Located in southern Chile, in an area of ​​lakes, rivers, and volcanoes, on the edge of Lake Panguipulli, stands the Panguipulli Educational Theater of the Arts—a project by Leonardo Quinteros, Nicolás Norero and Tomás Villalón that was among the winning entries at the 14th Ibero-American Architecture and Urbanism Biennial (BIAU).

Conceived in response to the profound territorial and educational inequalities within the region, the project aims to provide access to artistic disciplines for thousands of children and students from scattered rural schools. The theater is designed as a compact volume that leaves as much open land as possible, utilizing a "box-within-a-box" concept.

Architects Leonardo Quinteros, Nicolás Norero and Tomás Villalón propose a compact volume organized around the coexistence of two distinct elements: an enclosed inner volume housing the main auditorium, framed by a large window that extends the stage towards the nearby lakeshore, transforming it into a natural amphitheater; and a lightweight, translucent outer envelope that creates an intermediate space for climatic transition between the two, accommodating the lobby and an area for community gatherings.

The building rests on a concrete plinth that addresses the site's changes in elevation and isolates the structure from moisture fluctuations caused by the lake and rainfall. Rising above this base is a locally sourced glued-laminated timber structure, assembled from a system of standardized, prefabricated components that optimize assembly times, reduce resource consumption, and contribute to ensuring energy efficiency.

Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Fotografía por Pablo Casals.

Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, and Tomás Villalón. Photograph by Pablo Casals.

Project description by Quinteros, Norero, Villalón

Context - community
Education in Chile faces not only political challenges, but also problems of accessibility that prevent hundreds of thousands of children from accessing it.

Panguipulli is a town in southern Chile, a region characterised by lakes, rivers and volcanoes. Hundreds of schools are scattered across small villages, where the population receives most of its basic education.

Several years ago, the idea emerged to establish a place where thousands of children could gain access to music, dance, painting and theatre, creating a new space for education and sharing this knowledge with the community.

Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Fotografía por Pablo Casals.
Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, and Tomás Villalón. Photograph by Pablo Casals.

This idea has taken shape in a small theatre with a capacity of 250 people, which, more than a theatre, is a large space for educating and promoting culture among children, young people and families who currently lack access to this type of training.

Today, more than 40 schools participate in this initiative, including 30 rural schools and 10 from neighbouring communities, benefiting more than 8,000 children throughout the region.

The site, located on the shore of the lake, marks the beginning of a new waterfront promenade, which will connect the beach, the lake and the town. The project, the result of a public competition, takes the form of a compact volume, minimising the number of blank walls along its edges. Its compact configuration allows the existing trees to remain, providing shade and height, creating a tree-lined square facing the town and an open beach facing the lake.

Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Fotografía por Pablo Casals.
Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Fotografía por Pablo Casals.

Architecture
The project consists of a compressed volume that defines two elements: a lightweight, translucent and permeable envelope, and an inner structure conceived as an enclosed volume housing the auditorium.

Between them lies an undefined space that accommodates a café and a foyer, but above all, the life of the community, the activities of children and young people, and the corporation's programme throughout the different seasons of the year.

The inner volume houses a 250-seat auditorium, conceived as a flexible space for rehearsals and performances. Designed to meet acoustic, thermal, lighting and stage requirements, it accommodates music, theatre and dance performances in various formats.

Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Photograph by Cristóbal Palma.
Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Photograph by Cristóbal Palma. 

The stage incorporates a window overlooking the lake across its entire width, allowing performances to establish a relationship with the landscape. During the summer, the theatre can also extend its activities towards the beach, enabling outdoor performances.

At ground level, a concrete plinth mediates between the building and the topography. This element accommodates dressing rooms and services, absorbs the site's changes in level, articulates an edge towards the existing wetland, and provides a response to rainfall and fluctuations in the lake's water level.

In construction terms, the project is based on glued laminated timber (glulam), a material sourced from the region and manufactured using mechanised processes. The construction system uses standardised components assembled as repeated units, simplifying details and reducing assembly times, resulting in significant savings in both economic investment and energy consumption.

Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Fotografía por Cristóbal Palma.
Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, Tomás Villalón. Photograph by Cristóbal Palma. 

Performance - community
The arts theatre is more of a large classroom than a conventional theatre: an open, community-oriented building that supports education and cultural development in territories as complex as southern Chile.

To date, the community has organised more than 200 events, bringing over 8,000 performers onto the stage, 30% of whom are students from nearby towns and 20% from rural areas.

Performances and artistic activities provide opportunities for community gatherings, bringing families together through culture and extending these educational experiences to thousands of people.

Teatro educativo de las artes de Panguipulli por Leonardo Quinteros, Nicolas Norero, Tomas Villalón. Fotografía por Pablo Casals.
Educational Arts Theater of Panguipulli, by Leonardo Quinteros, Nicolás Norero, and Tomás Villalón. Photograph by Pablo Casals.

The building also coexists harmoniously with the existing wetland, the lakeshore and the surrounding trees. Together, these environmental elements now form a unified landscape.

At an urban scale, the theatre establishes a volume whose height enters into dialogue with the trees, creating a new relationship with the emerging waterfront promenade. The beach, the trees, the theatre and a pathway along the shore establish a connection that the town previously lacked. Today, this emerging system shapes the delicate and beautiful face of Panguipulli towards the lake.

From a sustainability perspective, the strategy of placing one box inside another provides highly efficient thermal and climatic protection.

The outer envelope protects against weather conditions such as rain, dust and noise, sheltering an intermediate interior space where levels of transparency and opacity are carefully calibrated to optimise passive energy performance. The auditorium itself requires supplementary environmental conditioning only when necessary.

More information

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Project team
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Carmen Valdés, Makarena Ceballos, Sebastián Valois, Cristian Espinoza.

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Developer
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Amigos de Panguipulli, Corporación de adelanto.

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Builder
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Constructora Worne.

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Area
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1,400 sqm.

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Dates
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Competition.- 2017.
Completion – March 18, 2024.

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Location
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Bernardo O'Higgins, 324, Panguipulli, Los Ríos, Chile.

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Photography
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Pablo Casals, Cristóbal Palma, Roland Halbe, Leonardo Quinteros.

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Leonardo Quinteros Salazar is a Chilean architect who graduated from the University of Chile. During his university studies, in 2014, he won first prize in the CTES Underground Architecture Competition alongside Luis Pérez Huenupi for Jardín Botánico de Calama, a proposal connecting the Atacama Desert landscape with mining activities and the restoration of native plant species. In 2015, he received two distinctions at the National Undergraduate Projects Competition (CNPP) for Jardín Botánico Subterráneo and Muelle del Vestigio Fluvial.

In 2017, together with Tomás Villalón and Nicolás Norero, he won the public competitions for the Teatro Educativo de las Artes de Panguipulli and the new Municipal Building of Providencia in Santiago, Chile. The Teatro Educativo de las Artes de Panguipulli (2022), located beside the lake of the same name, received first prize at the 7th Architecture Works Competition of Wood Week in 2023 and was a winner at the 14th Ibero-American Biennial of Architecture and Urbanism (BIAU), held in Brasília in 2026.

In 2022, he contributed to Dionaea. Monument in Tribute to the Women of Chile, a project by Josefina Guilisasti, Cecilia Puga, Paula Velasco and Bárbara Barreda, located in Santiago's Mapocho Río Park. In 2025, alongside Tomás Villalón and Agustina Zegers, he won the Las Ermitas National Pedestrian Bridges Competition in Lo Barnechea.

Alongside his professional practice, he pursues an academic career at the School of Architecture of Universidad Diego Portales.

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Nicolás Norero (Santiago, Chile, 1978) is an architect who graduated from the University of Chile in 2001. In 2003, he won the Roberto Matta Mural Support competition alongside Tomás Villalón and Abel Erazo. In 2005, he received first prize in the public competitions Memoria Mujer and Paseo Altamirano, both in collaboration with Emilio Marín.

Between 2006 and 2010, he worked at the American architecture practice Studio Rick Joy in Tucson, Arizona. Upon returning to Chile, he collaborated with Cecilia Puga and Schmidt Arquitectos. Since 2017, he has pursued his independent architectural practice, collaborating with Tomás Villalón and Leonardo Quinteros on various projects.

In 2017, the three architects won the competitions for the Teatro Educativo de las Artes de Panguipulli and the new Municipal Building of Providencia in Santiago, Chile. The Teatro Educativo de las Artes de Panguipulli (2022), located beside the lake of the same name, was selected as a finalist at the 14th Ibero-American Biennial of Architecture and Urbanism (BIAU), held in Brasília in 2026.

Alongside his professional practice, he has pursued a teaching career at Universidad Diego Portales, Universidad de Talca, and Pontificia Universidad Católica de Chile.

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Tomás Villalón Aguirre (Santiago, Chile) is an architect who graduated with the highest honours from the University of Chile and holds a Master's degree in Architecture from the Pontifical Catholic University of Chile. In 2013, he founded his Santiago-based practice, Tomás Villalón Arquitectos, focusing primarily on public, cultural and educational buildings, many of which have emerged from architectural competitions.

His professional career includes more than forty awards and distinctions in competitions and biennials. Among his projects are the Teatro Educativo de las Artes de Panguipulli (2022), developed with Nicolás Norero and Leonardo Quinteros, the Municipal Building of Providencia and the Corporate Building of the Central University of Chile. The Teatro Educativo de las Artes de Panguipulli received first prize at the 7th Architecture Works Competition of Wood Week in 2023 and was a finalist at the 14th Ibero-American Biennial of Architecture and Urbanism (BIAU), held in Brasília in 2026.

In 2014, he received the Promoción Joven Award from the Chilean Association of Architects and, in 2023, the Outstanding Young Architect Medal from the Chilean Association of Architectural Offices (AOA).

Alongside his professional practice, he teaches at the University of Chile and the Pontifical Catholic University of Chile and has also taught at other Chilean universities. He was co-curator of the 2019 Chilean Architecture Biennial and was responsible for the installation of the Chilean Pavilion at the 2018 Venice Architecture Biennale.

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Published on: November 7, 2026
Cite:
metalocus, SARA GENT
"Panguipulli Educational Theater of the Arts by Quinteros, Norero and Villalón" METALOCUS. Accessed
<https://www.metalocus.es/en/news/panguipulli-educational-theater-arts-quinteros-norero-and-villalon> ISSN 1139-6415
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