Illusory and gigantic relationship with nature. Zaishui Art museum by Junya Ishigami
01/02/2024.
[Shandong] China
metalocus, JORGE MARTINEZ
metalocus, JORGE MARTINEZ
Zaishui Art museum by Junya Ishigami. Photograph by arch-exist.
Zaishui Art museum by Junya Ishigami. Photograph by arch-exist.
Description of project by Junya Ishigami
This project is a large scale, where I endeavored to interpret architecture at the scale of landscape. It is located in Shandong Province, China, in an urbanizing region. Development in China takes place on a massive scale, and this project is no exception. Beside the Chaohe River, there is an artificial lake, and the development zone extends to the southwest of this lake, the site is located at its entrance.
I have designed a facility that integrates a visitor center, cafes, and a display area for chocolate. Visitors will park their cars in the parking area on the southeast side of the lake and cross it to the visit or proceed to the development zone. I had the idea of erecting a structure on top of the lake, intending to create an environment where people pass through this structure to cross the lake and naturally arrive at the development zone. With a length of approximately one kilometer, it will be as long as the distance from one bank of the lake to the other. From place to place, this extremely long roof will curve or vary in width and height, supported by columns rising from the bottom of the lake, with glass fitted between the columns. Apertures at the lower edge of the glass will open the interior to the lake's water. The water will enter and fill the interior, to make the floor emerge like a sandbank.
Zaishui Art museum by Junya Ishigami. Photograph by arch-exist.
Zaishui Art museum by Junya Ishigami. Photograph by arch-exist.
A landscape at the same scale as the exterior scenery will appear inside the building, generating a new external environment inside the architecture. The people will experience the exterior landscape newly manifested in the interior space as if they are strolling along the shoreline, and at the same time, they will be enveloped in a pleasant openness amid the continuity with the existing landscape surrounding the architecture. In winter, the surface of the lake will freeze, but the water beneath the ice connecting to the interior remains liquid. In this project, I recognized new external environments, created inside architecture by different places and conditions, manifest as landscapes and natural phenomena with distinct characteristics.
Junya Ishigami, born in Tokyo, Japan (1974). Education:
1994 - 1998 Musashi Institute of Technology.
1998 - 2000 Tokyo National University of Fine Arts and Music.
Professional experience:
2000 - 2004 Kazuyo Sejima + Associates.
In 2004 he set up his own firm, "Junya Ishigami + Associates". Junya Ishigami questions common understanding of architecture. This allows him to create things beyond trends, established principles and definitions, develop new structures, new spaces and organize the environment differently. He hopes his projects will be able to change the lifestyle of modern architecture radically and fill it with new values.
Main projects: Table. Tokyo, Japan, 2005 T. project. (First prize in residential architecture project sponsored by the Tokyo Electric Power Company). Tokyo, Japan, 2005 Balloon. Tokyo, Japan, 2007 Kanagawa Institute of Technology KAIT kobo. Kanagawa, Japan, 2008 Yohji Yamamoto New York Gansevoort street store, NY, USA, 2008.
Main awards: “low chair and round table” were acquired by the Pompidou Centre. Milan, Italy, 2004, SD Prize for “small garden of row house”. Japan, 2005, Kirin Prize for “Table” . Tokyo , Japan, 2005, First prize in residential architecture project for “t project”. Tokyo, Japan, 2005, “Table” shown at the Basel Art Fair by Gallery Koyanagi in 2006 and acquired by the Israel Museum. Basel , Swiss, 2006.