Anyone who passed the Berlin Kulturforum in the past few days could see how the roof and facade of the Neue Nationalgalerie and the exhibition hall now shines with new light and in its old splendor.

First images, of the renovation of the Ludwig Mies van der Rohe-designed Neue Nationalgalerie in Berlin, show us the building peeled  from scaffolding and foil following an intensive, five-year renovation by David Chipperfield Architects.
First images show the most important step on the way to the opening of the New National Gallery, completed in 1968 by Mies van der Rohe one of last major projects and his only building built in Germany following his emigration to the US.

The restoration of the upper exhibition hall alone, 1,600 square meter of new glass were installed, a new coating was applied to 15,000 square meter and 500 weld seams were renovated on the steel structure. 800 existing ceiling lights supplemented by LEDs, 196 ceiling grids and 2500 square meters of natural stone slabs made of Striegau granite were reinstalled after their conservation restoration. In total 35,000 individual components were removed from the building, with the majority restored and returned into their original positions.
 
"The refurbishment does not represent a new interpretation, but rather a respectful repair of this landmark of the International Style."
David Chipperfield Architects.

The original planting was restored on the terrace and in the sculpture garden with the installation of Gleditschien and silver maples. At the same time, the first installation and commissioning of the building as well as the preparation of the urban environment, including the sidewalks, began.

Due to the Covid-19 pandemic, the key handover ceremony for the Neue Nationalgalerie has recently had to be postponed to April 2021. Its re-opening to the public is planned for August 2021.

Mies van der Rohe’s Neue Nationalgalerie is one of the icons of twentieth-century architecture. Inaugurated 15 September 1968, David Chipperfield Architects Berlin was appointed to refurbish the building in 2012.
 

Project description by David Chipperfield Architects

The Neue Nationalgalerie in Berlin’s Kulturforum is one of the icons of twentieth-century architecture. The only building realised by Mies van der Rohe in Europe after his emigration to the USA, the Neue Nationalgalerie has been dedicated to the art of the twentieth century since its opening in 1968. After almost 50 years, the damage, deficiencies and deficits of intensive use are to be carefully and sustainably addressed, within the restrictions imposed by the building’s status as a listed monument. The refurbishment and modernisation aims for maximum preservation of the existing fabric, with minimum visual compromise to the building’s original appearance.

In order to upgrade the services to current museum standards, the stone cladding and all the interior fittings were to be dismantled in 2015/16. Tens of thousands of original building components are being removed and restored, before being reinstalled in their precise original positions. The services being updated include air-conditioning, artificial lighting, security, and visitors’ facilities, including cloakroom, café and museum shop, as well as improving disabled access and art handling.

The key to the complex planning process for this project is finding a balance between the requirements of current museum usage and the importance of the Neue Nationalgalerie as a listed monument. Though the essential new interventions remain subordinate to the existing design of the building, they are nevertheless discreetly legible as contemporary elements. The refurbishment does not represent a new interpretation, but rather a respectful repair of this landmark of the International Style.

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Architects
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David Chipperfield Architects Berlin
Partners.- David Chipperfield, Martin Reichert,Alexander Schwarz (Design lead).
Project architects.- Daniel Wendler and Michael Freytag (Concept design toTechnical design, Site design supervision).
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Project team
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Marianne Akay-Arslantepe, Alexander Bellmann, Thomas Benk,Martina Betzold, Matthias Fiegl, Anke Fritzsch, Dirk Gschwind,Anne Hengst, Martijn Jaspers, Cyril Kriwan, Franziska Michalsky,Maxi Reschke, Elke Saleina, Joshua Saunders.
In collaboration with:
Executive architect.- BAL Bauplanungs und Steuerungs GmbH, Berlin(Procurement, construction supervision)Project management: Kerstin Rohrbach.
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Collaborators
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Restoration consultant.- Pro Denkmal GmbH, Berlin.
Structure engineer.- GSE Ingenieurgesellschaft mbH Saar, Enseleit und Partner, Berlin.
Services engineer.- Ingenieurgesellschaft W33 mbH with Domann Beratende Ingenieure GmbH, Berlin.
Building physics.- Müller-BBM GmbH, Berlin.
Acoustic consultant.- Akustik-Ingenieurbüro Moll GmbH, Berlin.
Fire consultant.- HHP West Beratende Ingenieure GmbH, Bielefeld.
Façade consultant.- DS-Plan, Stuttgart.
Lighting consultant.- Arup Deutschland GmbH, Berlin.
Landscape architect.- TOPOS Stadtplanung Landschaftsplanung Stadtforschung, Berlin.
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Consultor de restauración.- Pro Denkmal GmbH, Berlín.
Ingeniero de estructuras.- GSE Ingenieurgesellschaft mbH Saar, Enseleit und Partner, Berlín.
Ingeniero de servicios.- Ingenieurgesellschaft W33 mbH con Domann Beratende Ingenieure GmbH, Berlín.
Física de la construcción.- Müller-BBM GmbH, Berlín.
Consultor acústico.- Akustik-Ingenieurbüro Moll GmbH, Berlín.
Consultor de incendios.- HHP West Beratende Ingenieure GmbH, Bielefeld.
Consultor de fachada.- DS-Plan, Stuttgart.
Consultor de iluminación.- Arup Deutschland GmbH, Berlín.
Arquitecto paisajista.- TOPOS Stadtplanung Landschaftsplanung Stadtforschung, Berlín.
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Project controlling
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KVL Bauconsult GmbH, Berlin.
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Client
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Stiftung Preußischer Kulturbesitz represented by the Bundesamt für Bauwesen und Raumordnung.
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User
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Staatliche Museen zu Berlin.
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Area
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13,900 m².
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Dates
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Tender procedure.- 2012.
Project start.- 2012.
Construct ion st art.- 2016.
Complet ion due.- 2019.
Opening due.- 2020.
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Location
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Potsdamer Straße 50, 10785 Berlin, Germany
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Photography
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Ludwig Mies van der Rohe was born in Aquisgran the 27th of Marz of 1886 and died in Chicago the 17th of August of 1969. He was active in Germany, from 1908 to 1938, when he moved to USA and where he was until his death. He was also considerate a “master” of the Modern Movement, since the 50s, and he was one of the fathers of this movement with Walter Gropius, Le Corbusier and Frank Lloyd Wright.

Mies van der Rohe, who in his childhood was guided by masters as Hendrik Petrus Berlage or Peter Behrens, he always kept tabs of the Villlet-Le-Duc’s rationalism or Karl Friedrich Schinkel eclectic classicism, having a strong connection with the architectural historicism. As he said in his manifesto “Baukunst und Zeiwille” about this: “it is not possible to move on looking back”.

In 1900 he began to work with his father in the stone workshop of the family and shortly afterward he move to Berlin to work with Bruno Paul in 1902, designing furniture. He planned his first house in 1907, the “Riehl House” in Neubabelsbers and worked from 1908 to 1911 in Peter Behrens’s studio. There he was influenced by structural technics and designs based on steel and glass, as the AEG project in Berlin. While he was in Behrens’s studio he designed the Perls House.

In 1912 he openned his own studio and projected a house in The Hague for Kröller-Müller marriage. The studio received few jobs in its first years, but Mies, contrary to architects as Le Corbusier, in his first years he already showed an architectural policy to follow, being an architect that changed little his architectural philosophy. To his epoch belonged the Heertrasse House and Urbig House as his principal projects.

In 1913 se move to the outskirts of Berlin with his wife Ada Bruhn with whom he would have three kids. The family broke up when Mies was posted to Romania during the World War I.

In 1920, Ludwig Mies changed his surname to Mies van der Rohe and in 1922 he joined as member to the “Novembergruppe”. One year later, in 1923, he published the magazine “G” with Doesburg Lisstzky and Rechter. During this period he worked in two houses, the Birck House and the Mosler House. In 1926, Mies van der Rohe held the post of chief commissioner of the German Werkbund exhibition, being his president this year. In this period he projected the Wolf House in Guden and the Hermann Lange House in Krefeld and in 1927, he met the designer Lilly Reich, in the house exhibition of Weissenhof, where he was director, and he planned a steel structure block for her.

In 1929, he received the project the German National Pavilion to the International Exhibition of Barcelona) rebuilt in 1986=, where he included the design of the famous Barcelona Chair.

In 1930, he planned in Brün – present Czech Republic -, the Tugendhat Villa. He managed the Dessau’s Bauhaus until his closure in 1933. The Nazism forced Mies to emigrate to the United States in 1937. He was designated chair of the Architecture department in Armour Institute in 1938, the one that later merged with the Lewis Institute, forming the Illinois Institute of Technology (IIT) and where he took the responsibility to build a considerable extent of the foundations of the Intitute from 1939 and 1958. One of the buildings of this complex is the Crown Hall, IIT (1950-1956).

In 1940, he met the person who would be his partner until his death, Lora Marx. He became citizen of the USA in 1944 and, one year later, he began with the Farnsworth House’s project (1945-1950). During this stage, in 1948, he designed his first skyscraper: the two towers of the Lake Drive Apartments in Chicago, which were finished in 1951. Shortly after, he planned other building of this typology, the Commonwealth Promenade Apartments, from 1953 to 1956.

In 1958 he projected his most important work: the Segram Building in New York. This building has 37 storeys, covered with glass and bronze, which built and planned with Philip Johnson. He retired from the Illinois Institute of Technology the same year. He also built more towers and complexes as: the Toronto Dominion Centre (1963-1969) and the Westmount Square (1965-1968) and designed the New Square and Office Tower of The City of London (1967).

From 1962 to 1968, he built the Neue Nationalgalerie in Berlin, which would be his last legacy to the architecture. The building that rose as exhibition hall is made of steel, glass and granite.

He died in Chicago the 17th of August if 1969 leaving behind a large legacy and influence to next generations.

The Mies van der Rohe’s most famous sentences are “Less is more” and “God is in the details”.
 

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David Chipperfield was born in London in 1953 and studied architecture at the Kingston School of Art and the Architectural Association School of Architecture in London before working at the practices of Douglas Stephen, Richard Rogers and Norman Foster.

In 1985 he founded David Chipperfield Architects, which today has over 300 staff at its offices in London, Berlin, Milan and Shanghai.

David Chipperfield has taught and held conferences in Europe and the United States and has received honorary degrees from the universities of Kingston and Kent.

He is a member of the Royal Institute of British Architects (RIBA) and an honorary fellow of both the American Institute of Architects (AIA) and the Bund Deutscher Architekten (BDA). In 2009 he was awarded the Order of Merit of the Federal Republic of Germany and in 2010 he received a knighthood for services to architecture in the UK and Germany. In 2011 he received the RIBA Royal Gold Medal for Architecture and in 2013 the Praemium Imperiale from the Japan Art Association, while in 2021 he was appointed a member of the Order of the Companions of Honour in recognition of a lifetime’s work.

In 2012 he curated the 13th International Architecture Exhibition of the Venice Biennale.

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Published on: December 28, 2020
Cite: "David Chipperfield Architects completes the Neue Nationalgalerie restoration" METALOCUS. Accessed
<https://www.metalocus.es/en/news/david-chipperfield-architects-completes-neue-nationalgalerie-restoration> ISSN 1139-6415
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