Common Accounts inaugurates the "Refresh, Renew" project for the Academy of Spain in Rome
13/07/2019.
[ROM] Italy
metalocus, MARÍA REDONDO
metalocus, MARÍA REDONDO
Common Accounts designs "Refresh, Renew", a project in the Academy of Spain in Rome that proposes a rearticulation of the current funerary constructions so that they operate simultaneously in the urban sphere and social networks.
We are located outside of an institution of the General State Administration whose purpose is to contribute to the artistic and humanistic formation of creators and researchers, achieving a greater Spanish cultural presence in Italy.
We are located outside of an institution of the General State Administration whose purpose is to contribute to the artistic and humanistic formation of creators and researchers, achieving a greater Spanish cultural presence in Italy.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
"Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
Model. "Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
Model. "Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
Model. "Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts. Photograph by Common Accounts.
Drawing. "Refresh, Renew", project for the Academy of Spain in Rome by Common Accounts.
The Common Accounts project has an open pavilion located outside the Academy of Spain in Rome, which puts the ritual capacity of body images in the foreground and plays with the way in which emerging funeral practices understand muscle as archive. "Refresh, Renew", a funerary catafalque for the digital era.
Description of project by Common Accounts
Igor Bragado, a fellow of the Royal Academy of Spain in Rome and co-director of the architecture office Common Accounts, inaugurated the work "Refresh, Renew" on June 20, 2019 as part of his project Il lutto del tuo archivio (the mourning of your file), developed in Rome.
In the Plaza de San Pietro in Montorio, the main entrance of the Academy of Spain, Igor has installed a funerary catafalque for the digital age. "The Refresh, Renew project proposes a rearticulation of the current funerary constructions so that they operate simultaneously in the urban sphere and in the social networks", says the architect. "This pavilion puts the ritual capacity of digital memory in the foreground". Igor continues with his research started three years ago together with Miles Gertler at Princeton University in the United States on the subject of death from a day-to-day perspective.
"The cemetery and the mausoleum are no longer the exclusive spaces for the funeral", says Igor; "The arrival of social networks a little over a decade ago has altered the social sphere of the funerary rite, multiplying the spaces through which the ceremony navigates. This demands a transformation of the current ceremonial protocols, requires the incorporation of new technologies, and requires a redesign of the commemorative spaces that include lives lived online", adds Miles Gertler, co-director in the Common Accounts office. The pavilion built in Rome includes space technologies such as the gymnasium or server farms. According to the architect, the gym is one of the current architectural spaces in which a digital file is more clearly constructed. "Recent cases of online funeral memorialization through the practice of fitness have brought to the surface a relationship (that between the cult of the body and the projects of eternalization) and historically extensive. A long series of cases that range from the practice of athletics at Etruscan funerals to the development of contemporary fitness by and for North American military culture attest to the relationship between death and exercise", says the architect.
In this context, one of Facebook's first significant encounters with death (prompted by a fitness teacher claiming access to the digital file of his dead son) shows precisely the displacement of the mourning space to areas such as the comments section of the networks social, but also the gym, and muscle.
For the prototype built in Rome, Igor has collaborated with the New Yorker Rennie Jones, in charge of a performance, and with the Madrid-born designer Armiche Rodriguez, who has made a series of "funerary athleisure" garments.
More information
Igor Bragado - Miles Gertler COMMON ACCOUNTS
Common Accounts is an architectural practice initiated at Princeton University by Miles Gertler and Igor Bragado in 2014. Equipped with excellent data plans, the office operates over satellite, server and fibre cable between Seoul, Toronto, and New York. Bragado and Gertler are recognized for their work Closer Each Day: The Architecture of Everyday Death and Going Fluid: The Cosmetic Protocols of Gangnam, which was exhibited at the Third Istanbul Design Biennial in 2016. El Pais, Pidgin Magazine, Uncube Magazine, Metalocus and Bracket: At Extremes have presented their work. They are currently producing a rural house in Northern Ontario, Canada.
Bragado and Gertler have lectured in Beijing, Toronto, Istanbul, and at Columbia University in New York and recent work has appeared at the A+D Museum in Los Angeles, in Uncube Magazine, Cuarto: Architecture Playground, Artsy, Metalocus and Dezeen.
Igor Bragado (b.1985) is a graduate student at Princeton University School of Architecture. He graduated with honours from ETSA Barcelona and Waseda University of Tokyo, and his thesis was selected for the 11th Spanish Architecture Biennial. He has given lectures at Columbia Studio X and the German Institute of Beijing. He was awarded the ARQUIA scholarship in Spain and a Full Tuition Fellowship at Princeton University. He previously worked at Herreros Arquitectos in Madrid and Hua Li in Beijing. Bragado is a contributing critic to El Pais and is adjunct faculty at the Cooper Union Irwin S. Chanin School of Architecture.
Miles Gertler (b.1990) is a graduate student at Princeton University School of Architecture, he earned his Bachelor of Architectural Studies at the University of Waterloo. He cut his teeth at the Office for Metropolitan Architecture in Rotterdam and a number of other studios in Paris, Rome, and The Hague. As a part of Toronto-based Lateral Office, he was a deputy curator for the Canadian Pavilion, Arctic Adaptations, at the 2014 Venice Architecture Biennale. Gertler has mounted two solo shows of visual work with Toronto's Corkin Gallery and is adjunct faculty at the University of Waterloo School of Architecture.
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