David Chipperfield Architects has transformed the historic Edificio Pereda—one of the most emblematic buildings on Santander’s waterfront—into a new cultural centre, due to open its doors on 8 September.

The refurbishment converts the former bank headquarters into a space dedicated to art, designed to house the Banco Santander Collection, temporary exhibitions, areas for creative experimentation and immersive installations. In the latter, technology will play a key role in presenting projects related to artistic innovation to the public.

It is the first museum building designed by David Chipperfield Architects in Spain and is the result of a collaboration between the practice’s London and Santiago de Compostela offices.

David Chipperfield Architects’ intervention reinterprets the original architecture to accommodate its new public programme while preserving its heritage value. The emblematic arch, one of the building’s defining features, becomes the project’s structural core through the partial enclosure of its upper section. This vast central void organises circulation throughout the interior, strengthening the connections between the different spaces.

Developed by Banco Santander’s Real Estate team, IDOM and Ferrovial, the project encompasses more than 10,000 square metres across ten storeys. Nearly 3,000 square metres will be dedicated to exhibition spaces, while the upper levels will house a café with a terrace and a restaurant. The building also includes basement levels containing the auditorium and technical facilities.

The careful selection of materials and construction solutions creates a harmonious dialogue between the new additions and the existing historic fabric. One of the most prominent features, a helical staircase in exposed concrete, guides visitors through the exhibition galleries and becomes a defining element of the interior. The extensions to the arch and the rooftop pavilion also employ lightweight steel structures that contrast with the original construction.

David Chipperfield Architects’ renovation of Edificio Pereda is founded on the reuse and adaptation of the existing built heritage, demonstrating its resilience while reducing environmental impact. This approach has earned the project a BREEAM Outstanding rating of 92.96—the highest score achieved to date by any museum or cultural centre worldwide.

View of the interior. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

View of the interior. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

Project description by David Chipperfield Architects

The launch of Faro Santander, a new cultural project led by the Banco Santander Foundation and scheduled to open on 8th September, will mark the culmination of the transformation of one of the most prized buildings on Santander’s seafront and former Banco Santander HQ: the historic Pereda Building. Reimagined as a space for culture, the 10-storey building will house the Banco Santander Collection, which spans over a thousand works, alongside temporary exhibitions, spaces devoted to creative exploration and participation, and groundbreaking installations where technology takes centre stage. Faro Santander will provide a platform for projects rooted in innovation and artistic experimentation, and will also feature a café and a restaurant, plus a roof terrace with views over the city.

The transformation of the Pereda Building – a protected cultural heritage asset (Bien de Interés Cultural, BIC[U2.1]) – was led by David Chipperfield Architects and carried out by Banco Santander’s property team, with IDOM acting as project manager and Ferrovial as the contractor. Faro Santander’s renovated interior offers over 10,000 sqm of usable floor space across 10 floors, of which some 3,000 sqm is set aside for galleries distributed across five floors. The top two floors will feature a terrace café and restaurant, while three basement levels house an auditorium and building facilities.

Renovación del edificio Pereda. «Faro Santander» por David Chipperfield. Fotografía por Juan Baraja.
Renovation of-Pereda building. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

From former bank headquarters to lively, accessible civic space
The bank’s original headquarters is more than just a building; it is a fundamental part of Santander’s urban fabric and a gateway between the city and the bay.

“Architecturally, it boasts a complex and multi-layered history.”

Chipperfield.

The oldest parts of the structure date back to 1795, and it has gradually expanded over the years into its present form.

Originally erected as a standalone property, its east wing is a 19th-century residential building that was converted into Banco Santander’s headquarters in 1923. Almost three decades later, in 1961, the architect Javier González de Riancho carried out a major intervention: a replica of the original building was built on the west side – replacing earlier structures – and the two buildings were then linked by the arch that spans Calle Marcelino Sanz de Sautuola, reinforcing both the unity of the facade and the building’s institutional status.

These changes left the interior as a heterogeneous mix of styles and uses. Over the decades, parts of the building, in particular the west wing, adopted a historicist language tied to its traditional institutional role. The result was a building that projected a solemn face to the exterior while preserving an interior that remained largely private and compartmentalised.

Vista del interior. «Faro Santander» por David Chipperfield. Fotografía por Juan Baraja.
View of the interior. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

“We focused on rethinking the spaces and connections a public building needs, while recognising that the real significance of the project lies in the institution’s commitment to openness, culture and participation.”

Chipperfield.

Thus, the iconic arch, an element that both defines and holds the whole composition together, has been reimagined as a space of connection and transformed into the building’s central spine thanks to the partial enclosure of its upper section. From this great central void, the main circulation of the building will be visible, highlighting its new permeability and symbolising the shift from former bank headquarters to a generously proportioned public space for the city. Careful design of the glazed infill and placement of the main entrances beneath the arch serve to reinforce its urban character as a recognisable gateway between city and sea.

Materials for the refurbishment were chosen with care and tested through numerous full-size mock-ups of the various facade and interior finishes. Among the building’s most striking new features is a spiral staircase in exposed concrete, which sets the tone for the entrance and begins the run of stairs climbing up inside the arch and linking the galleries. The new additions, including the arch and the rooftop pavilion, were conceived as lightweight steel structures that, by contrast, throw the qualities of the existing building into relief.

“Changing the building’s use is an act of generosity and foresight, one that acknowledges the importance of cultural institutions not only as guardians of art and heritage but as active protagonists in civic life.” 

David Chipperfield, Pritzker laureate and a defining figure of international contemporary architecture.

Vista del interior. «Faro Santander» por David Chipperfield. Fotografía por Juan Baraja.
View of the interior. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

Faro Santander is also the first building for museum use that David Chipperfield Architects has completed in Spain. It was developed jointly by the practice’s London and Santiago de Compostela offices.

From bank to arts centre
Most of Faro Santander is dedicated to galleries and exhibition spaces. A whole floor is devoted to the Banco Santander Collection, a little-known holding that will play a permanent yet ever-changing role in the programme. Another entire floor is earmarked for ambitious temporary exhibitions. Between the two sits a new space for experimentation and discovery for families.

Vista del interior. «Faro Santander» por David Chipperfield. Fotografía por Juan Baraja.
View of the interior. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

Faro Santander will also host groundbreaking installations in which technology takes centre stage, serving as a platform for a range of projects linked to innovation and artistic experimentation. On the first floor, visitors will begin their journey in an exhibition space for artists from Cantabria, where collaborative projects developed with cultural partners across the region can take shape.

Right from the outset, David Chipperfield’s design kept Faro Santander’s multi-functional purpose and public use in mind.

“The transformation was about pursuing our vision of creating a cultural centre that is open to everyone – somewhere that is welcoming and accessible, with wonderfully diverse and high-quality spaces, where every visitor can enjoy a truly unique experience.” 

Daniel Vega Pérez de Arlucea, director of Faro Santander.

“The project is the result of a shared ambition to reimagine Banco Santander’s former offices as a civic and cultural space for the city.”

Chipperfield.

With two months to go before it opens, Faro Santander is already taking shape as a place where art, culture and technology will come together in an accessible setting open to all. Its mission is to put Santander and Cantabria on the map as key cultural hubs in northern Spain and to earn its place on the international stage.

Peter Paul Rubens, Sansón y el León (1628). Colección Banco Santander.
Peter Paul Rubens, Samson and the Lion (1628). Banco Santander Collection.

The museum with the highest BREEAM score in the world
The transformation of the Pereda Building is firmly in keeping with David Chipperfield Architects’ approach to architectural renewal, which seeks to extend the life of existing buildings while respecting their character and history. The project revolves around the reuse and adaptation of the original structure, a strategy that both preserves the building’s heritage and reduces the environmental impact typically associated with new construction, especially in terms of waste and carbon emissions. To reinforce this continuity between old and new, the materials used blend historic finishes with contemporary, durable elements in a way that strengthens the coherence of the whole.

This approach has established Faro Santander as a leading cultural venue in terms of sustainability. It boasts BREEAM Outstanding certification and a score of 92.96, the highest rating yet recorded by any museum or cultural centre anywhere in the world. The refurbishment integrates advanced environmental solutions to deliver both high energy efficiency and optimal conditions for the conservation of artworks, most notably through an innovative climate-control system that combines geothermal energy with thermally activated building systems (TABS).

The project boosts its environmental credentials further through green roofs and the reuse of rainwater for irrigation. It also promotes healthier, more sustainable mobility and improved access by incorporating facilities for cyclists. Together with the responsible use of materials and the recovery of over 95 percent of construction waste, these measures position Faro Santander as an innovative cultural institution at the forefront of efficiency and sustainable design.

Renovación del edificio Pereda. «Faro Santander» por David Chipperfield. Fotografía por Juan Baraja.
Renovation of-Pereda building. "Faro Santander" by David Chipperfield. Photograph by Juan Baraja.

BREEAM is one of the best-known international frameworks for assessing building sustainability. It offers a holistic assessment of multiple categories including energy efficiency, water use, user health and wellbeing, materials, waste, transport and environmental impact. The process begins at the design stage, with an interim BREEAM certificate that validates the proposed strategies and steers the project towards its sustainability targets. A fuller evaluation then follows during construction and commissioning, including verification of the measures actually implemented. Final ratings range from Pass to Outstanding, depending on the level of performance achieved.

BREEAM certification is not simply a sign of excellent environmental performance. It also signals higher standards of comfort for building users and greater long-term resilience.

More information

Label
Architects
Text

David Chipperfield Architects London, David Chipperfield Architects Santiago de Compostela.
Director.- David Chipperfield, Benito Blanco, Billy Prendergast, Rodrigo Antón Carrasquer.
Project architect.- José Azevedo, Sergio Pereira.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project team
Text

Team.- Ricardo Álvarez, Alba Azuara, Alexander Awramenko, José Azevedo, Toja Coray, Bernardo Criscuoli, Cathal Crumley, Patricia Fredborg, Victoria Gallagher, Clemens Gerritzen, Nadège Giraudet, Alexander Hill, Antonio Jiménez, Joseph Little, Davide Maggio, Jusin Park, Renato Pimenta, Inés Sanz Pinto, Daniela Puga, Monica Resines, Luisa Respondek, Carlo Vincelli, Richard Youel.
Competition team.- Lewis Armstrong, Clemens Gerritzen, Alexander Hill, Davide Maggio, Ruth Mellor, Tram Huong Ngo, Billy Prendergast, Monica Resines, Kim Schürmann, Gabor Tajnafoi, Alban Wagener, Matilda Williams.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client
Text

Banco Santander.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Builder
Text

Carried out by Banco Santander’s property team, with IDOM acting as project manager and Ferrovial as the contractor.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area / Dimensions
Text

Gross floor area.- 10,400 sqm.
Public use spaces area.- 6,200 sqm.
Maximum building height.- 30.49 m from the entrance threshold level.
Number of floors.- 7 above ground and 3 below ground.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text

Competition.- 2017–2018.
Project start.- 2018.
Completion.- 2026.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text

Paseo de Pereda 9–12, Santander, Spain.

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
+ + copy Created with Sketch.
- + copy Created with Sketch.

Sir David Alan Chipperfield was born in London in 1953 and was raised on a farm in Devon, in the southwest of England. He studied architecture at the Kingston School of Art and the Architectural Association School of Architecture in London, graduating in 1980. He later worked with Douglas Stephen, Norman Foster, and Richard Rogers before founding his own firm, David Chipperfield Architects, in 1985.

The firm has grown to include offices in London, Berlin (1998), Shanghai (2005), Milan (2006), and Santiago de Compostela (2022). His first notable commission was a commercial interior for Issey Miyake in London, which led him to work in Japan. In the United Kingdom, his first significant building was the River and Rowing Museum in Henley-on-Thames, completed in 1997.

Chipperfield has developed over one hundred projects across Asia, Europe, and North America, including civic, cultural, academic, and residential buildings. In Germany, he led the reconstruction of the Neues Museum in Berlin (1993–2009) and the construction of the James-Simon-Galerie (1999–2018).

He has been a professor at various universities in Europe and the United States, including the State Academy of Fine Arts in Stuttgart and Yale University. In 2012, he curated the 13th International Architecture Exhibition at the Venice Biennale. In 2017, he established the RIA Foundation in Galicia, Spain, dedicated to research on sustainable development in the region.

He is a member of the Royal Institute of British Architects (RIBA) and has been recognized as an honorary fellow of the American Institute of Architects (AIA) and the Bund Deutscher Architekten (BDA). He has received numerous awards, including the RIBA Royal Gold Medal in 2011, the Praemium Imperiale from the Japan Art Association in 2013, and the Pritzker Prize in 2023. In 2009, he was awarded the Order of Merit of the Federal Republic of Germany, in 2010 he was knighted for his services to architecture, and in 2021 he was appointed to the Order of the Companions of Honour in the United Kingdom.

Chipperfield's career is distinguished by his focus on the relationship between architecture and its context, as well as his commitment to sustainability and the preservation of architectural heritage.

Read more
Published on: July 15, 2026
Cite:
metalocus, SARA GENT, AGUSTINA BERTA
"From bank to art center, dialogue with the sea. "Faro Santander" by David Chipperfield" METALOCUS. Accessed
<https://www.metalocus.es/en/news/bank-art-center-dialogue-sea-faro-santander-david-chipperfield> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...