 y 2010 he has been awarded the ROMA PRIZE in the Spanish Academy in Rome.
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Published on: March 27, 2026
Cite:
metalocus, CAMILA DOYLET
"Urban recreational infrastructure. Pignatelli Deposits by Héctor Fernández Elorza " METALOCUS. Accessed
<https://www.metalocus.es/en/news/urban-recreational-infrastructure-pignatelli-deposits-hector-fernandez-elorza> ISSN 1139-6415
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