Serpentine Galleries show us new images on its last pavilion, designed by the Japanese architect Junya Ishigami. An architect celebrated for his experimental structures that interpret traditional architectural conventions and reflect natural phenomena.

Ishigami’s design takes inspiration from roofs, the most common architectural feature used around the world. The design of the 2019 Serpentine Pavilion is made by arranging slates to create a single canopy roof that appears to emerge from the ground of the surrounding park. Within, the interior of the Pavilion is an enclosed cave-like space, a refuge for contemplation. For Ishigami, the Pavilion articulates his ‘free space’ philosophy in which he seeks harmony between man-made structures and those that already exist in nature.
‘My design for the Pavilion plays with our perspectives of the built environment against the backdrop of a natural landscape, emphasising a natural and organic feel as though it had grown out of the lawn, resembling a hill made out of rocks. This is an attempt to supplement traditional architecture with modern methodologies and concepts, to create in this place an expanse of scenery like never seen before. Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric.’
Serpentine Pavilion Architect's Statement

The design for the 2019 Serpentine Pavilion takes roofs, the most common architectural feature, as its point of departure and inspiration. It is reminiscent of roofing tiles seen around the world, bridging both architectural and cultural references through this single architectural feature. The roof of the Pavilion is made by arranging slates to create a canopy that alludes to nature. It appears to emerge from the ground of the surrounding Park.

My design for the Pavilion plays with our perspectives of the built environment against the backdrop of a natural landscape, emphasising a natural and organic feel as though it had grown out of the lawn, resembling a hill made of rocks. This is an attempt to supplement traditional architecture with modern methodologies and concepts, to create in this place an expanse of scenery like never seen before. Possessing the weighty presence of slate roofs seen around the world, and simultaneously appearing so light it could blow away in the breeze, the cluster of scattered rock levitates, like a billowing piece of fabric.

The interior of the Pavilion is an enclosed cave-like space, a refuge for contemplation. For me, the Pavilion articulates a ‘free space’ philosophy that is to harmony between man-made structures and those that already exist in nature.
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Junya Ishigami, born in Tokyo, Japan (1974). Education:
1994 - 1998 Musashi Institute of Technology. 
1998 - 2000 Tokyo National University of Fine Arts and Music.

Professional experience:
 2000 - 2004 Kazuyo Sejima + Associates. 
In 2004 he set up his own firm, "Junya Ishigami + Associates". Junya Ishigami questions common understanding of architecture. This allows him to create things beyond trends, established principles and definitions, develop new structures, new spaces and organize the environment differently. He hopes his projects will be able to change the lifestyle of modern architecture radically and fill it with new values.

Main projects:
 Table. Tokyo, Japan, 2005
T. project. (First prize in residential architecture project sponsored by the Tokyo Electric Power Company). Tokyo, Japan, 2005 
Balloon. Tokyo, Japan, 2007
Kanagawa Institute of Technology KAIT kobo. Kanagawa, Japan, 2008
Yohji Yamamoto New York Gansevoort street store, NY, USA, 2008.

Main awards:
 “low chair and round table” were acquired by the Pompidou Centre. Milan, Italy, 2004, 
SD Prize for “small garden of row house”. Japan, 2005, 
Kirin Prize for “Table” . Tokyo , Japan, 2005, 
First prize in residential architecture project for “t project”. Tokyo, Japan, 2005, 
“Table” shown at the Basel Art Fair by Gallery Koyanagi in 2006 and acquired by the Israel Museum. Basel , Swiss, 2006.

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Published on: June 20, 2019
Cite: "New images of Serpentine Pavilion 2019 Junya Ishigami" METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-images-serpentine-pavilion-2019-junya-ishigami> ISSN 1139-6415
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