Bustle and noise rule modern cities. Now more than ever, the houses are a refuge away from the madding crowd. This is the spirit embodied in the “Pacific Residence” project by Batay-Csorba Architects, a residential building in Toronto (Ontario, Canada) that guarantees well-being, comfort, and privacy for its residents.

The design of High Park Residence combines the tradition of the city's Victorian past with the Italian tradition of its owners and the conceptualization of contemporary comfort in a kind of permanent reminiscence.

Thus, the vault, one of the main elements of ancient Roman architecture, adapts to the domestic space as a key element for the distribution of light throughout the space. Employed from its most primary forms, the vault is cut generating new geometries located in key spaces, generating a sense of organized continuity throughout the construction, from the façade to the interior.

Outside, the light and airy interiors contrast with a monolithic façade adorned by a uniform pattern of bricks so present in the residential fabric of nineteenth-century Toronto, the texture of which helps to emphasize the vaulted profile of the entrance. The use of this pattern generates a play of lights that reflects the passing of the seasons.
Combining modernity and tradition, Batay-Csorba Architects integrates a garage in the same façade, giving the entrance the appearance of a portico characteristic of classical Roman architecture, on which a vaulted porch with Victorian tints extends, creating a transition between life. public and private.

When entering the interior of the house, the amplitude of the open space is perceived bathing the interior with air and light. Thus, it is observed that space is connected by the different deconstructions of the vault that delimit and define the functionality of each part of the plant.

The tour begins with the entrance, which leads to a kitchen that is located in the middle of the plane, in whose center it is illuminated thanks to the reception of natural light that penetrates the skylight of the ceiling.

While the ground floor is defined by the absence of walls, the second floor is divided into rooms connected by “bridges” of stairs that allow for distance and privacy. This floor also contains services, whose access is connected from the "bar" on the ground floor. On the façade, the bedroom, study, and master suite are located, illuminated by the natural light well that makes up the huge window that gives the building such a characteristic appearance.
 

Description of project by Batay-Csorba Architects

In the chaos of life today a home needs to be a place of refuge, a solitude for the homeowners to retreat to. Built for an Italian couple, the design pays homage both to the clients' Italian heritage and that of the Toronto residential building fabric, while ensuring a sensitivity towards wellbeing, mobility, and convenience.

The design of the Pacific project is born from the homeowners’ values and traditions where the comforts of their past are now viscerally felt within their present-day lives. The vault, in its many permutations, is one of the most common archetypes of ancient Roman architecture, characterized by its powerful modulation of light and its sense of lightness.

In adopting this typology into a domestic space, the architects evolved the vault from its primary form, puncturing, cutting, and peeling it into new geometries that help to distribute light and air into key locations, respond to program organization, demarcating each with a different atmosphere, and create a sectional continuity throughout the house. In carrying sacred content from the homeowner’s past into the present they are transported into another time and place, full of stories, meaning, and memories that become their refuge.

The vault geometry extends the length of the lot, informing a relationship between the façade and the interior. From the exterior, the brick vault is a subtraction from the otherwise monolithic brick frontage. This monolithic façade is created through a focus on the rich materiality of the brick coursing, and the isolated dormer which mirrors the proportions of the neighboring house. The brickwork that covers the façade and wraps the ceiling and walls of the carport plays into Toronto’s history of masonry detailing. The tradition of brick in Toronto’s residential fabric dates back to the 19th century when Toronto’s stock of Victorian houses was built. In these houses, ornamental detail presents itself in single isolated moments of brick coursing located above apertures, along with corners, and at cornices.

The architects took this singular moment of ornamentation and blew it up. The front of the home is reduced to a monolithic façade – where single repetitive material ornamentation, an adaptation of the Flemish-bond, becomes an even but textured brickfield placing emphasis on the vaulted profile. This field of patterning emphasizes a play of light and shadow and picks up on seasonal changes. In the summer, the protrusions texture the façade with stark shadows, and in the winter the texture transforms through bricks creating shelves for the snow to fall on.

As a retired couple intending to age in place, it was essential that they had access to parking on site. Wanting to refrain from the suburban folly of a garage-fronted street, the decision to create a carport shaped the formal organization of the entire project. The integrated carport carves the front façade, creating a processional entryway reminiscent of the portico; an architectural feature found in roman architecture which covers and extends from the entrance often as a vault or colonnade.

Vaulted porches are also a prevalent form in Toronto’s Victorian housing stock. Toronto’s residential streets are often punctuated by front porches (rather than garages) to create a transitional space between the street and the home. In the case of Pacific Residence, the carved carport creates an inverted porch, which creates an introverted presence on the street. A lightwell that cuts through the height of the building is placed at the depth of the carport, washing the deep space with light, pulling visitors towards the entry. This armored space is turned inward and perceived as private, creating an intimate entry procession.

To emphasize the project’s geometric simplicity, all circulation, services, and entry conditions are tucked into a linear bar that runs adjacent to the vault. Upon entering the house, visitors begin in a compressed service ‘bar’, which then opens into the ground floor’s expansive and airy living spaces. Throughout the length of the ground floor, the barrel vault’s persistent geometry connects these living spaces, accentuating the client’s desire for connectivity in food preparation, eating, and socializing.

While the barrel vault brings these spaces together, moments of articulation and relief are found through tangential peels and cuts in the vaulted ceiling. The vault remains intact in the dining room, is cut at the length of the kitchen, becomes intact again in the living room, and then unfolds and peels into the backyard. This spatially delineates connected spaces, while also providing natural light to flood into the deep and narrow lot. Situated in the middle of a long floorplan, the kitchen opens and is flooded with natural light from a skylight above.

While the ground floor remains unimpeded and connected, the second floor is sliced into rooms connected by bridges. This allows for rooms to be stacked in a narrow lot with natural daylight reaching each room and the ground floor below. On this floor, the services of the laundry room, bathroom, and stairs are also tucked into the ‘bar’, while the bedroom, study, and master suite are stacked from the front to the back of the house. The slice between the bedroom and study allows both rooms to share natural daylight brought in from the lightwell and the façade’s dormer window. The master suite is lit from both the house’s back façade and the skylight above the kitchen.

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Area
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3,500 sft.
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2020.
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Toronto, Ontario, Canada.
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Batay-Csorba Architects strives to create projects which engage their context, users, and the public realm. The practice is committed to creating transformative spatial experiences through the exploration of site, typology, materiality, and movement. Batay-Csorba's work is dedicated to the construction of real spaces that engage people and place, and is based on the belief that architecture has a fundamental role in shaping how we experience the world. Each project is generated through a deep reading of the site in search of unexpected relationships that can both tie each project to a larger urban contribution and shape new perceptual experiences.

 

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Published on: March 18, 2021
Cite: "Far from the madding crowd. High Park Residence by Batay-Csorba Architects" METALOCUS. Accessed
<https://www.metalocus.es/en/news/far-madding-crowd-high-park-residence-batay-csorba-architects> ISSN 1139-6415
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