Named MEETT, the 155,000 square meter development, is a multi-program complex buildings, an urban machine, completed by OMA, in an urban area of innovation on the northern outskirts of Toulouse, a city in southwest France.

The project was resulted an international competition won nine years ago by Dutch practice OMA. The project has been led by partners Chris van Duijn, Ellen van Loon, and Rem Koolhaas.
MEETT was designed as an active strip – ‘une bande active’ - that was divided into three parallel bands: a row of modular exhibition halls to the North; a convention center and multi-function event hall to the South; and a reception area at the Center.

According OMA, MEETT is not an architectural intervention, but an urban machine. "Both monumental in its scale and subtle in its overall impact, it will be a new gateway to Toulouse."

"Navigation around MEETT is simple – the routes are intuitive, which combined with clear information signs throughout the complex makes it easy for visitors to find their way. Furthermore, the compactness of the expo reduces the distances that the public need to cover during their visit. The entire area is accessible to heavy vehicles, with a separate entry and exit point, and an internal road surrounding the north, west and south facades facilitates distribution and management."
 

Project description by OMA

MEETT, Toulouse’s new Exhibition and Convention Centre, is located in the innovation zone north of Toulouse. The project is not only about architecture, but also about infrastructure, urbanism, landscape and public space. The 155,000m² exhibition and convention center is positioned in between the city and the countryside: it connects urbanized plots to the south – mainly dedicated to aeronautics, including the airport hangar of Airbus– to an agricultural landscape to the north.

This rural area, well connected and close to the center of Toulouse, is vulnerable to the pressure of urbanization. Our design uses the massive scale and diverse program of MEETT as an antidote to the sprawl of a standard exposition park, in order to preserve the surrounding Occitanic countryside.

MEETT is conceived as an active strip – ‘une bande active’ - a horizontal and compact project, divided in three parallel bands: a row of modular exhibition halls to the north; a convention center and multi-function event hall to the south;  and a reception area to the center, featuring a silo car park for 3,000 cars. Instead of banishing parking underground or pushing it to the periphery of the site, where it has no relationship with the surrounding landscape, we placed the parking at the center of the project, covering a spine where amenities and access to the hall are concentrated.

By combining interior and exterior spaces, and establishing connections with the infrastructure – tramway, roads, airport – and surrounding countryside,  a typically introvert typology, the expo, is transformed into an extrovert one.  

MEETT is not an architectural intervention, but an urban machine. Both monumental in its scale and subtle in its overall impact, it will be a new gateway to Toulouse.

Northern strip – Exhibitions  

The exhibition building at the northern strip is impressive in scale as it can be enjoyed as a single, nearly 700-m long space. The building is composed with a limited repertoire of functional elements – a  series of black boxes (both on the ground and elevated in the air), white-colored steel profiles for the structure and a polycarbonate skin for the facade. Together they form a regular composition which emphasizes the giant scale of the building but also creates a bright and pleasant environment for the exhibition spaces.

The Exhibition Hall provides a total of 40,000m² of presentation area, which can function either as one major exhibition space or be separated into 7 modular halls, separated by a mechanized curtain. Two elevated mezzanines at either end of the hall provide space for reception or VIP program, while overlooking the main spaces. MEETT is a project about the relationship interior-exterior, and the Exhibition Hall is no exception, as the translucent façade provides the giant hall with generous daylight.  

The entire masterplan –including all buildings–  is based on a 3-meter grid, following the standard expo distribution, which permits to dissect the building in 3x3 meter cells as if it was a Tetris board, providing endless possibilities to split the use of the ground but also forming an underlying system for all architectural components.

Central strip – Reception area

At the center of the project, a 32,700 m² reception area on the ground floor welcomes visitors into the exhibition halls, the exterior expo and the convention center. This is called the Rue Centrale, and functions, honoring its name, as a street – it is circulation area, information center, and public space all at once. Fully pedestrian, it can house from ticket offices to food stands.

Elevated above the Rue Centrale and directly accessible from it is the carpark, a four-story elevated silo that sits right in the middle of the project. This building functions as a ceremonial entrance directly into the heart of MEETT, connected to the exhibition areas. It is an open building, to maximize the use of natural light and allow views into the expos from the parking lots.

Southern strip – Events  

The southern strip of MEETT consists of a multi-function Event Hall and a Convention Center combined in a single building also directly accessible from the Rue Centrale. The entire building can also be transformed into additional exhibition spaces on two levels.

The Event Hall and Convention Center building is designed as a machine. A system of moveable vertical shutters and horizontal partitions allows it to transform in few minutes into a large number of configurations, from small meeting rooms in the upper floors of the Convention Center to an open plan layout bathing in natural light on the ground floor.

A 13-m tall sliding façade on the eastern face of the event hall can be opened and allow interior events to continue on the exterior event square. In total the southern strip provides a total leasable area of 65000 m² inside and 40000 m² outside of the expo area.

Navigation around MEETT is simple – the routes are intuitive, which combined with clear information signs throughout the complex makes it easy for visitors to find their way. Furthermore, the compactness of the expo reduces the distances that the public need to cover during their visit. The entire area is accessible to heavy vehicles, with a separate entry and exit point, and an internal road surrounding the north, west and south facades facilitates distribution and management.

MEETT also features a transportation hub with a tram station, a bus station, a taxi stop and a reception area for cyclists. This hub on the Eastern side of the expo has the potential to accommodate more infrastructure, anticipating the further urbanization of the area. Directly in front of the transportation hub, a 170m long plaza spans from East to the West, towards MEETT, and provides one single entrance route to MEETT, functioning as an open public area.

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Architects
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OMA. Partner.- Chris van Duijn, Ellen van Loon, Rem Koolhaas.
Project Architect in collaboration with.- Gilles Guyot.
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Project team
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Competition.
Team.- Sara Bilge, Clément Blanchet, Sandra Bsat, Savinien Caracostea-Balan, Marek Chytil, Kaveh Dabiri, Lionel Debs, Daniel Dobson, Marcela Ferreira, Nathan Friedman, Didzis Jaunzems, Anthony Joyeux, Matthew Jull, Filippo Nanni, Elina Spruza, Wes Thomas, Haohao Zhu.

Schematic Design.
Project Architect.- Clement Blanchet, Marcus Franck, Gilles Guyot.
Team.- Polly Auyeung, Juhwa Baek, Henri Bardsley, Eugenio Cardoso, Lourdes Carretero Botran, Jan de Ruyver, Katerina Examiliotou, Peter Feldmann, Olivia Fontanetti, Stavros Gargaretas, Matiss Groskaufmanis, Michalis Hadjistyllis, Chris Hayman, Alexander Joksimovic, Eunjin Kang, Nicolas Lee, Laurence Lumley, Lawrence-Olivier Mahadoo, Elida Mosquera Martinez, Jamies Oliver, Pawel Panfiluk, Victor Pricop, Emmanouil Rentopoulos, Erik Revelle, Mario Rodriguez, Claudio Saccucci, Thomas Shadbolt, Michael Shafir, Saul Smeding, Lukasz Skalec, Adrian Subagyo, Kyung Su Jung, Chong Ying Pai.

Design Development.
Project Architect.- Gilles Guyot.
Team.- Maria Aller Rey, Anton Anikeev, Adrian Auth, Polly Auyeung, Juhwa Baek, Henri Bardsley, Sara Bilge, Sandra Bsat, Denis Bondar, Axel Burvall, Eugenio Cardoso, Lourdes Carretero Botran, Solène de Bouteiller, Jan de Ruyver, Francois Ducatez, Peter Feldmann, Olivia Fontanetti, Stavros Gargaretas, Matiss Groskaufmanis, Michalis Hadjistyllis, Chris Hayman, Alexander Joksimovic, Eunjin Kang, Henri Kapynen, Agnieszka Kwiecien, Nicolas Lee, Laurence Lumley, Lawrence-Olivier Mahadoo, Elida Mosquera Martinez, Thibault Nugue, Pawel Panfiluk, Victor Pricop, Emmanouil Rentopoulos, Erik Revelle, Mario Rodriguez, Claudio Saccucci, Thomas Shadbolt, Michael Shafir, Hélène Sicsic, Saul Smeding, Lukasz Skalec, Adrian Subagyo, Kyung Su Jung, Chong Ying Pai.


Tender & Construction Documents (Main Project).
Project Architect.- Gilles Guyot.
Team.- Maria Aller Rey, Adrian Auth, Denis Bondar, Kimiko Bonneau, Axel Burvall, Jorge Campos, Lourdes Carretero Botran, Solène de Bouteiller, Jan de Ruyver, Francois Ducatez, Stavros Gargaretas, Matiss Groskaufmanis, Michalis Hadjistyllis, Chris Hayman, Alexander Joksimovic, Eunjin Kang, Henri Kapynen, Agnieszka Kwiecien, Sara Martinez, Elida Mosquera Martinez, Thibault Nugue, Pawel Panfiluk, Clement Perisse, Jerome Picard, Mario Rodriguez, Hélène Sicsic, Jorge Simelio, Lukasz Skalec, Nicola Vitale.

Construction (Project Followup).- Project Architect.- Gilles Guyot.
Team.- Kimiko Bonneau, Clara Cahez, My-Linh Dinh, Camille Filbien, Pierre Levesque, Hélène Sicsic, Nicola Vitale.
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Collaborators
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Project Manager.- Gilles Guyot.
Contract Manager.- François Riollot.
Engineering.- Ingerop - Structures, MEP, Building Services, Fire, Traffic, Sustainability, Tram, Road infrastructure.
Local Architects.- PPA Architectures \ Taillandier Architectes Associés
Landscape Design.- Batlle I Roig.
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Owner
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Toulouse Métropole.
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Client
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Europolia.
Contributors.-  Toulouse Métropole (€199M), Région Occitanie (€45M), Conseil Départementale Haute-Garonne (€45M), Tisséo Collectivité (€22M).
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User
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GL EVENT
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Area
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Plot Area.- 90 Ha.
Floor area.- 155,000m².
Parking.- 75,000m².
Expo/Leasable Area.- Inside: 65,000m² Outside: 40,000m².
Services.- 15,000m².
Conference rooms.- 2700 persons.
Parking.- 3000 places in silo.
Public Parvis.- 16,000m²
Building surface.- 21 Ha
Outside area around buildings.- 23 Ha
Tram extension.-700 m
New road.- 4,2km (within 2,5km of 2 times two lanes).
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Dates
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Competition.- 1st Prize in 2011.
Design development.- 2012, 2013, 2014 and 2015.
Schematic Design.- February 2012.
Design Development.- June 2012.
Construction Documentation.- 2014 and 2015.
Breaking Ground.- 2016.
Completion.- July 2020.
Occupancy.- September 2020.
Open.- 26 September 2020.
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Manufacturers
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Facades.- Arcora.
Lighting Design.- 8’18’’.
Cost.- DAL.
Acoustics.- Royal Haskoning DHV.
Scenography.- Ducks Scéno.
Ergonomy.- Abilis.
Sustainability.- Soconer.
Signage.- BASE design.
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Programme
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Exhibition center and congress center, parking silo, road infrastructure, tram track and tram station.
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Localitation
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MEETT, Chemin de l’Enseigure, 31 840 Aussonne, France.
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Photography
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Philippe Ruault, Marco Cappelletti.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Rem Koolhaas was born in Rotterdam in 1944. He began his career as a journalist, working for the Haagse Post, and as a set-designer in the Netherlands and Hollywood. He beganHe frequented the Architectural Association School in London and studied with Oswald Mathias Ungers at Cornell University. In 1978, he wrote Delirious New York: a retroactive manifesto for Manhattan, which has become a classic of contemporary architectural theory. In 1975 – together with Elia and Zoe Zenghelis and Madelon Vriesendorp – he founded OMA (Office for Metropolitan Architecture).

The most important works by Koolhaas and OMA, from its foundation until the mid-1990s, include the Netherlands Dance Theatre at The Hague, the Nexus Housing at Fukuoka in Japan, the Kunsthal in Rotterdam, the Grand Palais of Euralille and Lille, the Villa dall’Ava, the Très Grande Bibliothèque, the Jussieu library in Paris, the ZKM in Karlsruhe and the Seattle Public Library.

Together with Koolhaas’s reflections on contemporary society, these buildings appear in his second book, S,M,L,XL (1995), a volume of 1376 pages written as though it were a “novel about architecture”. Published in collaboration with the Canadian graphic designer, Bruce Mau, the book contains essays, manifestos, cartoons and travel diaries.

In 2005, with Mark Wigley and Ole Bouman, he was the founder to the prestigious Volume magazine, the result of a collaboration with Archis (Amsterdam), AMO and C-lab (Columbia University NY).

His built work includes the Qatar National Library and the Qatar Foundation Headquarters (2018), Fondation Galeries Lafayette in Paris (2018), Fondazione Prada in Milan (2015/2018), Garage Museum of Contemporary Art in Moscow (2015), the headquarters for China Central Television (CCTV) in Beijing (2012), Casa da Musica in Porto (2005), Seattle Central Library (2004), and the Netherlands Embassy in Berlin (2003). Current projects include the Taipei Performing Arts Centre, a new building for Axel Springer in Berlin, and the Factory in Manchester.

Koolhaas directed the 2014 Venice Architecture Biennale and is a professor at Harvard University, where he directs The Project on the City, a research programme on changes in urban conditions around the world. This programme has conducted research on the delta of the Pearl River in China (entitled Great Leap Forward) and on consumer society (The Harvard Design School Guide to Shopping). Taschen Verlag has published the results. Now is preparing a major exhibition for the Guggenheim museum to open in 2019 entitled Countryside: Future of the World.

Among the awards he has won in recent years, we mention here the prestigious Pritzker Architecture Prize (2000), the Praemium Imperiale (2003), the Royal Gold Medal (2004) and the Mies Van Der Rohe prize (2005). In 2008, Time mentioned him among the 100 most influential people of the planet.

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Chris van Duijn joined OMA in 2000 and is based in Rotterdam. He has been involved in many of OMA’s most renowned projects including Universal Studios in Los Angeles, the Prada stores in New York and Los Angeles (2001), Casa da Musica in Porto (2005) and the CCTV Headquarters in Beijing (2012). Recently completed projects include Fondazione Prada in Milan (2015) and the Garage Museum of Contemporary in Moscow (2015).

In addition to large-scale and complex projects, he has worked on interiors and small-scale projects including private houses, product design, and temporary structures such as the Prada Transformer in Seoul (2009).

Currently he is overseeing the design of the Axel Springer Campus in Berlin and the Jean Jacques Bosc Bridge in Bordeaux, the construction of the Parc des Expositions in Toulouse and the Bibliothèque Multimédia à Vocation Régionale in Caen, as well as product development projects.

Chris holds a Master of Architecture from the Technical University of Delft.
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Ellen van Loon (Rotterdam, 1963) joined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.

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Published on: September 28, 2020
Cite: "9 years after, an "urban machine". MEETT Toulouse Exhibition and Convention Centre completed by OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/9-years-after-urban-machine-meett-toulouse-exhibition-and-convention-centre-completed-oma> ISSN 1139-6415
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