The "Fountain 2017" installation is integrated in the "Art Container" project, as a part of the exhibition "Common Ground" in the Swiss city of Zurich. It is joined by another works, all of them arranged in the urban open space or inside a container. The exhibition seeks social change, a new Europe that will be born from a critical reflection on the current European scene.

Bureau A signs this vindictive, rebellious and socially non-conformist project. The fountain is here enhanced as something more than an ornamental element: it provides the previously empty urban space with capability of performance. Capacity for action and intervention of the citizens is stimulated. At the same time, the work is thought as a fiercely criticism of the European policy, which is controlled , as the practice claims, in solitary by a few countries.

Description of the Project by Bureau A

Europe is moving. Fast. What we thought would be a community of identities has turned into a quite competitive space dominated by financial hierarchies. The “community” follows aggressive financial trends that opposes to the idea of a cultural neighbourhood where moral and ethical values are shared. The attack of countries by complex financial apparatus as the hedge funds and the likes has provoked a general disorder and a global feeling of distrust in the civic society. Greece’s debt might be saved by crowdfunding initiatives, by large numbers of anonymous international citizens trying to overrule what governments do not seem to deal with anymore: people. Public space is, in this context, regaining its original status of forum, to help the growing non-conformist crowds to reunite and express their disagreement to a controlled fate. Public space needs to stay public, open and support debate and creative proposals of any kind, whether they are social, political or cultural.

The Fountain of Youth, symbol of birth and beauty cannot be filled with crystal water anymore. It is now filled with the dirt of Europe’s recent history, where wealthy countries dictate the fate of not so wealthy ones. So here’s a present, a cultural gift from one of these countries that are not doing that well to one of the rich companions of the community. In the form of a noble fountain, a classical figure of occidental culture, Lisbon sends a solid salute to rich Zurich. A contribution to its public spaces where people can meet, be revolted to whatever, play, drink, sleep, love. Anything should be possible within a public space. As a slight provocation, celebrating another almost 100 years old fountain, Fountain 2017 send some marble to Zurich from Lisbon, so we can all can piss on it.

CREDITS.-

Project.- Bureau A.
Curators.-  Silvia Converso, Michele D’Ariano Simionato and Caterina Steiner
Photography.- James Batten.

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BUREAU A. Founded in 2012 by the association of Leopold Banchini and Daniel Zamarbide. Architects by training BUREAU A is a multidisciplinary platform aiming to blur the boundaries of research and project making on architectural related subjects, whichever their nature and status.

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Leopold Banchini was born in Geneva in 1981 and is an architect graduated from the EPFL (Ecole Polytechinique Fédérale de Lausanne). He is also Master in Architecture from the University of Lausanne (2007) and graduate of the Glasgow School of Art (2004).

Is a visiting professor in the HEAD (Haute Ecole de Design et) in Geneva since 2010 and Assistant Professor at the EPFL since 2009. He has also been Archozoom project designer in 2009.

Has been placed in Lot / ek Architects (New York) between the years 2004/2005, as an assistant project Art Basel (Basel) in 2005, and as a project partner of the collective Atelier Van Lieshout (AVL) that same year in Rotterdam.

He has developed his work as an architect in b720 Arquitectos (Barcelona) during the years 2007 and 2008, and Group8 Architects (Geneva) in 2009.

In addition, since 2008 part of 1to100 Architects, and architectural collective based in Geneva. Its members have been active and decisive parts in projects such as the winning participation of Bahrain at the last Venice Biennale - RECLAIM Golden Lion 2011, exhibitions such as The Gulf - OMA-AMO's participation at the Venice Biennale 2007 and publications such as AMO-Rem Koolhaas's Al Manakh. Parallel to that, they conduce many different operations ranging from architecture, to journalism, until urban design. They have teaching positions at the EPFL and the University of Arts and Design in Geneva.

Its aim is to take position and initiate reflexions upon our contemporary environment.

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BUREAU, is the new project by Daniel Zamarbide. The practice hides under its generic name a variety of research activities. BUREAU makes things as an urge to react to the surrounding physical, cultural and social environment with a critical standpoint and with an immersive attitude. BUREAU is (in 2017) a furniture series, an editorial project, a design team, they are architects.

Daniel Zamarbide obtains his master degree at the Institut d’Architecture de l’Université de Genève (IAUG) in 1999. During his studies he followed the workshops of Christian Marclay, Philippe Parreno and Catherine Queloz at the École Supérieure des Beaux Arts in Geneva.

In the year 2000 he becomes one of the founding members of group8, an architectural practice that has acquired an important national and international recognition.


Daniel Zamarbide has developed through the years a particular interest in the protean aspects of his discipline and nourishes his work and research through other domains like philosophy, applied and visual arts as well as cinema.

As a guest lecturer and jury he has been invited at a diversity of international schools and institutions to present and discuss his work and research.

Since 2003 his interest in research and education has led him to be invited as an assistant in the École Polytechnique Fédérale de Lausanne (EPFL) and as a professor (2000-14) at the Haute École d’Art et de Design (HEAD) in Geneva. In 2014, he integrates the team of ALICE Lab (Dieter Dietz) at the École Polytechnique Fédérale de Lausanne (EPFL) as a guest professor and research director.

In 2012, Daniel leaves group8 to start a new practice with Leopold Banchini, architect. Their practice, BUREAU A has explored during 5 years the possibilities of architectural making in a great variety of formats, opening the practice to work in the fields of art, garden and landscape architecture, exhibition design, temporary architecture and object making.

In 2017, following the dissolution of BUREAU A, Daniel Zamarbide pursues his more personal research interests under the name of BUREAU. This new entity produces architecture in the continuity of BUREAU A and incorporates to his already prolific activities furniture design (with a design brand of the same name) and an editorial project, which launches the first publication in June 2017.

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