After the recovery of access through the north face of Puig de la Guàrdia to the Castle of Jorba, developed by Carles Enrich Studio and concluded in 2017, in 2019 the second phase of this project begins with the aim of continuing to recover the castle and take a tour of its different historical stages.

The objective of this second phase was to recover the terrace located at the highest point as a point of observation of the territory and to begin the tasks of prospecting the first walled enclosure, but during the excavation processes a small 12th century chapel with decorative elements of the 16th and 17th centuries and whose preservation was added to the pre-established objectives.
Taking advantage of the discovery of the chapel, the architecture studio Carles Enrich Studio rethought the project through a landscape intervention that proposes a journey through the first two historical stages of the castle that concludes inside the chapel, covered with a structure made of laminated wood and polycarbonate sheets that respects its historical character and allows natural light to pass through.

This new route begins at the access to the site of the first phase of the project, recovering the passage through the original door. The terrace of the highest level is recovered as a viewpoint and this space is linked to the chapel through wooden slatted stairs. In addition, to contain the earth from the upper terrace, the material arising from the excavation is reused and a cyclopean concrete wall is generated, differentiated by its textures from the original wall.
 

Description of project by Carles Enrich Studio

The project responds to phase two of the Master Plan for Jorba Castle, drawn up in 2015, continuing the recovery of the approach to the site via the northern slope of Puig de la Guàrdia. Earthworks during the archaeological excavation revealed buried structures that offered a better understanding of the castle complex and aroused interest in continuing the project.

Discovery of the chapel

Phase two began in 2019 with the aim of completing an itinerary through the historical phases of the castle, recovering the terrace on the upper level as a vantage point that overlooks the territory and starting the tasks of prospecting the first walled enclosure. The excavation process revealed the structure of a small twelfth-century chapel of 60 m2, comprising three four-metre-high walls with a series of decorative elements that date from the sixteenth century. They feature very well preserved seventeenth-century sgraffito and bevelling. The different layers recorded in these walls are a reflection of the multiple uses of the chapel over the years, and it was decided to preserve this heritage for an improved understanding of the castle’s history.

The project addresses this discovery and proposed covering the space to keep it dry and allow future archaeological work. The roof takes the form of a lightweight laminated timber structure that respects the passage of history, with facings of polycarbonate sheet to enhance natural lighting. Difficult access and the irregular geometry of the walls make it impossible to work with prefabricated elements, leading to the choice of a lightweight construction system built on site. The new structure adapts to what was already there and is supported at points by threaded rods that use the original foundation, thereby making it reversible.

Landscape intervention

This discovery brings a new approach to the project, proposing a landscape itinerary through the first two phases of the castle’s history and ending inside the chapel.

The route begins at the entrance to the site, recovering the original gateway. The upper terrace is recovered by lowering ground level to the original paving, turning the space into a vantage point with views of the traces of the old thoroughfare that connected Barcelona with Lleida. The boundary is defined by a change in section, rebuilding the retaining wall 90 cm below the level of the original paving and acknowledging its horizontal plane with a rod as a railing. Stairways of three 90-cm-wide runs of steps with wooden slats on a bed of leftover stones link this level to the entrance to the chapel, four metres below, thereby completing the landscape itinerary.

The place as material

All the material excavated in the archaeological dig was reused. The stones go to form a cyclopean concrete wall that retains the earth of the upper terrace and guarantees the stability of the whole. Different sizes of stones and lime mortar with variable proportions of sand were used to create textures that differ from the original wall, offering a reading by contrast. The earth produced by the excavation was reused to generate an entrance platform, as well as the new floor of the chapel. The remaining stones were amassed on the upper level and some reinterpreted as benches at the chapel entrance.

To make the route easy to follow and mark out the area that can be visited, a rope anchored to the ground by corrugated rods connects all the spaces.

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Architects
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Promoter
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Servei de Patrimoni Arquitectònic Local (Barcelona Provincial Council), Jorba Town Hall.
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Collaborators
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Archeology.- Arqueovitis. Structure.- BBG
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Builder
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Dates
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Project.- 2018. Work.- 2019 - 2020.


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Location
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Barcelona, Spain.
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Photography
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Carles Enrich (Barcelona, 1980) graduated at the ETSAB in Barcelona in 2005. From the beginning of his career he has combined his professional work with research, and obtained a Master degree in Theory and Practice of Architectural Projects from the UPC where he is currently a PhD Candidate. His thesis deals with the temporary occupations in the public space in Barcelona.

Associate lecturer in Projects at the ETSAB since 2016. From 2008 to 2017, he taught Projects and Urban Design at the Reus School of Architecture and, in 2015, Projects at the ETSAV. He was also visiting professor in the Extra-Local workshop organised by Columbia GSAPP in 2019, has collaborated on international master’s degrees such as the BIARCH in 2012 and the master’s degree in Restoration at the UPC in 2014, and directed the Vertical Workshop at the UIC Barcelona School of Architecture in 2018.

Carles Enrich’s aim of producing practice-based knowledge led him in 2013 to set up Carles Enrich Studio, where he develops projects that cover the entire habitable territory, from the domestic sphere to landscape. The quality and rigour of the practice’s built work are endorsed by consecutive nominations for the European Union Mies Award (2017, 2019) and the Lisbon Triennale Début Award 2016; the Spanish Architecture and Urban Design Biennale Awards in 2016 and 2018, the FAD Opinion Prize in 2016, and the AJAC Awards in 2012, 2016 and 2018. They were also recognised in the studio’s participation in the Venice Architecture Biennale in 2012, with the exhibition Context in “Architectural Rowers” in the Catalan Pavilion and, in 2016, as part of the exhibition Unfinished, which earned the Spanish Pavilion the Biennale’s Golden Lion.

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Published on: March 1, 2021
Cite: "Landscape adaptation of the walled enclosure and chapel of Jorba Castle by Carles Enrich Studio" METALOCUS. Accessed
<https://www.metalocus.es/en/news/landscape-adaptation-walled-enclosure-and-chapel-jorba-castle-carles-enrich-studio> ISSN 1139-6415
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