In the heart of Harumi, Tokyo, Japanese architecture firm Kengo Kuma and Associates (KKAA) have designed a semi-open temporary pavilion, using cross-laminated timber, for art performances, events, and exhibitions.

Called CLT Park Harumi, the 1,631-square-metre pavilion is located on Harumi, a residential area built on an island of reclaimed land in the Japanese capital.
In December 2019, Maniwa City, Okayama Prefecture, Kengo Kuma and Associates, Mitsubishi Jisho Sekkei, and Mitsubishi Estate Home developed the joint CLT PARK HARUMI project. This project built a facility in Harumi, Chuo-ku, Tokyo, with design supervised by Kengo Kuma and Associates using CLT produced in Mainwa City.

Kengo Kuma has used diagonal pieces of cross-laminated timber (CLT) in different angles that are supported a steel frame.  The interior of the pavilion is not easily perceived because the light-filled and airy structure is wrapped by these timber pieces, bluring the limits.

The facility has been used as a site for the dissemination of culture and information for approximately one year, durgin 2020, to communicate the attractions of CLT. After that, it is planned to relocate the facility for use in the Hiruzen Highlands in Maniwa City. The project represents cyclic exchange of natural and cultural resources between the city and regional areas by realizing the application of the CLT panels in a relocatable, sustainable construction system.
 

Project description by Kengo Kuma & Associates

We designed a temporary CLT pavilion for events and performances for an open area in Harumi, Tokyo. Semi-outdoor space was built by weaving leaves made from CLT panels (160cm x 350cm, 21cm thick) with a steel frame, creating a structure that appears to be reaching up in a spiral shape towards the sky.

Super-transparent kite-shaped pieces made from TEFKA (high-performance fluororesin film) were used to close off the gap between the CLT panels in order to prevent the entrance of rain and wind, allowing light to filter through the CLT leaves like trees in a forest.

The Meiken Lamwood Corporation in Maniwa used Japanese cypress from Maniwa city in Okayama prefecture to make the CLT panels. After their period of use in Harumi comes to an end, the panels will be transported back to the Hiruzen National Park in Maniwa and reassembled in an area surrounded by greenery.

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Architects
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Project team
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Ohba Shin, Sungyeon Won, Taiki Monaka, Niijima Kengo, Kudo Kohei, Mochizuki Yohei, Kamiya Yuzuru, Tokai Hisako, Yoo Shiho.
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Client
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Mitsubishi Estate Group.
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Area
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1,631.16 m²
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Measurements
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160cm x 350cm, 21cm thick.
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Dates
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12.2019.
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Location
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3-2-15 Harumi, Chuo-ku, Tokyo. Japan
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Manufacturers
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Mitsubishi Estate Company,Limited, Mitsubishi Jisho Sekkei, Mitsubishi Jisho Home, Ejiri Structural Engineers, MEIKEN, DEVICE, TRA・K, Department of Architecture College of Engineering Nihon University, Yoshino, Denka, KIRIYAMA, Google, TIME & STYLE, STROOG, Iwai Kensetu, Furukawa Setsubi, Makino Densetsu, SENTIDO.
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Photography
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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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Published on: November 19, 2020
Cite: "Bluring the limits. CLT Park Harumi Pavilion by Kengo Kuma" METALOCUS. Accessed
<https://www.metalocus.es/en/news/bluring-limits-clt-park-harumi-pavilion-kengo-kuma> ISSN 1139-6415
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