Located in Naoshima, a town in Kagawa Prefecture, Japan, architect Tadao Ando designed the New Museum of Art, the latest addition to the project developed by Benesse Art Site Naoshima. The project marks the architect's tenth contribution to the Benesse Art Site Naoshima constellation of museums and facilities, and is the first to bear the island's name. The new building will celebrate its grand opening next Saturday, May 31, 2025.

Opened in the late 1980s, Benesse Art Site Naoshima aims to build a community through close collaboration between local people and nature, architecture, and art. By establishing a nexus of museums and art facilities, Benesse Art Site Naoshima has made Naoshima, Teshima, and Inujima a unique place in the world.

The Naoshima New Museum of Art, designed by Japanese architect Tadao Ando, ​​exhibits and collects works by artists from Japan and other parts of Asia. Through partial exhibitions and various public programs, the museum seeks to convey more diverse perspectives and forms of expression, as well as multifaceted messages about the era and society, becoming a space for exchange and collaboration that connects users with a wide range of residents and visitors.

"It is my belief that the experiences in Naoshima will forever linger in the memories of those who visit the island. The songs we listened to and the works of art we saw in our childhood are never forgotten. I hope that many children will visit Naoshima and be able to feel their senses being stimulated so that they can open up doors to a new world. Such “moving experiences” have the power to nourish human beings and refine our senses that will in turn lead to more opportunities to be emotionally moved. Naoshima is an island like no other that is filled with such opportunities. For the Naoshima New Museum of Art, I once again endeavored to build a place that cultivates sensibilities and moves people’s hearts."

Tadao Ando, ​​Lead Architect at Tadao Ando Architect & Associates.

Naoshima New Museum of Art by Tadao Ando. Photograph by GION.

Naoshima New Museum of Art by Tadao Ando. Photograph by GION.

Through the sharp insights and questions that art raises about our time, society, and the environment, the inaugural exhibition will feature representative and newly commissioned works by twelve artists and groups, including those who have collaborated with Benesse Art Site Naoshima since its inception, as well as others with whom a relationship has been forged more recently. The idea rooted in the origin of Benesse Art Site Naoshima's activities encourages reflection and reaffirmation of what "well-being" is.

"With the addition of this new museum that mainly focuses on Asian contemporary art and features “dynamism” by changing exhibitions relative to other museums and art facilities in Benesse Art Site Naoshima, where permanent exhibitions of works by Western and Japanese artists have been dominant so far, we can offer visitors more opportunities to discover increasingly diverse artistic expressions and more reasons to come back. Furthermore, as our first museum that is located within a residential district, the museum seeks to be one that is truly suited for Naoshima, both rooted in local community and open to the world, making us inquire into how we can create a state of harmony between art, architecture, nature, and the community, while always going back to the origin of our activities."

Miki Akiko, Director of the Naoshima New Museum of Art.

Naoshima New Museum of Art by Tadao Ando. Photograph by GION.

Naoshima New Museum of Art by Tadao Ando. Photograph by GION.

The Naoshima New Museum of Art comprises one floor above ground and two basement levels, which in turn features a large roof harmoniously integrated with the crest of the hills. Bathed in natural light, a linear staircase leads from the ground floor to the basements, where the four exhibition galleries are located. A cafe located at the northern end of the ground floor allows visitors to enjoy panoramic views of the Seto Sea, including Teshima Island and the passing fishing boats.

Using the traditional burnt cedar technique commonly used on the island, along with pebble walls inspired by the houses of the Honmura area, the museum blends seamlessly with the local landscape. In this sense, the museum's architecture and approach are subtly intertwined with the history of Naoshima and the activities and experiences of its people.

Do Ho Suh, Hub/s, Naoshima, Seoul, New York, Horsham, London, Berlin , 2025. Photograph by Takeru Koroda.

Do Ho Suh, Hub/s, Naoshima, Seoul, New York, Horsham, London, Berlin , 2025. Photograph by Takeru Koroda.

"The Naoshima New Museum of Art focuses primarily on Asian contemporary art. This is because, in addition to our expectations that art from these regions will grow in interesting ways going into the future, I believe that we, as Japanese people, must be conscious about our belonging to Asia both geopolitically and culturally. For myself, Asian sensibilities are based on the awareness that human beings are a part of nature and hence living with nature. Having our Western art collection exhibited at our existing museums and art facilities, together with our Asian art collection including Japanese art being shown at the Naoshima New Museum of Art, the possibilities to develop a comprehensive and well-balanced exhibition program in Benesse Art Site Naoshima are greatly expanded.”

Fukutake Soichiro, Honorary Chairman of the Fukutake Foundation.

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Architects
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Tadao Ando Architect & Associates. Lead Architect.- Tadao Ando.

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Founder
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Fukutake Foundation. 
Chairman.- Fukutake Hideaki.
Honorary chairman.- Fukutake Soichiro.

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Director
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Miki Akiko. 

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Authors of the exhibitions
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Martha Atienza, Heri Dono, Heri Dono & indieguerillas, Pannaphan Yodmanee, Do Ho Suh, Chim↑Pom from Smappa!Group, Takashi Murakami, Aida Makoto, Cai Guo-Qiang, Shitamichi Motoyuki + Jeffrey Lim, N.S.Harsha, Sanitas Pradittasnee.

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Area
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Architecture.- 3 stories (1 above ground and 2 below ground) with a cafeteria (144 sqm).
Galleries.- (1) 373 sqm, (2) 300 sqm, (3) 320 sqm, (4) 494 sqm (numbers rounded).
Land area.- 6,017.67 sqm.
Total built area.- 3,176.43 sqm.

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Dates
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Opening - 31.05.2025.

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Location
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3299-73 Naoshima, Kagawa, Japan.

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Photography
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Tadao Ando was born in Osaka, Japan, in 1941. Ando briefly worked as a professional boxer in his youth. At 17, he obtained a featherweight boxing license and participated in professional bouts in Japan. At the same time, he worked as a truck driver and carpenter, a trade in which he gained firsthand experience in constructing furniture and wooden structures.

Tadao Ando did not attend formal architecture school for economic and personal reasons. He came from a modest family in Osaka, and financial constraints prevented him from attending university. During this time, he began reading architectural books on his own, by Mies van der Rohe and other modern architects, including treatises by Le Corbusier, particularly the book Vers une architecture, which was decisive for his vocation. His alternative training consisted of reading, attending lectures, and learning from direct observation.

A self-taught architect, he spent time in Kyoto and Nara, where he studied firsthand the great monuments of traditional Japanese architecture. Between 1962 and 1969, he travelled to the United States, Europe, and Africa to learn about Western architecture, its history, and techniques. His studies of traditional and modern Japanese architecture profoundly influenced his work and resulted in a unique blend of these rich traditions.

In 1969, he founded Tadao Ando Architect and Associates in Osaka. He is an honorary member of the architecture academies in six countries; he has been a visiting professor at Yale, Columbia, and Harvard University; and in 1997, he became a professor of architecture at the University of Tokyo.

His notable works include the Water Church (1988) and the Light Church (1989) in Japan; the Naoshima Museum of Contemporary Art (1992); the Modern Art Museum of Fort Worth in Texas (2002); and the UNESCO Conference Center in Paris (1995).

In 1991, he completed Rokko Housing II, the second phase of a residential complex begun in 1983 in Kobe, which was expanded in a third phase in 1998.

Ando has received numerous architectural awards, including the Pritzker Architecture Prize in 1995. Tadao Ando was appointed to the Berlin Academy of Arts in 1995. In 1995, he was made a Chevalier of the Order of Arts and Letters by the French government. He was subsequently promoted to Officer in 1997 and to Commander in 2013.

In 1996, he received the Praemium Imperiale for Architecture from the Japan Art Association, and in 1997, he was awarded the Royal Institute of British Architects (RIBA) Gold Medal, the American Institute of Architects Gold Medal in 2002, and the Kyoto Prize for his outstanding career in the arts and philosophy in 2002.

His works have been exhibited at institutions such as the Centre Pompidou in Paris, MoMA in New York, and the Venice Architecture Biennale, where he has participated in multiple editions since 1985. His buildings can be seen in Japan, Europe, the United States, and India.

In the fall of 2001, as a follow-up to the comprehensive master plan commissioned by Cooper, Robertson & Partners in the 1990s and completed in 2001, Tadao Ando was selected to develop a new architectural master plan for the Sterling and Francine Clark Art Institute, to expand its buildings and enhance its 140-acre campus. The project included the construction of the new Stone Hill Center exhibition building (2008) and the expansion of the Clark Museum, which reopened in 2014.

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Published on: May 30, 2025
Cite:
metalocus, AGUSTINA BERTA
"From Origin to Future. Opening Exhibition for the Naoshima New Museum of Art by Tadao Ando" METALOCUS. Accessed
<https://www.metalocus.es/en/news/origin-future-opening-exhibition-naoshima-new-museum-art-tadao-ando> ISSN 1139-6415
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