A few months ago we received news of the auctions about works by Tamara de Lempicka. The work of this Polish, developed mainly in the decades of 1920 - 1930 and generally classified as Art Deco, generally unknown, is being recovered in recent years. Agencia de Construcción de IDeas by Raúl Sánchez Molina was commissioned for the design of this small cafe in Valladolid, where he displayed one of her paintings The Pink Tunic, 1927, by pixeling with tiling. Today we bring this bright tribute and you will have to visit it when you get to Valladolid. Hat tip for Raúl!

Café Lempicka by Raúl Sánchez Arquitectos

We might begin by saying that the property refuses to be an interior space. It feels more at ease being part of the street than belonging to a structural building of flats. Its corner location enhances this outward-facing longing. Thus, the design of the façade focuses on making it disappear, on dismantling it as a boundary and leaving it merely as a construction and functional necessity. Thus the façade is transformed with large glazed panels reaching the full height of the building and wrapping around from Colón Street to Cárcel Corona Street, opening the interior up to the street and making it somewhat more exterior.

The functional areas such as toilets and storage space are pushed to the back of the floor plan, freeing up space for the tables and the bar on the street side. Gradually, the toilets and the storage room found their right shape to take up the least possible surface area and free up more space for public use. Almost like boxes or furniture stacked against a wall, these rooms were fitting into each other, stacking up against each other and finding their optimal configuration.

The rest of the property was absorbed by the street. Its front façade is not the external façade, but the interior façade for the toilets and storage area. The rest is occupied only by the bar area and tables.



In relation to its specific identity as a cafe-bar, a direct reference is made to this type of use (or perhaps how we imagine it) as a place where looks are exchanged, somewhat voyeuristic. This explains the Tamara de Lempicka’s painting, "The Pink Tunic”, stretching over the dining area. The image is broken down into many small ceramic pieces like so many spots of colour, abstracting the original painting in an arc-shaped pattern on the slightly domed ceiling over the tables. The painting can be recognised from the outside, and as we draw closer we see more detail. But once inside, the detail is lost in a sea of colour blotches, until it is the decomposed figure itself that watches us. This voyeuristic game can only be won from a distance.

Almost unintentionally, the name of the place changed from making explicit reference to its location (District 5), to making a distant connection — but also a close bond — as Café Lempicka.

Previous state the premises

CREDITS.

Architect: Agencia de Construcción de IDeas - Raúl Sánchez Molina 
Collaborators: Ingeniería: CyA proyectos // Marés Ingenieros - Estructuras: Oriol Palou (Sustenta) - Acústica: Iberacústica
Date: October 2012
Client: Private
Gross surface: 46m²
Summary of Materials: Corten steel (façades) corrugated aluminum (façades) polished concrete (floor) tiles 10x10cm (curved roof), silver aluminum (wet bar and baseboards) oak wood (furniture and bar), tile (baths); metallic gray (doors) white plastic paint (finished).

Venue: calle Colón 6, 47005 Valladolid, Spain.
Photography: Catalina Montaña

 

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Raúl Sánchez Architects is an architecture and design practice founded by Raúl Sánchez based in Barcelona.

Raúl Sánchez graduated architect from the architecture school in Granada, Spain. Since 2005 resides and works in Barcelona developing a professional activity which escapes specialization in order to cover all types of work and projects related to architecture, interiorism and design,

He is professor in "private perimeters", a postgraduate diploma in interior design in Elisava School of Design, Barcelona.

Their projects are based on a narrative of space influenced by cinema, literature and a deep knowledge of the history of architecture that they transfer to design, creating unexpected works, daring to mix unsuspected shapes, materials and colors, through a solid constructive knowledge that they apply to atypical creations. The office's work has won numerous national and international awards.

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Published on: November 8, 2012
Cite:
metalocus, PEDRO NAVARRO
"CAFÉ LEMPICKA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/cafe-lempicka> ISSN 1139-6415
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