Chilean architect Smiljan Radic was commissioned to design the Solo Hotel, the latest addition announced by Solo Houses, a proposal that will mark the central space of the 200-hectare complex: an architectural park, or small resort, which is an initiative of the French developer Christian Bourdais, located in the centre of the province of Teruel, Spain.

With this new addition, the complex is consolidated in the natural environment of Los Puertos de Beceite, in the Teruel region of Matarraña del Bajo Aragón. The development already includes works by Pezo von Ellrichshausen, Office KGDVS, and Héctor Zamora.
The initial idea from which the hotel designed by Smiljan Radic arises is built from the remains of a hawthorn board that he was using for one of his sculptures by Marcela Correa, with whom Radic works regularly. The piece of wood inspired the project by developing a concrete slab, pigmented in black, which is suspended on wooden piles 50 centimeters above the natural landscape, trying to minimize its impact on the ground.

The Solo Houses project is a work in progress, with two more proposals in the portfolio designed by Sou Fujimoto and Tatiana Bilbao, ready to take the next step towards construction. On the same day the hotel was announced, it was also revealed that Bodega Venta d'Aubert is joining the project as part of its push towards ecotourism.


Rendering. Solo Hotel by Smiljan Radic. Image courtesy of Solo House.
 


A model of the proposed Solo Hotel by Smiljan Radic. Image courtesy of Solo House.

Project description by Smiljan Radic

The image for Solo Hotel in Matarraña, Spain, takes its shape from the remnants of a plank of hawthorn wood that was being used to make wooden pegs for one of Marcela Correa’s sculptures. This piece of wood eliminated in one fell swoop the problem of the blank sheet of paper while allowing us to imagine a strategy to occupy the territory. The plot of land for the Solo Hotel is in an unpopulated region of Matarraña in the middle of Europe. It is surrounded by low mountain chains, grey rocks, and pine groves – a wild natural landscape to European eyes.

My project deviates from territorial primitive morphologies, where, by surrounding and isolating, a community can survive in the middle of a hostile natural environment. In contemporary fashion, a simple black pigmented concrete slab seems to lean forward, suspended on wooden stilts over the natural landscape 50 cm from the ground. This slab marks an urban area in the middle of nature; it isolates it (without enclosing it) from a natural environment that constantly invades it. It creates edges and not frontiers, generating a hybrid of natural and synthetic organizations that are plainly recognizable.

More information

Smiljan Radic Clarke was born in Santiago de Chile in 1965. He studied at the Catholic University of Chile's School of Architecture, where he graduated in 1989. Later, he studied at the Istituto di Architettura di Venezia, Italy. After travelling for three years, he opened his own practice in Santiago in 1995. In 2001, he was named ‘Best under 35-year-old architect’ by the Chilean College of Architects, and in 2009, he was appointed as an honorary member of the American Institute of Architects, USA.

Smiljan Radic has lectured extensively and has mounted several architecture exhibitions on his work, including in 2013 - The Wardrobe and the Mattress, Hermes Gallery, Tokyo, Japan; Bus Stop for Krumbach, Kunsthaus Bregenz, Austria; Ilustraciones, Galeria AFA, Santiago; in 2012 - An Orange Tree Noise at the Hiroshima Museum of Contemporary Art, Japan; and in 2010 Global Ends, Ma Gallery in Tokyo, and People Meet in Architecture, with sculptor Marcela Correa at the 12th International Architecture Exhibition in Venice. Smiljan Radic has won numerous contests, such as the Regional Theatre (Concepción, 2011) and the Telecommunication Tower (Santiago, 2014). His work has been published in several architecture journals and monographs, the most recent being El Croquis N° 167, Madrid, Spain. He currently lives and works in Chile.

In 2017, Radić founded the Fundación de Arquitectura Frágil, housed within his home studio in Santiago, to support experimental architecture that challenges disciplinary boundaries. Through exhibitions, workshops, and shared inquiry, the foundation reflects his belief in architecture as a collective and evolving practice.

Radić’s work has been recognized with numerous international honors, including being named Best Architect Under 35 by the Colegio de Arquitectos de Chile (Chile, 2001), the Architectural Record Design Vanguard Award (United States, 2008), the Oris Award (Croatia, 2015), the Arnold W. Brunner Memorial Prize from the American Academy of Arts and Letters (United States, 2018), and the Grand Prize at the Pan-American Architecture Biennial of Quito (Ecuador, 2022). He is an Honorary Member of the American Institute of Architects and an Honorary Fellow of the Croatian Academy of Sciences and Arts, since 2009 and 2020, respectively.

Radić’s work has been featured in major exhibitions internationally, including Global Ends at Gallery Ma (Tokyo, Japan, 2010); Un Ruido Naranjo at the Museum of Contemporary Art (Hiroshima, Japan, 2012); The Wardrobe and the Mattress, Hermès Gallery, Tokyo, with Marcela Correa (Tokyo, Japan, 2013); Bus Stop for Krumbach at Kunsthaus Bregenz (Bregenz, Austria, 2013); Smiljan Radić: BESTIARY at TOTO Gallery Ma (Tokyo, Japan, 2016); The House for the Poem of the Right Angle in Endless House: Intersections of Art and Architecture at The Museum of Modern Art (New York, United States, 2015–2016); and Guatero Bubble at the XXII Bienal de Arquitectura y Urbanismo de Chile (Santiago, Chile, 2023).

Radić continues to live and work from Santiago, Chile, sustaining an experimental architectural practice.

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Published on: November 2, 2022
Cite:
metalocus, ADELA BONAS
"Smiljan Radic designs a hotel for Solo Houses" METALOCUS. Accessed
<https://www.metalocus.es/en/news/smiljan-radic-designs-a-hotel-solo-houses> ISSN 1139-6415
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